Hair & Baldness

Let's talk about hair in the Middle Ages; not hairstyles, but hair itself.

Hairstyles were important, of course, because there was cultural significance to them. A tonsure shaved the head of a monk to resemble the Crown of Thorns pressed onto Jesus prior to the Crucifixion. (Although we believe some tonsure patterns were different.) "Hair and Religion" was a topic that produced a Part 1 and Part 2. A lock of hair from a saint was just as good a relic as a bone, and for a long time was the only thing allowed to be taken from the body. And it was felt that a shaved head disqualified a man to be king. Charles the Bald was probably not bald since he was qualified to be emperor, and the nickname was likely a reference to something else.

But what did the Middle Ages feel about hair itself? Well, they liked it, and if you were a man who didn't have it on the top of your head, you'd probably want to find a way to get it back. They therefore looked for remedies for baldness. One Irish manuscript authored by Connla Mac an Leagha assembled 920 remedies arranged from the head to the feet. Several are remedies for hair-related conditions (I'll skip over the lice and mites solutions).

Connla said hair could be encouraged to grow with a poultice of crushed chickweed and goat's dung. No details are included regarding proper preparation—which suggests that the readers would be familiar with it and did not need instructions—just that it needs to be applied and then held in place with a cloth. (My personal assumption is that no one in his right mind would smear goat dung on his head, and therefore the uselessness of Connla's remedy would never be discovered.)

Another slightly more elaborate hair-loss cure also included dung (I see a pattern forming). Meadowsweet, plantain, sheep's fat, and fresh butter were mixed with sheep's dung. (Must have fresh; wouldn't want it to spoil and stink up the sheep's dung.) These were to be cooked together and then strained (and presumably cooled) and applied to the scalp. It probably became a semi-solid thanks to the butter, so it would stay on the head when applied.

Another way to make a vile cure for baldness was to fill a clay vessel with mice, seal it with a lid, and bury it for a year. When the year was up, dig it up and open it, and smear the results not the scalp. This was considered so powerful a remedy that it was advised to wear gloves when handling it, lest you grow hair on your fingertips.

It wasn't all about baldness: one might also lament the graying of the hair. We know oak galls were used in making dark ink. Hot water, powdered oak galls, and the juice of white cabbage were mixed together, (presumably) cooled, and then applied to the graying hair and a cabbage leaf put on top of the process. This was supposed to reverse graying.

An old friend, Hildegarde of Bingen, wrote about medicine as well as music. She had ideas about hair and its lack:

A person with a big, wide bald spot has strong warmth inside himself. This warmth and the sweat from his head push out the hair. The moisture of his breath is fertile and moistens the flesh where the beard grows so that much hair can grow there. But a person who does not have much hair in his beard, though hair in abundance on his head, is cold and quite infertile. When his breath touches the flesh around his mouth this flesh becomes infertile.

And she also had a solution for hair loss:

When a young person begins to lose his hair, take bear fat, a small quantity of ashes from wheat straw or from winter wheat straw, mix this together and anoint the entire head with it, especially those areas on the head where the hair is beginning to fall out. Afterwards, he should not wash this ointment off for a long while.

Researching for this post led me to information that prompts me to write a "Hair and Religion, Part 3"; I'll get right on that for next time.