Saint Clotilde and Murder

Clotilde is considered a saint by both the Roman Catholic and Eastern Orthodox Churches. She was an early supporter of St. Geneviève, she built the chapel that later became the Abbey at Chelles, and it was probably her influence that persuaded her husband, Clovis, to return the Vase of Soissons to St. Rémy after one of his soldiers took it post-conquest.

Most details of her life come from Gregory of Tours. She was born about 474 at Lyons, the daughter of King Chilperic II of Burgundy. Chilperic had two brothers, Gundobad and Godomar. At the death of their father, Gondioc, Gondioc's kingdom was divided among the three brothers. Gundobad turned on Godomar, and then on Chilperic, killing his brothers and their families, in order to reunite their father's kingdom under one ruler. Clotilde fled to her uncle, Godegisel.

Clovis and Godegisel joined in war against Gundobad, eventually defeating (but not killing) him; Clovis, King of the Franks, received an annual tribute from Burgundy after that. He also requested Clotilde's hand in marriage; Gundobad was not in a position to refuse.

Clovis I and Clotilde were married in 493. They had four sons (Ingomer, who died shortly after birth; Chlodomer, Childebert I, and ClotharI) and a daughter, Chrotilda. Clotilde insisted on baptism for her children; Clovis, not a Christian, objected, and when Ingomer died soon after birth and baptism, he criticized her. Yet, she persisted, and Chlodomer survived baptism, after which she had less opposition to raising the children in her faith.

Her greatest religious triumph may have been in 496 when Clovis was on the eve of battle with the Alemanni. He prayed to her God that he would be baptized if he were victorious. He prevailed in the Battle of Tolbiac and was baptized by Bishop Remigius of Reims on Christmas Day 496 (he is the St. Rémy in the link above). This Catholicism would aid him and his children in the future, ensuring the political support of the Roman Empire against many of the Franks' foes, who were Arian Christians.

When Clovis died in 523, Clotilde retired to the Abbey of St. Martin at Tours. She did not retire from public influence entirely, however. Even a saint is not immune to the desire for revenge, and the murderer of her father, her uncle Gundobad, was still ruling Burgundy. It is believed that her three sons' attack (and decade-long war) on Burgundy was instigated by her.

Also, her position as queen may have overruled the softer sensibilities one might expect from a mother and one who would later be considered a saint. During the war with Burgundy, her eldest son Chlodomer was killed. His part of the kingdom was to be divided among his three sons, further fracturing the kingdom of the Franks. Childebert and Clothar did not want this, and (the story goes), turned to Clotilde for... "advice." The two sent her two items: scissors and a sword. The implication was clear: the boys could be killed, or they could be shorn. (Long hair was a necessary mark of kingship for this particular culture, as mentioned here.) Supposedly, her reply was "It is better for me to see them dead rather than shorn, if they are not raised to the kingship." (Of course, we have no proof of this, but for these anecdotes to circulate about someone who was generally revered suggests there may be a kernel of truth.)

Clotilde died in 545 and was buried beside Clovis in the Church of the Holy Apostles (which is now the Abbey of St. Geneviève). Veneration of her made her the patron saint of queens, widows, brides, and those in exile.

Now, about that long hair think: how important was it? Let's talk about that tomorrow.

Superstitions about Scissors

Human cultures can weave anything into a story. Opening an umbrella indoors might knock something over, and walking under a ladder (presumably set up so someone can climb it to reach something high up) might disturb it and cause someone to fall; these small bits of practicality can turn into homespun wisdom about what not to do. Passing along this advice without detailing the explanation can turn them into a superstitious injunction against causing "bad luck."

Scissors are made of metal, they are pointed and sharp, and so handling them must always be done with caution in mind. (I remember the dull-edged, blunt-nosed things we called scissors in the younger grades in school.)

In Turkey and elsewhere, passing scissors to someone (or a knife) was considered bad luck. Instead, you set the scissors (or knife) down where the other person could reach them. Clearly a health and safety response to scissors, but has become a "bad luck" warning.

Dropping a pair of scissors is also bad luck; of course, since dropping scissors from your hand means they are in the proximity of your feet, you can see why this is a bad thing. If they fall point first and stick in the floor, that is very bad (well, it means, had your foot been there, you would have effectively stabbed yourself).

There are good superstitions as well as bad, and in the Middle Ages scissors could be beneficial beyond their utilitarian purpose. Scissors were being made from iron instead of bronze as early as the first century BCE in the Roman Empire. Iron implements took on a special use as protection against fairies and magic. In the British Isles, a pair of (iron) scissors would be hung over a cradle to ward against night-time intrusions (and changeling replacement). The scissors could also be left open to form a cross.

The curious linguistic point about scissors is that they are referred to as both singular or plural, depending on the circumstances. I think it's a good time to talk a little about singular "versus" plural pronouns.

The Shear Truth

A reference to sheep-shearing made me wonder about the origin of scissors. Apparently, some have given the credit to Leonardo da Vinci because he used shears to cut canvas. An inventive man, but he did not have to come up with scissors, because they existed long before he did.

First, some terminology. The Latin verb scindere meant "to cut"; from it, the noun scissor meant "one who cuts." Through Old French cisoires which came into Middle English as sisoures, it eventually got "corrected" by scholars who knew the Latin root. It is a plural noun ("these are scissors" rather than "this is scissors"), but is referred to also by the singular "pair of scissors."

Between 3000 and 4000 years ago, scissors were used in Mesopotamia. These were "spring scissors" (a sample is pictured above). They were two bronze blades connected by a flexible strip of bronze. They were aligned so that squeezing them together brought the two blades in contact; letting go allowed them to spring apart again. Egypt also had this type in 1500BCE made from bronze. The trick in manufacture, of course, was to make sure the blades came together closely and firmly.

The modern "pivoted" or "cross-blade" scissors were first noted in Rome in 100CE, using bronze and sometimes iron. This is now the most commonly used scissors, but the spring version was used extensively in Europe until the 16th century, especially in sheep-shearing.

They were first made from cast steel and mass-produced in Sheffield, England by Robert Hinchcliffe around 1760. He received a trade-mark in 1791, and his company still makes scissors today.

Curiously, scissors are part of many superstitions. I'll share those tomorrow.