Noah and the Anglo-Saxons

Yesterday we talked about the medieval attitude toward Noah, mostly from the Jewish viewpoint. Another group that spent a significant amount of time writing about Noah was the Anglo-Saxons in England.

Part of the reason was that King Alfred the Great (reigned 871 - 899) wanted important Latin works translated into English to be more accessible to more people. One of those works was a history by Orosius, the Historiarum Adversum Paganos Libri VII, or "Seven Books of History Against the Pagans." Orosius starts with Noah's Flood and tells the story of history up to his own time (he died c.420CE).

His goal was to explain how Christianity improved the lives of humankind, and he gives details such as the dimensions of the Ark:

Adam lived for 930 years. Noah lived 600 years before the Flood and 350 winters after it and he was in the Ark for 40 days, he and his three sons Shem, Ham and Japheth and their three wives. The Ark was 300 fathoms long, 50 fathoms wide, and 30 fathoms high. And his son Shem lived 630 years and his son Arfaxad lived 438 years. Then he begat a son called Heber. From him sprung forth the ‘Hebrew’ people.

Arfaxad was one of the sons of Shem, but the Anglo-Saxons were interested in a different descendant from Noah:

The story of Noah and his sons, and the building of the Ark, seems to have been popular in Anglo-Saxon England. Many of the surviving genealogical lists of Anglo-Saxon kings, for example, feature Noah prominently. The West Saxon Regnal List tell us that the line of the kings of Wessex, the dominant kingdom of Anglo-Saxon England from the late 9th century onwards, was descended from the Old Testament patriarch, through his fourth son Sceaf, said to have been born on the Ark itself. [link]

A list of West Saxon kings declares that they descended from Noah through his fourth [sic] son, Sceaf. The Anglo-Saxon Chronicle for year 855 supports this, at least in two versions (B & C), saying Sceaf was born in the Ark.

Outside of Anglo-Saxon sources, the Noah-Sceaf link is unknown. A reference to him in Snorri Sturluson is explained because the Prose Edda drew on English sources.

Of course, in Beowulf we hear the story of Scyld Scefing, "Shield, son of Scef," who floats ashore as a babe on a ship laden with treasure and becomes king of Denmark. The "genealogy" of the ark-born Sceaf in Orosius and the ship-delivered Scyld Scefing of Beowulf would be a good dissertation topic for someone in my field of study.

We, however, will go in a different direction and look at Paul Orosius and his history.

The Poetic Edda

The Poetic Edda (author[s] unknown) is our name for a collection of narrative poems in Old Norse. It is distinct from the Prose Edda whose author is known, but Snorri Sturluson certainly found a source for some of his stories in the Poetic Edda. Of all the versions that exist, the "common ancestor" is a manuscript called the Codex Regius or Konungsbók ("King's Book"). The Codex was discovered in 1643; it was made a gift to the king of Denmark in 1662; in 1971 it was taken to Iceland, its likely place of origin.

The poems are all alliterative and use kennings. Authorship is impossible to determine, as well as original composition date for most. They were likely orally transmitted over generations before being committed to written form. Dating of a few can be done by internal information. One poem's title, for instance, Atlamál in grǿnlenzku ("The Greenlandic Lay of Atli") could not have been composed before 985, since Greenland had not been settled before that year. Occasionally a poem will mention an actual historical person, indicating the poem's composition obviously later than that person's life.

Another way of dating and locating the poems is by considering the flora and fauna mentioned. If a story contains wolves, for example, it could not have taken place in Iceland. There is always the chance, however, that poetic license was used to enhance a story.

The best-known and most-examined story in the Edda is the Vǫluspá ("Prophecy of the seeress") in which a seeress tells Odin the story of the creation of the world, its coming end, and its rebirth. It exists not only here, but also in another manuscript, and parts are quoted in the Prose Edda. Although dated to the 10th century, prior to the Christianization of Iceland, some think the idea of rebirth after destruction was influenced by Christian ideas of redemption and Heaven.

