Honorius Augustodunensis

Yesterday I briefly mentioned the Elucidarium. Its name signified that it was intended to elucidate the details of Christian theology and its relationship to mundane folklore. Today I'll tell you about its author, and tomorrow we will look at the work itself.

The author was Honorius Augustodunensis. The surname has been questioned. Some thought he was from Autun, whose Latin name was Augustodunum, but he was as likely to be from St. Augustine's Abbey in Canterbury (where he would have known Anselm). Additionally, since he refers to contemporary events in Germany, some suggest that he could be from Augst near Basle or even Augsburg in Swabia. The Catholic Encyclopedia calls him "Honorius of Autun," despite acknowledging the German connections.

He was influenced by the writings of John Scotus Eriugena and his Division of Nature, and by Anselm of Canterbury. In fact, we can partially date its origin in the late 11th century because it refers to Anselm's Cur Deus Homo, published in 1098.

He was a monk (or hermit: he describes himself as solitarius which could mean either) who certainly spent some time in England; later in life he went to  the Scots Monastery in Regensburg, Bavaria, lending credence to the idea that he was originally German.

Honorius also imitated the style of John Scotus Eriugena, used the same definition of philosophy as Eriugena ("Philosophy is the comprehension of things visible and invisible"), wrote a summary of the first four books of Eriugena's) Division of Nature (and copied the fifth into it), and praised him highly, suggesting that he may have spent time in Ireland with the man.

Besides the Elucidarium, he wrote many other works. We believe the Elucidarium was one of his first, which means he was a very young man when he wrote it. He lived until about 1140, and his birth is estimated to have been about 1080.

He wrote a set of lessons for celebrating the Assumption of Mary, a commentary on the Psalms, a collection of his sermons (you can read one here), a commentary on the Timæus of Plato, a bibliography of Christian authors (including himself of course), and Imago Mundi ("Image of the World") that combined cosmology, geography, and a history of the world.

Tomorrow we will look at the influential Elucidarium.

Judas and Brendan

I discussed the medieval attitude toward Judas yesterday, and how the Middle Ages found a place for him in literature and legend outside of his brief appearance in the New Testament. One of the oddest ideas is that, because of a good deed or two attributed to him during his life, he is allowed time out of Hell.

I have written before of Brendan the Navigator, who was the main character of a "medieval best-seller." Over 100 manuscripts exist, from as early as the 10th century, about Brendan undertaking a voyage with 16 monks (or 14, or three) to find the Isle of the Blessed (or the Garden of Eden). The story produced several versions, with Brendan experiencing different lands and strange beings. The most consistent anecdote that appears in all versions, however, is the meeting with Judas Iscariot.

After passing by the fiery mountain which is the entrance to Hell, and the loss of a crew member, Brendan and the remaining crew sail south and see something protruding from the ocean. It is a stone, with an unkempt man one it. He wears a cloak, attached to two forks in a way that allows the wind and waves to lash the cloak folds against his face constantly.

Brendan asks the man his identity and the reason for his punishment. It turns out that this is Judas Iscariot, and the punishment they observe is actually a respite from Hell. He is normally stuck on the fiery mountain they saw, where he is constantly burned. But this is not for every day of the year. On certain days he is freed from the fire and put on this rock. Those days are Sundays, the Twelve Days of Christmas (25 December to 6 January), from Easter to Pentecost, and the feast days of the Purification and Assumption of Mary (quite a few, really).

Brendan asks Judas about the significance of this "respite" and why it is arranged this way. The cloak he wears is granted him because he once gave a cloak to a leper who was exposed to too much sun. The rock is because he once put a rock as a stepping stone in a trench to make a journey easier. The forks represent forks that Judas gave to priests to hold up a cauldron. But why does the cloak whip him around the face and eyes, if it is supposed to represent a good deed? Because originally he stole the cloak that he later gave away.

While they talk, Brendan and crew become surrounded by demons who have come to return Judas to Hell. Brendan invokes the name of Jesus and holds the demons at bay. Threatening to torture Judas doubly because they are being prevented from torturing him at the mountain, Brendan tells them they have no authority to do so. The demons eventually drag Judas away and Brendan continues his voyage.

I mentioned that an encounter with Judas was standard in the various version of Brendan's voyage. This version is very detailed, but there were other versions. Let's cover them tomorrow before moving on.

Where did Jesus' Mom Go?

On 1 November 1950, Pope Pius XII declared as dogma the Assumption of the Blessed Virgin Mary, that her body was taken up into heaven because of her sanctity. The Assumption had been a common theme in Christian art since the Middle Ages, but the event appears nowhere in the New Testament. How did this idea come about?

Mary was obviously a significant figure in the life of Jesus, but the Gospels give us no information about her after Pentecost. A Byzantine author of the late 7th-early 8th century, Hippolytus of Thebes, wrote that she lived another 11 years after her son, dying in AD 41 [sic; I would have suspected AD 44, if Jesus lived 33 years]. Tradition had her supporting the early Church, living with the Apostle John, and being visited by the angel Gabriel who told her she would die in three days. The apostles, scattered around the world, were magically transported to her side (except for Thomas in India). Thomas arrived three days after her death, and asked to be taken to her grave in Gethsemane. When they got there, the body was gone but a sweet fragrance remained.

In the East was a tradition called the "Dormition of the Mother of God": the idea that she died peacefully in her sleep with no suffering. A sarcophagus in Zaragoza in Spain dated c.330 is carved with a scene of the Dormition. This idea of the Dormition was acceptable to the Western Church, although not initially celebrated as a holy day. The Eastern Roman Emperor Maurice (582 - 602) set the date of the celebration of the Dormition as 15 August, after which its celebration spread.

A bishop in Cyprus, Epiphanius of Salamis, living near the end of the 4th century, was concerned that he could find no authorized tradition about the end of her life, and he identified three beliefs surrounding the end of her life: that she died peacefully, that she died a martyr, that she did not die. Eventually he wrote a text claiming that, like Elijah, she did not die but was taken into Heaven.

The desire to have Mary continue to be special after bearing the savior teased theologians. Pope Leo IV (847 - 855) gave the Dormition (being called the Assumption in the West) a vigil and an octave to further its importance. Elisabeth of Schonau, a German nun, experienced visions of Mary and Christ in Heaven; as word spread, this promoted the belief that she was assumed into Heaven.

There is still no official dogma on whether Mary died and was then taken into Heaven, or was taken into Heaven without dying. To some this is a distinction without a difference, but it shows the uncertainty out of which this important Holy Day has sprung.

Some centuries after we've been discussing, Mary takes on an even grander role in Christian art, as the Seat of Wisdom. We'll explore that next.