The Winchester Troper

When priests and monks prayed the Canonical Hours, praising God through hymns was considered an important part of the experience. We are fortunate to have a thousand-year-old manuscript that holds many examples of the music used at such times.

A trope is a theme or motif, and the Winchester Troper was named that because it includes different musical styles or motifs. The Winchester Trooper actually refers to two manuscripts of liturgical plainchant and polyphony, although the two manuscripts are not exactly connected; that is, they are not two parts of the same collection, just two manuscripts of the same type of music.

The music is in two forms: liturgical plainchant and two-voice polyphony. Plainchant (or plainsong) is simply a collection of chants used in the Western European Catholic Church, in which all singers follow the same tune. It was the primary type of Christian liturgical music until the development of polyphony in the 9th century, when two or more singers would harmonize. The Winchester Troper's examples of polyphony are for two voices.

As usual with many early manuscripts, authorship is unknown. A person once connected with scribing the Troper, but now determined to have been dead by the time the Troper was put together, was a character called Wulfstan the Cantor. I'll tell you more about him tomorrow.

If you would like to hear a sample of music from the Winchester Troper, click here.

Canonical Hours

Canonical Hours were fixed times during the day for prayers. The Bible was the source for planning multiple times during the day for prayer. In Exodus, God required sacrifice of animals in the morning and the evening; these sacrifices evolved into set times for prayer. Psalm 119 states (line 164) "Seven times a day I praise you for your righteous laws" and line 62 says "At midnight I rise to praise you."

The prayers for the Canonical Hours were mostly from Psalms, but there were also humans and other Bible verses. Over time, the specific passages became more regulated, requiring a system for keeping them straight and making sure that everyone was following the same script.

Saint Benedict of Nursia founded communities of monks, and produced the Rule of St. Benedict for them to follow. By that time (the Rule was written in 516), the Hours consisted of seven daytime prayers and one nighttime prayer. (Very few people outside of monasteries were determined to get out of bed to pray.) The Breviary (from Latin breviarium, "summary") was created to combine Psalms, the schedule for each day, the hymns needed, etc. Breviaries were copied and shared with other monastic communities.

When Pope Innocent III learned of breviaries, he adopted them for non-monastic priests as well. They and the daily prayers are still adhered to today, although there are now various forms.

I mentioned hymns, and I think it would be interesting to discuss (and listen to) some of the music used as part of the Canonical Hours.