The Eddas and Tolkien

The first and much-talked -about poem in the Poetic Edda is the Völuspá ("Prophecy of the Seeress"). In it, a seeress tells Odin the story of the Creation of the world and its upcoming end and rebirth. J.R.R.Tolkien (3 January 1892 – 2 September 1973), medievalist and author of The Hobbit and The Lord of the Rings, was intimately familiar with the Eddas and all things northern. When the Völuspá lists the creation of the dwarves, we see some familiar names:

There was Motsognir | the mightiest made
Of all the dwarfs, | and Durin next;
Many a likeness | of men they made,
The dwarfs in the earth, | as Durin said.

11. Nyi and Nithi, | Northri and Suthri,
Austri and Vestri, | Althjof, Dvalin,
Nar and Nain, | Niping, Dain,
Bifur, Bofur, | Bombur, Nori,
An and Onar, | Óin, Mjothvitnir.

12. Vigg and Gandalf | Vindalf, Thorin,
Thror and Thrain | Thekk, Lit and Vit,
Nyr and Nyrath,-- | now have I told--
Regin and Rathsvith-- | the list aright.

13. Fili, Kili, | Fundin, Nali

15. There were Draupnir | and Dolgthrasir,
Hor, Haugspori, | Hlevang, Gloin,
Dori, Ori, | Duf, Andvari,
Skirfir, Virfir, | Skafith, Ai.

You can see here the source of familiar dwarf names in his stories, and one extra: Gandalf (appropriately tinted gray). The name is interpreted as "wand elf" and seems to denote either a magical dwarf or a dwarf with a staff. Speaking of Gandalf the Grey, the illustration above is a postcard in Tolkien's possession which he said was the inspiration for the character of Gandalf. It is called Der Beggeist ("The Mountain-spirit"), and was painted by a German artist in the 1920s. The character's colors are off for Gandalf, and his obvious connection to nature suggests rather Gandalf's colleague Rhadagast the Brown, but something about it caused Tolkien to label it "Origin of Gandalf."

Now, to get from a 20th-century scholar back to medieval scholarship: Tolkien wrote poems, one of which, Fastitocalon, referenced a giant mythological sea creature. This was from an Old English poem called "The Whale," and it's worth taking a look at next time.

The Poetic Edda

The Poetic Edda (author[s] unknown) is our name for a collection of narrative poems in Old Norse. It is distinct from the Prose Edda whose author is known, but Snorri Sturluson certainly found a source for some of his stories in the Poetic Edda. Of all the versions that exist, the "common ancestor" is a manuscript called the Codex Regius or Konungsbók ("King's Book"). The Codex was discovered in 1643; it was made a gift to the king of Denmark in 1662; in 1971 it was taken to Iceland, its likely place of origin.

The poems are all alliterative and use kennings. Authorship is impossible to determine, as well as original composition date for most. They were likely orally transmitted over generations before being committed to written form. Dating of a few can be done by internal information. One poem's title, for instance, Atlamál in grǿnlenzku ("The Greenlandic Lay of Atli") could not have been composed before 985, since Greenland had not been settled before that year. Occasionally a poem will mention an actual historical person, indicating the poem's composition obviously later than that person's life.

Another way of dating and locating the poems is by considering the flora and fauna mentioned. If a story contains wolves, for example, it could not have taken place in Iceland. There is always the chance, however, that poetic license was used to enhance a story.

The best-known and most-examined story in the Edda is the Vǫluspá ("Prophecy of the seeress") in which a seeress tells Odin the story of the creation of the world, its coming end, and its rebirth. It exists not only here, but also in another manuscript, and parts are quoted in the Prose Edda. Although dated to the 10th century, prior to the Christianization of Iceland, some think the idea of rebirth after destruction was influenced by Christian ideas of redemption and Heaven.

Speaking of Norse culture, Christianity, literature, and the Eddas, I hope you'll indulge me in discussing their influence on a 20th century Roman Catholic writer and medievalist named Tolkien; but that's for tomorrow.

