Hair and Religion, Part 2

What does hair have to do with piety? Well, monks would get tonsured so that their outward appearance signified their role in society. As mentioned, hair outside the monastery was a way to make oneself more attractive, and so shearing most or all of it off was a way to make the individual less attractive and less "worldly."

On the other hand, excessive hair could also be a sign of piety. Anchorites—people who removed themselves from the world in order to devote themselves to prayer—could find separation by being enclosed in a small chamber (often connected to a church or monastery), or by becoming hermits, living away from others in the wilderness.

St. John Chrysostom (c.347 - 407, mentioned here) was a hermit. In the later Middle Ages, he is represented in illustrations as being excessively hairy. Another early hairy saint, Onuphrius, who became popular in Spain and Italy in the 13th and 14th centuries, proved his devotion by leaving his Egyptian monastery and living alone, naked, for 70 years near Thebes. He grew thick hair all over his body to protect himself from the elements.

Hairiness may have been seen as a a sign of such a strong rejection of worldly things that the saint was living simply, like a wild beast in the wilderness.

There were also several female hairy saints. Pictured above in a late 15th century manuscript is St. Mary of Egypt. Mary ran away from home in Egypt to Alexandria where she lived a dissolute life. Eventually turning to religion, she stopped focusing on her appearance, and is shown with matted and dirty hair as well as hair all over her body.

So if hirsute bodies could be a sign of turning from material cares toward spiritual purity, could the opposite take place? Here is where we turn away from the topic of "hair and religion" and look at simple "hair care." The artist Jean Bourdichon painted for King Louis XII the scene of Bathsheba bathing and being watched by King David [2 Samuel 11]. The water is transparent, and every part of her is visible in the water. The pink-red coloring of parts of her body show the she is pictured without pubic hair. If Michelangelo could carve it out of stone, there's no impediment to artists drawing it. The contention is that women must have shaved their pubic hair. Was this considered a choice for vanity's sake? Was it supposed to be a way to enhance sexuality or sensuousness? These questions are not answered in any contemporary texts.

Of course, there may have been an obvious reason for shaving hair around the genitals, one we rarely have to deal with in the Modern Age. Next time, let's look at the problem of lice in history.

Hair and Religion, Part 1

Paul in the First Epistle to the Corinthians calls a woman's hair her "glory" and says it must be covered, because no one should enjoy it but her husband. The man, however, does not cover his head, because he is the image and "glory" of God.

Shocking to modern sensibilities, maybe, but not unique to Paul. The Latin nubere used for "to marry" literally means "to veil oneself" (probably related to nubes, "cloud"). Roman women wore head coverings once they were married.

Medieval Europe was all about this "fashion." 14th century theologian Heinrich von Langenstein (1325 - 1397), a student of Nicholas Oresme and a fan of spontaneous generation, said that, for a woman, the veil is a:

symbol of her subservience. The woman wears a headdress so that it may be recognized that she is subordinate to the man, who ranks above her. The veiled head is also a sign that woman [i.e., Eve] transgressed the first commandment [not to eat the fruit of the Tree of the Knowledge of Good and Evil] and violated its terms.

As mentioned yesterday, long flowing locks on a woman were considered very sexy and seductive, and so a married woman was required to keep her hair under wraps in order not to tempt anyone other than her husband. Illustrations like the one here of the Harlot of Babylon, from the Apocalypse Tapestry commissioned by Louis I, Duke of Anjou, c.1380, show her combing her hair as a symbol of her sensuousness. A Good Wife’s Guide, written by a 14th century Parisian to his 15-year-old bride, warns her that hair allowed to show from under her veil is a sign of “drunken, foolish, or ignorant women.”

The opposite—controlling or removing hair—could be a sign of piety. Men and women entering religious orders were given severe haircuts: men lost their beards and had the crown shorn, leaving them with a tonsure that resembled the crown of thorns; women could be shorn or have their hair cut very short and then covered with veils. Hair had power and status, and removing it signaled separation from worldly things. (The ultimate expression of shorn hair denoting loss of power was seen in Frankish culture, where a shorn man could in no way be allowed to rule. Shaving the head of an enemy was a way to humiliate him—yes, even though hair grew back.)

On the other hand, could excess hair also be a sign of piety? And could lack of hair be a signifier of sensuality? We will find out tomorrow, for perhaps the most NSFW ("Not Safe For Work") post ever.

More About Hair

Hair is a fascinating resource. It is a crop that renews without any special tending, producing thread and cushioning. It can be cut, dyed, and shaped into various patterns that can denote different things in society: high or low status, and even religious status. It can be used to denote maturity or your fitness for the ruling class.

Let's talk for a moment about sumptuary laws, designed (to quote Britannica.com) "to restrict excessive personal expenditures in the interest of preventing extravagance and luxury." They started long before the Middle Ages. A province of Sparta forbade residents to own furniture or even a house that could not be made simply with an ax and saw. Anything more elaborate was excessive and shameful. Spartans only were allowed iron money, not gold or silver. Roman law also had rules governing the materials for garments.

Medieval Europe adopted many sumptuary laws, often to make sure the increasing wealth of the growing middle class did not encourage them to dress extravagantly similar to the ruling class. French kings restricted the use of gold and silver embroidery, etc.

Sumptuary law could embrace hairstyles as well. We know this because Florentine women in 1326 asked the Duchess of Calabria to speak on their behalf to the duke. The women of Florence were restricted (unfairly, they felt) from wearing "false hair": wigs and hair extensions. The law was intended to prevent lower-class women from appearing aristocratic—an affront to the fabric of society. Pope Eugene IV (1383 - 1447; briefly mentioned here) issued a statement that women should be allowed to wear "false hair." To be fair, his reasoning was that it could be pleasing to her husband and reinforce domestic bliss and marital fidelity, so a woman's satisfaction was not necessarily foremost in his mind.

Long and flowing hair was attractive and seductive on a woman, and so once she was married the hair had to be put under a wimple or bound up, so that she did not appear seductive to other men. The image of a woman combing long hair, in many cases being watched by a man, appears in medieval art, and is even painted on combs.

While combing [sic] the sources, I have found so much more regarding hair than I expected, including some items that might not be rated PG. More to come.