Speaking of Norse culture, Christianity, literature, and the Eddas, I hope you'll indulge me in discussing their influence on a 20th century Roman Catholic writer and medievalist named Tolkien; but that's for tomorrow.

The Prose Edda

Written about 1220, the Prose Edda by Snorri Sturluson is a detailed telling of the Scandinavian creation of the world, mythological stories of the gods, the ending of the gods, and other tales besides. It is the most thorough source we have for Norse mythology.

It has four sections. The Prologue tells the basics of the gods, treating them as if they were real people whose exploits became exaggerated over the years. The second part is called Gylfaginning ("The deluding of Gylfi"). Gylfi is tricked by a goddess and tries to sail to Asgard. He winds up elsewhere and is taken to a castle with three kings, who ask him questions about the creation and destruction of the world. After answering, the castle vanishes, leaving him alone.

Part three, Skáldskaparmál ("The Language of Poetry") is over twice as long as part two, and consists of a dialogue between two mythical characters: Ægir (the sea) and Bragi (god of poetry). They discuss the nature of poetry while discussing Norse mythology, and Bragi lists numerous acceptable kennings. A kenning is a phrase that can be used in poetry to stand for something else. An example would be "the wave horse" to refer to a ship.

The last section is Háttatal, ("Tally of Meters"). In it, Snorri explains the different types of verse forms in Scandinavian poetry, using his own works as examples. Rhyme is not as important to this poetry as are number of syllables per line and alliteration.

The origin of the word edda (plural eddur) is uncertain. It is identical to the word for "great-grandmother" in another Eddic poem, the Rígsþula. Another Edda as important to our understanding of Norse mythology and culture is the Poetic Edda. I'll talk about it, and its connection to Tolkien, tomorrow.

Who Was Snorri Sturluson?

Snorri Sturluson (1179 - 1241) was one of several children in a powerful clan. His father died when he was young, and he was raised by Jón Loptsson (or Loftsson), one of the most powerful and respected chieftains in Iceland. Through this connection he had a far better education than he would have received otherwise, learning all about Icelandic history, law, and Norse legends.

Snorri was married in 1199 to Herdis; from his father-in-law he inherited an estate and a chieftainship. He had at least two children with Herdis, but his philandering ways resulted in him leaving her behind to become an estate manager in western Iceland called Reykholt. He fathered at least five more children with three different women.

Known for his knowledge of law, he was made lawspeaker at the Althing, the national parliament of Iceland. He was also known, however, as a poet, and it was that reputation that garnered an invitation to Norway from King Hákon Hákonarson. He was given gifts and a ship, and he wrote poetry about them. the king made him a skutilsvein (knight), and hoped Snorri's loyalty thereby would help Hákon extend his realm to Iceland, by having Snorri speak on his behalf in the Althing.

Unfortunately for Snorri, his attempts to join Iceland to Norway, even as the most powerful chieftain in Iceland from 1224 to 1230, turned much of the island against him. Snorri eventually realized he did not want to support Hákon's plans, and while meeting with the king back in Norway in 1238 famously said (supposedly) "ut vil ek" (literally "I wish out" or "I want out" but idiomatically meaning "I will go home"). He returned to Iceland in 1239.

Snorri became a target of assassination when Hákon sent men with orders to kill or capture him. In 1241, he was confronted in his house in Reykholt. Cornered in the cellar, he died after saying "Do not strike!" to his attackers. The manner of the well-known poet's death raised the ire of people in both Iceland and Norway, and the king backtracked, saying he would have lived had he simply given himself up for capture. (In 1262, the Althing ratified union with Norway.)

Regarding his poetry: Snorri's most consequential work was the Prose Edda, which gives us the most detailed information on the non-Christian religious beliefs of the Scandinavian world. I will go into more on that next time.