The Prose Edda

Written about 1220, the Prose Edda by Snorri Sturluson is a detailed telling of the Scandinavian creation of the world, mythological stories of the gods, the ending of the gods, and other tales besides. It is the most thorough source we have for Norse mythology.

It has four sections. The Prologue tells the basics of the gods, treating them as if they were real people whose exploits became exaggerated over the years. The second part is called Gylfaginning ("The deluding of Gylfi"). Gylfi is tricked by a goddess and tries to sail to Asgard. He winds up elsewhere and is taken to a castle with three kings, who ask him questions about the creation and destruction of the world. After answering, the castle vanishes, leaving him alone.

Part three, Skáldskaparmál ("The Language of Poetry") is over twice as long as part two, and consists of a dialogue between two mythical characters: Ægir (the sea) and Bragi (god of poetry). They discuss the nature of poetry while discussing Norse mythology, and Bragi lists numerous acceptable kennings. A kenning is a phrase that can be used in poetry to stand for something else. An example would be "the wave horse" to refer to a ship.

The last section is Háttatal, ("Tally of Meters"). In it, Snorri explains the different types of verse forms in Scandinavian poetry, using his own works as examples. Rhyme is not as important to this poetry as are number of syllables per line and alliteration.

The origin of the word edda (plural eddur) is uncertain. It is identical to the word for "great-grandmother" in another Eddic poem, the Rígsþula. Another Edda as important to our understanding of Norse mythology and culture is the Poetic Edda. I'll talk about it, and its connection to Tolkien, tomorrow.

Who Was Snorri Sturluson?

Snorri Sturluson (1179 - 1241) was one of several children in a powerful clan. His father died when he was young, and he was raised by Jón Loptsson (or Loftsson), one of the most powerful and respected chieftains in Iceland. Through this connection he had a far better education than he would have received otherwise, learning all about Icelandic history, law, and Norse legends.

Snorri was married in 1199 to Herdis; from his father-in-law he inherited an estate and a chieftainship. He had at least two children with Herdis, but his philandering ways resulted in him leaving her behind to become an estate manager in western Iceland called Reykholt. He fathered at least five more children with three different women.

Known for his knowledge of law, he was made lawspeaker at the Althing, the national parliament of Iceland. He was also known, however, as a poet, and it was that reputation that garnered an invitation to Norway from King Hákon Hákonarson. He was given gifts and a ship, and he wrote poetry about them. the king made him a skutilsvein (knight), and hoped Snorri's loyalty thereby would help Hákon extend his realm to Iceland, by having Snorri speak on his behalf in the Althing.

Unfortunately for Snorri, his attempts to join Iceland to Norway, even as the most powerful chieftain in Iceland from 1224 to 1230, turned much of the island against him. Snorri eventually realized he did not want to support Hákon's plans, and while meeting with the king back in Norway in 1238 famously said (supposedly) "ut vil ek" (literally "I wish out" or "I want out" but idiomatically meaning "I will go home"). He returned to Iceland in 1239.

Snorri became a target of assassination when Hákon sent men with orders to kill or capture him. In 1241, he was confronted in his house in Reykholt. Cornered in the cellar, he died after saying "Do not strike!" to his attackers. The manner of the well-known poet's death raised the ire of people in both Iceland and Norway, and the king backtracked, saying he would have lived had he simply given himself up for capture. (In 1262, the Althing ratified union with Norway.)

Regarding his poetry: Snorri's most consequential work was the Prose Edda, which gives us the most detailed information on the non-Christian religious beliefs of the Scandinavian world. I will go into more on that next time.

Norse Beliefs

I recently mentioned a seiðr worker called in to prophesy. The term describes a range of magical and shamanic activities (magical healing, spirit journeys, prophecy, helping heal the soul). 

There were seiðr rituals for divination and clairvoyance; for seeking out the hidden, both in the secrets of the mind and in physical locations; for healing the sick; for bringing good luck; for controlling the weather; for calling game animals and fish. Importantly, it could also be used for the opposite of these things – to curse an individual or an enterprise; to blight the land and make it barren; to induce illness; to tell false futures and thus to set their recipients on a road to disaster; to injure, maim and kill, in domestic disputes and especially in battle. [Price, Neil S. 2002. The Viking Way: Religion and War in Late Iron Age Scandinavia]

A practitioner was called a seiðkonur. A woman who practiced was sometimes called a vōlva (seeress). The Norse word for witch was norn; norns could also practice seiðr. A seiðkonur could be male or female; however, there is a suggestion that there was an ergi ("unmanliness") to it. Even the ultimate practitioner of seiðr, Odin himself, was labeled with this epithet in works by Snorri Sturluson. 

