Republic of Siena

According to legend, Siena was founded by Senio and Ascanio, who were sons of Remus (who founded Rome with his brother Romulus). More verifiably, Romans established a military outpost in 30CE.

After the fall of Rome and prior to the Republic of Siena, for many years the city and area was run by the bishops. During a territorial dispute with Arezzo, the bishop asked for help from the nobility, who demanded a greater say in administering the city in exchange. This led eventually to ending the control by the bishops and the founding in 1125 by a consular government.

Siena prospered under the Republic, becoming a center of money-lending and the wool trade. It expanded its influence over Southern Tuscany. In 1286 the government evolved to the Nove, "The Nine," chosen from the Noveschi political party of wealthy merchants. Under the Nove Siena rose to new heights of power, producing the Cathedral of Siena and improving the city walls.

Under the Noveschi, Siena's political and economic power grew in southern Tuscany until it became a rival to Florence. Of particular issue was the fact Siena was predominantly Ghibelline versus the Florentine Guelphs. This post explains the difference; Dante mentions their conflict in his Commedia. With help from Manfred of Sicily, Siena defeated Florence in the 1260 Battle of Montaperti. Some 15,000 Florentines were killed in the battle, and Siena entered a Golden Age until...

...the Black Death. Siena was devastated, In 1355, just as they might have been recovering from the plague, Holy Roman Emperor Charles IV of Luxembourg entered Siena and the population decided to throw out the Nove and the power of the Noveschi, replacing it with the Dodici, "The Twelve." They were presently replaced by the Quindici, "The Fifteen" in 1385, then the Dieci (Ten, in 1386), then the Undici, (Eleven, 1388-1398), followed by the "Twelve Priors" from 1398-99. Ultimately, all these experiments in governing by councils ended when the fear of Florentine expansion motivated the city to turn to a single strong ruler, Gian Galeazzo Visconti, the first Duke of Milan.

Tomorrow I'll tell you about the return of the Nove, the decline of the Republic, and (my favorite), the "mount of piety," which still exists.

The Medieval Grotesque

The word grotesque does not appear in that form until the 1560s, though now it is used to refer to illustrations and carvings from much earlier eras. It is from Italian grottesca ("of a cave") from Italian grotto ("cave") because it was first used to refer to paintings found in basements in the ruins of Classical Era Rome, specifically the palace complex begun by Nero in 64CE that had been abandoned and buried long ago.

We see grottesca used in Italy in a 1502 contract in which Raphael Sanzio da Urbino (better known to the Modern Era simply by his first name) agrees to decorate the Piccolomini Library attached to Siena Cathedral.

Not everyone appreciated the fanciful designs. One artist complained about

this insatiable desire of man sometimes prefers to an ordinary building, with its pillars and doors, one falsely constructed in grotesque style, with pillars formed of children growing out of stalks of flowers, with architraves and cornices of branches of myrtle and doorways of reeds and other things, all seeming impossible and contrary to reason... [link]

We use the word to describe three-dimensional art such as gargoyles. If you wanted to categorize types of grotesques in two-dimensional art, you will often see hybrids such as the illustration to the left. Another type is a strange juxtaposition or anthropomorphism such as a rabbit jousting with lance and sword, using a hybrid snail for a horse.

Sculptural grotesques originally were used for waterspouts in medieval architecture, but became their own genre of architectural decoration. Despite the complaint noted above, folk like the monk who designed Salisbury Cathedral did not hesitate to add grotesque figures that had no function other than to provide decoration. Salisbury, in fact, shows a more consistent architectural style than most other cathedrals, owing to its swift completion: 38 years, as opposed to generations for most gothic structures. In fact, Salisbury Cathedral is a good subject for the next post. See you soon.