Showing posts with label St. Brigid. Show all posts
Showing posts with label St. Brigid. Show all posts

Thursday, January 11, 2024

Paganism and Christianity, Part 4


Although Christianity was replacing paganism all over Europe, pagan cultural influences inevitably lingered, and we can see this everywhere. The days of the week, and even the idea of a seven-day week, did not originate with Christians or the Bible. Pagan Romans had a seven-day week, and the modern English names come from Anglo-Saxon pagans and their Norse deities:

    • Sunday = Sun-day
    • Monday = Moon day
    • Tuesday = Tyr's day (god of war)
    • Wednesday = Woden's day (Odin, father of gods)
    • Thursday = Thor's day (thunder god)
    • Friday = Frigge's day (goddess of love)
Many pagan figures were turned into Christian saints because their stories were compelling. The saints Barlaam and Josaphat were decreed to be early saints, although they are from a much older Buddhist story. Some scholars doubt the historicity of St. Brigid of Kildare, suggesting that she was a re-purposing of the Celtic goddess Brigid, a member of the Tuatha.

Although the Bible does not mention the word or idea of a halo, Christian art puts it on the heads of religious figures as a standard indication of divinity. It is a much earlier image, however, appearing with Buddha, with Krishna, and the Egyptian sun-god, Ra.

The image of the Good Shepherd seems to come from the Bible, and was painted on Christian and Jewish tombs in the Roman catacombs, but it was previously used for pagan tombs as well. Jesus may be depicted as an adult with a beard, but the earliest Good Shepherd motif is of a beardless youth wearing Roman clothing from before the Common Era.

Other images in Jewish and Christian art that are predated by pagan use are found in the catacombs: woman praying with upright hands (so-called Orant figures), Winged Victories and cupids are seen throughout the catacombs, figures eating grapes, seven steps leading to a tomb, pairs of peacocks, scrolls—are all parts of pagan art that were adapted to Christian symbolism.

C.S.Lewis, after converting to Roman Catholicism, was happy to explain these borrowings as important parallels:

preparatio evangelica, a divine hinting in poetic and ritual form at the same central truth which was later focused on and (so to speak) historicized in the Incarnation... [from the essay "Myth Became Fact and Religion without Dogma"]

Of course the more deliberate adaptation of pagan-to-Christian culture is when Pope Gregory sent Augustine to convert Britain, telling him to appropriate their holy places and customs, or when St. Boniface cut down a sacred oak and used the timber to build a church. Gregory's re-defining certain words tells a similar story.

The Christianization of Europe kept advancing, but like the Renaissance it did not happen all at once. There was a country on the Baltic Sea that is considered the last country to become officially Christian. Curiously, its capital city of Vilnius had such a large and thriving Jewish population that it was called Yerushalayim D'Lita (the "Jerusalem of Lithuania"). Tomorrow we talk about (not for the first time) Lithuania.

Thursday, January 30, 2014

Imbolc

The first of February is the date of the Irish quarter-year festival called Imbolc. Imbolc is Old Irish for "in the belly"; it refers to the time of lactation in ewes and lambing, and was the official start of spring.

Imbolc may well be a neolithic tradition [neolithic is from Greek νέος (néos, "new") and λίθος (líthos, "stone") "new stone age"; c.10,200 BCE to c.4500-2000 BCE]. In Leinster, Ireland there is a stone tomb constructed between 3000 and 2500 BCE; the rising sun illuminates the passage into it twice a year, on Imbolc and Samhain.

In the Middle Ages, references to Imbolc are found in Irish literature salting in the 10th century. It became a time to think about the lengthening days and therefore time to think about the plantings ahead. (Conceptually, it was probably a precursor to Groundhog Day.)

The day became connected with St. Brigid, one of the three patron saints of Ireland.* The conflation of the saint with a fertility goddess leant itself to adding a lot of rituals and traditions to the day. Brigid's Crosses were woven from rushes for the occasion by young females, who would carry them while singing a hymn to Brigid.  Brigid would be invited into the home on the eve of Imbolc so that she would bless the house and family members. The ashes of the fire were carefully raked and smoothed that night; in the morning, they would be searched for any disturbance that suggested that Brigid had passed through. Brigid would be called upon to bless livestock for the coming year.

*St. Patrick and St. Columba were the other two.