How it developed in Scandinavian countries is unknown, but its demise took place gradually as Christianization took over.

Snorri Sturluson was one of the big names in Norse literature. Although I have mentioned him before, I haven't talked much about him. I'll fix that gap in our medieval discussion next time.

The Saga of Erik the Red

The Saga of Erik the Red is not about Erik the Red. Erik is in it, as well as his son Leif Ericsson, but it focuses more on the actions of Thorfinn Karlsefni and his wife, Gudrid, with references to exploration and the spread of Christianity.

The first few chapters are background, explaining how Erik the Red gets banished from Iceland and discovers an island he calls Greenland, hoping the name would attract colonists—which it does. A difficult and famine-laced winter causes them to ask a seiðr worker (magician/prophet) to prophesy when their fortunes will change. She needs someone to sing warding songs. A young girl, Gudrid, knows the songs even though she has converted to Christianity. She sings the songs, the prophet predicts the famine will soon end and that Gudrid will make two marriages, one in Iceland and one in Greenland.

Gudrid marries a son of Erik the Red, but he dies in an epidemic. He appears to Gudrid after his death, asking her to make sure asking her to make sure Greenland starts to bury their dead in consecrated ground., tells her to not marry another Greenlander, and says she should give their money to the Church.

A few chapters (and several years) later, Thorfinn Karlsefni visits Greenland as a wealthy merchant, for the purposes of trade. He stays the winter and helps co-host a Yule feast with Erik the Red which becomes a wedding feast when he asks Gudrid's hand in marriage. The newly married couple, with 160 others in two boats, set out for Vinland.

One of the boats goes astray and has several difficulties. Thorfinn's and Gudrid's group reach Vinland where they find plenty of game and fish, and where grapes and wheat grow. They encounter the natives, called the Skrælings, who use boats made of animal skins. When the Skrælings bring a delegation and appear to want to trade, the Norse trade red cloth for animal pelts but refuse the Skrælings' desire for swords and spears. The Skrælings later return in a large group and fling arrows and large stones at the Norse.

The final chapter relates that Thorfinn realizes the hostility will not end, and he and Gudrid eventually return to Iceland and raise their family. Their grandchildren will become the parents of three bishops.

The saga reads like a travel documentary, but is also seen as a glimpse into the non-Christian beliefs of the Norse in Iceland and Greenland. For more on the seidworker and similar figures, come back tomorrow.

The Skræling

Of course, there were inhabitants in North America when the Norse arrived.

The Saga of the Greenlanders tells of an Icelander named Bjarni Herjólfsson who drifted off course while sailing to Greenland in 985 or 986. He spotted land that he suspected was not Greenland. Later sailors such as Leif Eriksson explored past Greenland and found lands they gave names to, such as Helluland (Baffin Island), Markland (Labrador), and Vinland (Newfoundland). Leif built some houses on Vinland in his short time there, delighted that grapes and wheat grew wild.

After returning to Greenland, his brother complained that they had not spent enough time exploring the new territory, so Leif gave his brother, Thorvald, his ship and told him to go ahead. It is Thorvald who would record the first contact with people living in the new lands west of Greenland.

First contact was not amicable. Thorvald's crew was attacked on the beach, and killed eight of the natives. Then the Saga tells us:

'I have been wounded under my arm,' [Thorvald] said. 'An arrow flew between the edge of the ship and the shield into my armpit. Here is the arrow, and this wound will cause my death.'

A few years later, Thorfinn Karlsefni attempted to colonize Vinland about 1010, which may explain the settlement at L'Anse aux Meadows.  (The illustration shows the routes of different voyages. I have added a green star for the location of L'Anse aux Meadows.) His encounter with natives was initially peaceful, trading native pelts for red woven cloth owned by the Norse. This is in the Saga of Erik the Red, which describes them:

They were short in height with threatening features and tangled hair on their heads. Their eyes were large and their cheeks broad.

