Showing posts with label William Caxton. Show all posts
Showing posts with label William Caxton. Show all posts

Friday, March 14, 2014

Sir Thomas Malory, Crook

Today is the 543rd anniversary of the death of Thomas Malory. While the year 1471 might be a little late for the Middle Ages, Thomas Malory has an important role in our view of things that are medieval—one thing in particular.

from a 1405 French History of Merlin
Malory's claim to fame is as the author of Le Morte d'Arthur [Middle French: "The Death of Arthur"], a collection of romances published by William Caxton about King Arthur and members of his court. Most of the stories existed prior to Malory, but he added some original material to them. The details of the Morte are considered the primary literary source for modern re-tellings of the Arthurian legend. As with many authors, his actual identity has been the subject of speculation. There were several "Thomas Malory"s around the time, but we think we've narrowed down to the right one...

...and he was a criminal.

Probably born between 1415 and 1418, he was knighted by October 1441 and became a soldier under the Duke of Warwick. In 1443 he was accused of attacking a Thomas Smythe and robbing him of £40. Then, in 1450, he was accused of leading an ambush against the Duke of Buckingham. That same year, he stole items worth £40 from a house in Monks Kirby and raped the lady of the house.* In the next year or so, he became an extortionist, trying to get 100 shillings from one couple and 20 shillings from another man.

He committed many other offenses against both people and property, mostly against people we know to have been followers of the Duke of Buckingham, who was a rival of the Duke of Warwick. It is possible (but not, to a modern audience, excusable), that his actions may have been somehow sanctioned by his loyalty to Warwick.

This being the right Thomas Malory would explain the references to him in manuscripts as a "knight prisoner" and the statements at the end of some of the romances. One romance ends with "For this was written by a knight prisoner Thomas Malleorre, that God send him good recovery." Another ends with "And I pray you all that readeth this tale to pray for him that this wrote, that God send him good deliverance soon and hastily." It seems that Malory wrote while he had plenty of time on his hands—in jail.

It is ironic that the author of the collection of tales that exemplify the high ideals of chivalry was himself not a very chivalrous man.

*To be fair, "rape" was also a common accusation for consensual sex with another man's wife.

Monday, February 17, 2014

The Golden Legend, Part 2

A copy sold by Christies in 2002 for $688,000
About 1260, the Archbishop of Genoa, Jacobus de Voragine, wrote a collection of hagiographies (saints' lives) which he called Legenda sanctorum ["Legends of the saints"]. It turned out to be extremely popular, quickly taking on the name by which it is known today: Legenda aurea ["The Golden Legend"]. Over 800 hand-made copies exist from the era prior to the printing press.

The term "legend" at the time was able to convey the idea of truth as well as fiction in this kind of work, and rightfully so. Jacobus was not concerned with creating a well-documented and historically accurate account of saints. He was interested in producing inspiration and enlightenment, and that cannot be left to the facts.

And so we have our major reports of saints such as St. George whose faith enabled him to slay the Dragon, and St. Christopher whose name means Christ-bearer and whose major feat in life was to bear a child across a river who turned out to be Jesus Christ in disguise. The 20th century acknowledges that these saints are likely never to have existed, but for Jacobus their example for Christians is far more important than determining whether they actually lived. He not only told the stories of their lives and major exploits (in great detail), he frequently analyzed their names, explaining their symbolic significance. Jacobus knew Latin, and would have been aware that his interpretations of Latin names was frequently more creative than etymological, but that didn't matter to him as much as holding the saints up as exemplars for proper behavior. He did not, however, take an "anything goes" approach: in his life of St. Margaret, when she is swallowed by a dragon whose belly breaks open due to her prayer, he labels the incident "apocryphal."

Which is not to say that he made everything up on his own. Scholars believe that he was drawing much of his knowledge from previous texts that they can identify. In fact, the 16th century—a time of church reform and re-examination of long-held beliefs and practices—saw a rejection of many of the stories of the Legend because of their fanciful nature. Still, it was an extremely popular work for the masses. William Caxton's English edition in 1483 went to several printings between then and 1527, attesting to its enduring attraction for readers. Although the chapters tend to start sounding the same after a time, it is still studied today as an example of medieval tastes and beliefs.