Showing posts with label Taliesin. Show all posts
Showing posts with label Taliesin. Show all posts

Wednesday, May 7, 2025

The Poetry of Taliesin

Taliesin (6th century) came a legendary figure of whom many stories are told and to whom many poems are ascribed—(almost) all of it fiction. It is believed by some scholars, however, that some of the poetry that mentions 6th century events or figures are likely the work of a real figure of that name who existed.

Rheged was a kingdom in the north of Great Britain, a Brittonic-speaking region in terms of post-Roman and Early Medieval Eras. One of its kings was Urien, mentioned in the Historia Brittonum and in several poems praising him. (Urien's grandson was St. Mungo.) A poem by Taliesin praising Urien at the Battle of Catraeth—and believed to be original—is offered here.

It is called "The Battle of Gwenystrad" [source].

The men of Catraeth arose with the dawn,
About the Guledig, of work a profitable merchant.
This Urien, without mockery is his regret.
He sustains the sovereignty and its demands.
Warlike, the grandeur of a perfect prince of baptism.
The men of Prydain hurtful in battle array,
At Gwenystrad, continuously offerers of battle.
Protected neither the field nor woods
The people with shelter when tribulation comes.
Like the wave loud roaring over the beach,
I saw valiant men in battle array,
And after the morning, battle-mangled flesh.
I saw a tumult of three limits slain,
A shout active in front was heard.
In defending Gwenystrad was seen
A mound and slanting ground obstructing.
In the pass of the ford I saw men gory-tinted,
Dropping their arms before the pallid miserable ones.
They join in peace as they were losers.
Hand on the cross they wail on the gravel bank of Garanwynyon.
The tribes revel over the rising wave.
The billows protect the hair of their captures.
I saw men of splendid progress
With blood that clotted on the garments,
Toiling energetically and incessantly in battle.
The covering battle, where there was no flight, when contrived.
The ruler of Reged, I am astonished at what was dared.
I saw a brow covered with rage on Urien,
When he furiously attacked his foes at the white stone
Of Galystem. His rage was a blade;
The bucklered men were sustained in need.
May a desire of battle come on Eurwyn.

And until I fail in old age,
In the sore necessity of death,
May I not be smiling,
If I praise not Urien.

This page tries to locate the battle geographically. 

Taliesin's existence is mentioned as one of five chief British poets in the Hitoria Brittonum. Although I've referenced the Historia several times, I haven't spent time explaining the pros and cons of this early source. Let's start talking about that tomorrow.

Tuesday, May 6, 2025

Chief of Bards

The 9th-century Historia Brittonum mentions five especially renowned British poets, one of whom is Taliesin. In the 12th century he was considered the author of a great number of romantic legends. The Middle Welsh manuscript called the Book of Taliesin from the 14th century has 56 poems. Scholars think 11 of them may date back to the 6th century, and may actually have been written by the figure known to history as Taliesin.

We know little of his life (of course), but the odes to King Urien Rheged, who died c.550, give us a time frame for an early bard. There are poems to other rulers of that era, suggesting that Taliesin may have performed for at least three kings. His life, however, contains (again, of course) many stories that cross over into fantasy and legend. His double-birth is the most profound of these.

According to a 16th-century account, the Hanes Taliesin (Welsh: "Tale of Taliesin"), his given name was Gwion Bach, and he was a servant to Ceridwen, an enchantress married to a noble in the time of King Arthur. She wanted her ugly son to gain respect, and so created a potion of inspiration so that he would become a famous bard. The potion needed stirring for a year and a day, and that task was given to Gwion Bach. At the completion of the stirring, three drops from the cauldron landed on Gwion's thumb.

Because it was hot, Gwion immediately put his thumb in his mouth, and received the inspiration and wisdom intended for Ceridwen's son. Knowing Ceridwen would be furious, he fled. She pursued, so he turned himself into a hare. Ceridwen turned herself into a greyhound to catch him, so he became a fish and leapt into the river. She became an otter, so he turned himself into a bird to fly away. She turned herself into a hawk, so he fled into a barn and turned himself into a single grain to hide. She became a hen and ate the grain.

The result was that she became pregnant. Realizing that she would give birth to Gwion, she resolved to kill the child, but he was so beautiful at birth that she could not bring herself to do it. She instead put him in a basket and threw him into the river.

The baby and basket got caught in a weir set up to catch salmon by Elffin, son of a lord, who raised the child and named him Taliesin. (The illustration above is an 1897 work by F.H.Townsend.) Taliesin grew up possessing the wisdom and talent derived from the potion ingested by his previous self.

That is the origin story of the legendary Taliesin. Tomorrow we'll look at the poetry that might actually be ascribed to the real Taliesin.