Later records called these natives Skræling, used to refer not only to Vinland inhabitants, but also to Inuit they encountered in Canada and the proto-Inuit with which they shared Greenland. One likely origin is from the Old Norse skrá, which means "dried skin" and probably referred to the animal pelts they wore. It could also be related to Old Norse skrækja, "shout or yell"; his could be an etymology similar to the Greek barabaros for barbarian, which refers to the nonsensical sounds the Greeks considered any non-Greek language. Modern Icelandic skræling means "barbarian."

Thorfinn had brought livestock, and when a bull broke loose from its pen and rampaged, the natives were frightened and attacked the Norse. Two Norsemen were killed, and many natives. Thorfinn realized that his colony would be under constant threat of attack, so he retreated to Greenland.

The Saga of Erik the Red is a mine of information about these events and more. I'll delve into that mine a little tomorrow and see what can be found.

The Norse in North America

The Medieval Warming Period may have helped the Norse discover North America by reducing North Atlantic ice, making the crossing easier.

They didn't necessarily get far into North America, but on the extreme northern tip of the island of Newfoundland in Canada, there is an archaeological site at L'Anse aux Meadows (Meadows Cove). Begun in 1960, the remains of three structures were found whose timbers via tree-ring dating showed they were cut down about 1021CE. (Model of the village to the left.)

One of the structures contained iron slag, showing that it was a smithy. Stone weights found in one building are consistent with the type used in looms. These suggest the place was not just a seasonal hunting camp, but intended to be a long-term settlement.

One question that remains about this site is: is it the Vinland mentioned in literature? In 1073, a German cleric writes

He [the Danish king, Sven Estridsson] also told me of another island discovered by many in that ocean. It is called Vinland because vines grow there on their own accord, producing the most excellent wine. Moreover, that unsown crops abound there, we have ascertained not from fabulous conjecture but from the reliable reports of the Danes.

Vinland is mentioned in two Icelandic sagas: the Saga of Erik the Red and the Saga of the Greenlanders. They discuss the discovery by Norse Greenlanders of land to the west of Greenland that they call Vinland. Although there is no direct evidence to support the theory, many are content to link the settlement at L'Anse aux Meadows with Vinland. Why didn't the settlement grow and continue? The sagas suggest that internal conflict among the Norse as well as conflict with the peoples native to Vinland caused the failure of the settlement. 

I'll talk a little more about the Norse encounter with the natives tomorrow.

Medieval Warm Period, Again

I did mention the Medieval Warm Period in 2012, from the viewpoint of how Greenland must have been warmer than currently. There is, of course, more that can be said.

Also known as the Medieval Climate Anomaly (MCA), research suggests that the warmest decades (about a 50-year span, in fact), occurred at different times in different regions between about 1000 and 1250CE.

Cores taken from sediment in the Sargasso Sea area suggest that the MCA was 1°C warmer. Further sediment cores from the Gulf Coast and Atlantic coastline from New England to Florida show a peak in North Atlantic tropical cyclone activity, consistent with warmer ocean temperatures.

Calling it the "Medieval" Warm Period or Climate Anomaly is, of course, eurocentrism at its finest. Other parts of the world were affected. The climate in Africa was notably drier during this time. Analysis of bones from the Canary Islands shows a drop in temperature of 5°C from the MCA to the later time known as the "Little Ice Age." A study in 2013 found that the water of the Pacific Ocean was 0.9°C warmer in the years in question.

How did it affect daily life and culture is an important question. One belief is that the warmer temperatures benefitted agriculture in Europe, leading to better harvests. This led to healthier individuals and an increase in population. That larger population was more at risk of being culled when disaster struck, such as the Great Famine of 1315-1317.

One other phenomenon the warmer climate might have supported was the Norse colonization of North America, due to less sea ice to deal with, and a convenient stopover at Greenland, but we'll go into that tomorrow. See you then.

