The Romance of the Rose, Part 2

The title of this blog post is almost "literal" in the sense that the Roman de la Rose was written in two parts: one by Guillaume de Loris in the first half of the 13th century and the second by the poet Jean de Meun in the second half. Jean saw nothing wrong with taking what Guillaume had written and adding to it—in fact, adding four times the number of lines as the original—but also changing its themes to those of personal interest to him.

Jean added new allegorical figures such as Nature and Genius, and continued the conversation about the nature of Love and its affect on the narrator. More than that, however, was a cynical approach to other topics, mocking many of the people and conventions of his society.

He attacks the priesthood, monastic orders, and the papacy, considering the Church's fairly recently push to outlaw clerical marriage. He attacked the mendicant orders: they had begun to push into the universities, becoming teachers and threatening the seniority of the secular clergy. He also mocks the nobility and the pretensions of royalty in a pre-echo of the 14th century's peasant's cry of "When Adam delved and Eve span, who was then the gentleman?"

He also took the opportunity to express cynical views on women and marriage. He offered his list of women's vices and how men could avoid their traps. Although this may have been entertaining to some readers, as the work became popular it was attacked by many writers of the 14th century, such as by Jean Gerson, Christine de Pizan, and Pierre d'Ailly.

One of its aspects that may have helped its duplication and distribution is that the (second) author had a broad knowledge of current scientific and literary knowledge. He packs into the total work a lot of references to classical authors and historical events. In fact, it is a reference to a specific event that helps place the composition: the execution of Conradin by Charles of Anjou in 1268, so the poem was completed after that date and before Jean's death in 1305.

Despite the hostility it received from some quarters, it was enormously popular. Chaucer made a translation called The Romaunt of the Rose, which he mentions in his poem The Legend of Good Women, but the extant version of The Romaunt of the Rose that we have may not have been produced by Chaucer, since parts of it differ stylistically from Chaucer's other works.

Back to the hostility, however, and a contemporary of Chaucer: Christine de Pizan is considered one of the earliest feminist writers, and we should talk about her more. We'll start that conversation next time.