Showing posts with label Holy Ampulla. Show all posts
Showing posts with label Holy Ampulla. Show all posts

Monday, November 4, 2024

The Holy Ampulla

Many years ago, I posted how Clovis I (c.466 - 511) was the first king of the Franks to be converted to Christianity, influenced by his Christian wife Clotilde and St. Rémy (also known as Remigius). There is a legend about his baptism that says that just as he was about to be baptized, a dove flew down from above carrying a vial of chrism, the oil needed for anointing.

That legend, however, was a later creation and seemed based on an earlier miracle of St. Rémy, called the "Legend of the Baptism of the Moribund Pagan." In this legend, when Rémy (c.437 - 533) was the Bishop of Reims, a dying pagan requested baptism, but there was no oil for anointing. Rémy asked that two vials be placed on the altar, and as he prayed they miraculously filled with a chrism that gave off an unearthly fragrance.

At the time of Archbishop Hincmar of Reims (806 - 882), Rémy's sepulcher was opened and found to contain two vials of oil. In a clever piece of marketing, Hincmar combined the discovery of the vials, the story of the pagan, and the knowledge that Rémy baptized Clovis, into a new legend that allowed him to declare that French kings in the future should all be crowned at Reims Cathedral and anointed with the miraculous oil that Reims possessed.

The Holy Ampulla is about 1.5 inches tall and made of Roman glass. Its use was first noted at the coronation of Louis VII in 1131, and the connection to Clovis and Rémy was made common knowledge. Its last use for a coronation (for a time) was that of Louis XVI in 1775, because it the ampoule was destroyed.

The illustration above is not the Holy Ampulla found in the tomb of St. Rémy. During the French Revolution, symbols of monarchy were routinely vandalized. Fearing the invasion of the cathedral, a cleric drained the chrism from the ampoule. Shortly after, a revolutionary smashed the ampoule. The fragments were saved by several of the faithful, and in 1823 they were brought together. A reliquary was ordered by Louis XVIII to house the fragments, and a new glass bulb was created to hold the oil. It is still preserved at the Saint-Rémi Basilica in Reims. The new Holy Ampulla and its contents were used for the coronation of Charles X in 1825.

And speaking of French kings, we've never said much about Louis VII, although he is connected to several posts of the past, including having one of the most amazing women of the Middle Ages divorce him for a younger man. Let's give Louis his due tomorrow.

Sunday, November 3, 2024

How Far They Fall

Gilles, the Baron de Rais (c.1405 - 26 October 1440) was a French leader during the Hundred Years War. In 1429 he was made the Marshal of France (a distinction awarded for special achievement) after the military campaigns inspired by Joan of Arc.

When Joan first arrived at Chinon to speak to the Dauphin, Charles, Gilles was present. Gilles wrote to John V, Duke of Brittany, requesting support for Joan's planned attempt to raise the Siege of Orléans. On 25 April 1429, when Joan arrived at Blois, she found a well-supplied and well-armed contingent of soldiers headed by Gilles and the Marshal of Boussac, Jean de Brosse. There were additional soldiers paid by Gilles personally, who apparently had put great faith in Joan and her divine mission.

Gilles was also with Joan during the progress through the Loire, and the Battle of Patay in June of 1429. Their efforts helped put Charles on the throne. Gilles (and three other lords) carried the Holy Ampulla (a glass vial with the anointing oil) during the coronation of the Dauphin as Charles VII. Charles entrusted Jean de Brosse and Gilles to head the army against the Anglo-Burgundian alliance. At the Siege of Paris, Joan asked for Gilles to stay by her side, which he did all day. For his service, Charles allowed Gilles to add a border of flour-de-lis around his coat of arms, a distinction only shared by Joan herself.

The man had a darker side, however. Military failures and financial issues caused him to withdraw more and more from court and public life, and Charles was not happy with him. Supposedly, he looked for power in other directions.

According to the records of a trial against him in 1438, Gilles looked for people with knowledge of alchemy and summoning demons. He found an Italian cleric named François Prelati who claimed expertise in both. Gilles and Prelati conducted rituals to summon a demon in Gilles' Château de Tiffauges in the border lands between Brittany, Poitou, and Anjou. When no demon materialized after three attempts, Prelati claimed the demon required an offering of the body parts of a child. Gilles provided the required offering, but with no better result.

He may have wanted a demon's help in reclaiming some of his properties. He decided to reclaim by force a castle he had given to someone else; he was unsuccessful, and succeeded only in alienating his former comrades. In mid-May 1440, he ambushed a troop of men; he then entered a church, disrupting Mass and threatening the priest to leave. He physically abused servants and harassed clerics.

An ecclesiastical investigation was begun. Bishop Jean de Malestroit visited Gilles' local parish and began investigating tales of local children missing. Locals claimed that children entered the castle to beg for food and never emerged. Charges were brought against Gilles and Prelati for murder, sodomy, and heresy. The charges were also brought against a few servants and some local women who were accused of providing the children. Court records claim there were 140 or more.

Gilles confessed to the charges on 21 October 1440; his death sentence was declared on the 25th. He was simultaneously hanged while fire was set to brush piled around the gallows. His remains were cut down before being completely burned.

Some think he was the model for the tales of Bluebeard, the French folktale about a man who murders all his wives.

We need a palate cleanser after all the war and executions. Tomorrow let us see if there is anything interesting about a vial named the Holy Ampulla.