The Great Famine of 1315-1317

In 1315, Europe's spring rains never stopped.

The rains kept coming, flooding the fields. Crop failures followed, lasting right through until the summer harvests of 1317. Full recovery took another several years. Hunger and disease devastated the population. People starved; cannibalism is hinted at in records; there is some evidence that parents might have abandoned children to fend for themselves. (The story of Hansel and Gretel may have originated in a famine: the children have been cast out by the parents during a famine.) Records of the city of Bristol report

...such mortality that the living could scarce suffice to bury the dead, horse flesh and dog's flesh was accounted good meat, and some eat their own children. The thieves that were in prison did pluck and tear in pieces, such as were newly put into prison and devoured them half alive. [link]

Harvests were not the only casualty. Marshland that had been reclaimed for crops or grazing was returned to marshland. Constantly wet ground—and a lack of forage—is not good for livestock. Disease killed off cows and sheep. Records from Ramsey Abbey show one manor going from 48 cows to only 2 at this time.

Villages themselves physically suffered. Not only were some abandoned due to dying population and un-tillable soil, but some coastal villages disappeared. The rains and storms reclaimed shoreline communities. One of the wealthiest ports in England, Dunwich, lost almost 300 houses, barns, and shops. 

Of course, prices soared. Edward II stopped at St. Albans on 10 August 1315, and there was not enough bread for him and his entourage; he tried to freeze food prices (in Lorraine, wheat prices rose by 320%), but vendors simply refused to sell for so little, and Parliament overturned the king's decree in 1316. What grain there was was wet, and needed to be dried before using, but it resulted in a poorer quality product. People were forced to consume the grain hey had set aside for planting the following year. Begging and stealing became rampant. Groups of roaming peasants looking for work and food were common, having abandoned their farms and villages.

What caused this weather? Well, like the volcanic winter of c.536, a likely candidate is the 1314 eruption of Mount Tarawera in New Zealand spewing ash into the atmosphere that precipitated rain for two years. Also, this all took place just after the Medieval Warm Period, a three-century span of milder temperatures that were ideal for agriculture; this coincided with a boom in population—a population that could not be maintained when harvests became so poor.

It's been over ten years since I had anything to say about the Medieval Warm Period. I think it's time for another look. See you tomorrow.

Extreme Weather

"Volcanic winter" is a frightening phrase. It is the result of a volcanic eruption that spews so much ash and dust into the atmosphere that it encircles the globe and prevents sunlight from reaching the surface of the Earth. 

A volcanic winter took place in the 530s CE, the most severe drop in temperature in the Common Era. An eruption of sulfate aerosols possibly in late 535 dropped summer temperature averages in 536 by at least 4-5 degrees Fahrenheit. In 539-540, a second volcanic eruption caused summer temperatures to drop another 5 degrees.

This was recorded in the Northern Hemisphere by contemporary writers in Constantinople. Procopius, whose writing revealed the secret of where silk came from, records of 536 

...during this year a most dread portent took place. For the sun gave forth its light without brightness … and it seemed exceedingly like the sun in eclipse, for the beams it shed were not clear."

Cassiodorus, in a letter in 538, describes the sun's rays being weak, no shadows from people at noon, the sun's heat being feeble, the moon "empty of splendor," prolonged frost, unseasonable drought, frosts during harvest, the need to use stored food because harvests were so poor.

The Annals of Ulster mention a failure of bread in the year 536.

Dendrochronology (tree ring analysis) shows very poor growth in Irish oak in 536. Ice cores from Greenland and Antarctica show substantial sulfate deposits around 534±2 years, which offers evidence for the volcanic eruption. Which volcano was the cause, however, has never been agreed upon. The 536 event was worse than 1816, when the explosion of the Mount Tambora volcano caused the "Year Without a Summer."

As mentioned in the prior post, the line regarding the Battle of Camlann in the Welsh Annals that says of 537 "there was great mortality in Britain and Ireland" is likely a reference to the famine that resulted from the volcanic winter.

The 536 event was not the only severe weather crisis in the Middle Ages. Next time, let's jump forward to the Great Famine of 1315-17.

