Liudprand of Cremona

We are grateful that some people in the past chose to record what they saw and heard, or what they were told by others. Surviving histories help to build a picture of what life was like centuries ago. Unfortunately, many wrote with an agenda. Liudprand of Cremona certainly had opinions he wanted to get across with his writings, along with his histories.

He was born c.920 in Pavia, in northern Italy, and was a page to Hugh of Arles who was styled King of (northern) Italy and married Marozia of Rome. Hugh died in 947, after which Liudprand became confidential secretary and then chancellor to Berengar II, King of Italy from 950 - 961.

Liudprand, by then a deacon, was sent by Berengar to the court of Byzantine Emperor Constantine VII Porphyrogenitus where he learned Greek and became one of the first Western writers to use the lettering style called Greek minuscule. Liudprand's father and stepfather had both visited Constantinople as ambassadors, and Liudprand praised Byzantine hospitality.

Liudprand also brought gifts to the emperor. In his account of Constantinople in his work Antapodosis ("Retribution"), he says:

I offered, therefore, nine excellent breastplates, seven excellent shields with gilt bosses, two gilt silver cups, swords, spears, skewers, and four carzimasia slaves, to this emperor the most precious of all these things. For the Greeks call a child-eunuch, with testicles and penis cut off, a carzimasium. The merchants of Verdun do this on account of the immense profit they can make, and they are accustomed to bring them to Spain.

Back in Italy, Liudprand and Berengar had a falling out, so Liudprand joined Holy Roman Emperor Otto I, who became king of Italy after the death of Berengar's son Lothair. In 961 Liudprand went to Italy with Otto. A year later he became Bishop of Cremona.

While with Otto he met Recemund, a Mozarabic Bishop of Elvira and ambassador for Abd al-Rahman III. Recemund persuaded Liudprand that he should write a history of his times. The result was the Antapodosis.

In 963, Liudprand attended the Synod of Rome that deposed Pope John XII. His account of the events around that Synod is the only source we have.

In 968 he went to Constantinople again, this time to arrange a marriage between Otto I's son, Otto, and Anna Porphyrogeneta, daughter of (former) emperor Romanus II. This visit was not as happy as his first, for many reasons, and I'll share those and some of his account tomorrow.

Hrotsvitha of Gandersheim

A nun, a poet, a playwright— Hrotsvitha of Gandersheim has been called the most remarkable woman of her time, but she was hardly known until a manuscript of her works was discovered in 1494.

From information in her writing we can glean that she was born between 930 and 940CE to a well-to-do Saxon family. We do not know what prompted her to "take the veil" and enter a nunnery, but we know she took vows of chastity and obedience but not poverty, presumable because she did not want to give up comforts and freedoms she had grown up with.

In a preface to her poetical works, she writes of her education at the Abbey of Gandersheim:

I was trained first by our most learned and gentle novice-mistress Rikkarda and others. Later, I owed much to the kind favour and encouragement of a royal personage, Gerberga, under whose abbatial rule I am now living. She, though younger in years than I, was, as might be expected of the niece of an Emperor, far older in learning, and she had the kindness to make me familiar with the works of some of those authors in whose writings she had been instructed by learned men.

Among the works to which she was introduced were those of the Roman playwright Terence, and she decided she wanted to try her hand at that genre, making her the earliest known playwright—female or male—in the Latin West. Where Terence wrote women as shrews and courtesans, Hrotsvitha wrote them as innocents who were exemplars of Christian virtue.

She was the first female poet in Germany, writing several works in dactylic hexameter, including a history of the Ottoman Empire. and a history of Gandersheim Abbey.

She was the first Northern European to write about Islam. In her play Passio Sancti Pelagio ("The Passion of Saint Pelagius"), which she says is derived from an eyewitness to the martyrdom of Pelagius of Cordova, she refers to the character of Abd al-Rahman III, the Emir of Cordova from 929-961. Her plays read as dialogues, which means they are labeled "closet dramas" (a play meant to be read out loud, rather than performed). We know, however, that the Abbey enjoyed her writing, and she was asked to read to the other nuns, so it is possible that her plays were "performed" at Gandersheim.

The discovery and publication (in 1501) of her works made her a subject for study. In the 20th century, she became a feminist icon, which means I'll take a deeper dive into her works tomorrow.