Three Futile Battles

The Welsh Triads are several statements that group things in threes. They can be basic knowledge, such as "There are three primary musical forms, namely: string music; bellows music; and music of the tongue." They can be historical, such as "Three princes of the Court of Arthur. Goronwy son of Echell Fordwyten; and Cadreith son of Porthfaurgaddu; and Fleidur Fflam."

Accordingly, there were "Three Futile Battles of the Island of Britain." They were the Battle of Arfderydd, the battle of Camlann, and the Battle of the Trees. Arfderydd was mentioned in the previous post, because the outcome—the death of Gwenddoleu, ruler of Arfderydd (now Arthuret)—drove his bard Myrddin/Merlin mad, causing him to flee to the forest and live among birds and beasts. This battle is said to have taken place in 573CE, according to the Annales Cambriae, the Annals of Wales.

The Battle of Camlann is also mentioned in the Annales Cambriae, taking place in 537, with very little detail except to call it "strife of Camlann, in which Arthur and Medraut fell, and there was great mortality in Britain and Ireland." Although Medraut is naturally equated to Mordred, there is no clue in the entry that they were enemies.

The Battle of the Trees is a Welsh poem found in a 14th century manuscript, The Book of Taliesin. In it, the Welsh magician and warrior Gwydion enchants the trees to fight as his army against Arawn, lord of the Underworld.

The reason they are called "futile" is because the battles came about because of small, pointless actions. Arderydd is said to have been brought about because of an argument over a lark's nest. The Battle of the Trees comes about when Amaethon, Welsh god of agriculture, steals a dog, a lapwing, and a roebuck from Arawn. Camlann is brought about because of an argument between Gwenhwyfar (Guinevere) and her sister, Gwennhwyfach. Some sources specify this as a slap (hence the illustration above), which became part of another Triad: "The Three Fatal Slaps" or "The Three Harmful Blows of the Island of Britain."

Although this slap, and the hostility between Guinevere and her obscure sister, are not seen outside of Welsh legend, it is interesting that Malory does make Camlann's big battle the result of something "futile": during a parley between Arthur and Mordred, a soldier reflexively draws his sword because he sees a snake in the grass before him. This act causes the opposing side to assume treachery, whereupon they draw their swords, and the fight is on. Something that should be insignificant causes great destruction.

But, as mentioned, the earliest reference to Camlann includes none of this. There were extreme weather events in 535-36 that led to great famine; this could easily have led to fighting between groups struggling for food. Some suggest Camlann was a disastrous cattle raid for food. Next, let's talk about the weather.

Merlin the Madman

I've mentioned before that this blog is about discussing the things about the Middle Ages that are outside the mainstream, so no talking about the things "everyone knows": jousting, King Arthur, "wiping your hands on the dog because they had no napkins" (sorry, inside joke). Merlin has been mentioned in passing several times, but never discussed in any sort of detail. For those readers who have an image of Merlin in their heads from literature and cinema, here's a fresh (and authentic) take.

In short, Merlin spent time as a madman, acting like a beast in the wilderness. Mary Stewart's wonderful Arthurian take on post-Roman Britain has him "lost" for several months after being drugged.

In truth, this may be Merlin's "natural state"; that is, originally, the character who comes down to us as the Merlin of legend may be based on a real figure whose chief feature was being not quite sane. This is the story of Myrddin Wyllt.

Myrddin Wyllt (pronounced like "murthin wilt") is a character in medieval Welsh legend (where many Arthurian stories originate). The name means "Myrddin the Wild"; he is also known as Myrddin Emrys (Emrys=Ambrosius), Merlinus Caledonensis ("of Caledonia"), and Merlin Sylvester's ("of the woods"). Born supposedly c.540CE, he was a bard (perhaps the chief bard) who goes mad after the Battle of Arfderydd. Having become irrational for some reason, he takes to the forest (some versions say the Caledonian Forest in Scotland). There he gains the power of prophecy (often associated with being not quite right in the head).

The "Life of Saint Kentigern" tells of the saint (also known as St. Mungo) encountering a madman in the Caledonian Forest named Lailoken or Laleocen in the late 6th century. A later (15th century) story about "Lailoken and Kentigern" includes the line "...some say he was called Merlynum." This link between the two names may have been influenced by a 12th (?) century poem, a dialogue between Myrddin and his sister (?) Gwendydd in which his sister calls him Llallwgan, the Welsh form of Lailoken.

Some scholars assume a conflation of several different characters:one in Wales, one in Scotland, maybe more. The Merlin story is convoluted, obscure, and largely probably untrue, but much of it starts with a mad bard. Because of the time period, his legend much later became linked to Arthur's court as a wise man and prophet. But in the beginning, his chief feature is his sudden madness.

Why did he go mad after the Battle of Arfderydd? It was an important turning point, one of the "Three Futile Battles of the Island of Britain," which I'll explain next time.

Nature vs. Nurture

The English polymath Francis Galton (1822 - 1911) framed the debate calling the terms

...a convenient jingle of words, for it separates under two distinct heads the innumerable elements of which personality is composed. Nature is all that a man brings with himself into the world; nurture is every influence that affects him after his birth.

He could not have known that in the year of his death a French manuscript from six centuries earlier would surface that used the same terms (although it spelled one of them "Noreture"). It tells the story of Cador of Cornwall, whose just-born daughter would not be allowed to inherit property and title, so he decides to raise her as a boy. Named Silentius (Silence), she turns out to be the equal of any boy in various chivalric pursuits.

Throughout her life there are two personifications, Nature and Nurture, who address Silentius with their opinions on her lifestyle. Nature tries to convince her to act like the woman she was born as. Nurture supports Silentius' desire to be what she wants to be. Silentius knows that if she reveals herself to be a woman, her parents will be dishonored.

Ultimately, in a Twelfth Night-style twist, the "young man" travels to the court of King Eban, whose queen, Eufeme, falls in love with the talented and beautiful young Silentius. Silentius, not willing to betray the king by having an affair, and of course not willing to have her true sex discovered, rebuffs the queen's advances. The queen, enraged, decides silence must die, and sends her/him off to capture Merlin, an impossible task, since Merlin "cannot be captured by a man."

Silence succeeds, and brings Merlin back to court. Merlin reveals that Silentius is actually female. Silence reveals that the queen was in love with her, etc., causing King Eban to execute Queen Eufeme for faithlessness and cruelty and make the now-named Silentia his new queen.

I have severely abbreviated the story, which has many more details and events. The ultimate lesson is that Nature wins out. This may be perfectly natural for a culture that believed some were born royal and some were not, and there was a difference between the two.

Here's a question that might be raised after this story: why would anyone try to (or need to) capture Merlin? Because Merlin was a mad beast running wild, that's why. If you didn't know that about Merlin, you should read tomorrow's post.

The Mouse Takes a Wife

Marie de France's collection of 102 fables written in the late 12th century mostly come from Aesop and Avianus, but there are a few she seems to have made up herself, and at least one not seen before in western literature but has a source in the east. One wonders how she learned of it. Today we take a closer look Marie called it "The Mouse Takes a Wife," a cautionary tale against trying to marry above your station.

It mirrors "The Mouse Turned into a Maid." This original is found in the Panchatantra, a collection of Indian fables from. about 200 BCE. The story goes...

...a mouse drops from the beak of a bird of prey into the hands of a holy man, who turns it into a girl and brings her up as his own. Eventually he seeks a powerful marriage for her but discovers at each application that there is one more powerful: thus the cloud can cover the sun, the wind blows the clouds about but is resisted by the mountain; the mountain, however, is penetrated by mice. Since the girl feels the call of like to like in this case, she is changed back to her original form and goes to live with her husband in his hole. [link]

A Romanian folk variant shows a rat setting out to pay a visit to God, but gets thrown through the same succession of sun and clouds and wind which finally dumps him on an ant heap, where he "belongs."

That the mouse or rat has aspirations but cannot rise above its birth station (even if it is magicked into a human being) makes a strong case for nature over nurture. Although many think of this debate as a modern one, prompted by Darwin's theory of evolution, it was a question raised long before. Next I'll talk about the Nature vs. Nurture debate in the Middle Ages.