The Synods of Clovesho

A synod, from Greek σύνοδος (sinoðos, "assembly") is a council of Christian authorities, usually to decide issues of doctrine or administration. Synods are usually named after the location of the meeting. This blog has mentioned synods in Elvira, Mainz, Verona, and (of course) Whitby.

There were several Synods of Clovesho recorded in the late 8th and early 9th centuries. The location of Clovesho (meaning "Cliff's-Hoe") has never been satisfactorily identified, but it is generally assumed to be somewhere in the kingdom of Mercia, since the current king of Mercia usually presides.

The Venerable Bede writes that, at the Council of Hertford in 672, Archbishop Theodore of Tarsus declared that he was made Archbishop of Canterbury by the pope, and that there should be a regular synod held on 1 August every year "in the place which is called Clofeshoch." Although it is likely that this schedule was followed, we do not have a record of any of the synods until 716 under King Ethelbald of Mercia, in which the freedom of the churches in Great Britain was confirmed.

The synods resembled the Anglo-Saxon witenagemot, in that it was more than a collection of bishops and abbots, but also included the king and his chief advisors and other high-ranking men of the kingdom.

The next recorded synod took place in 742. It affirmed the decision of 716. King Ethelbald of Mercia presided; his recorded statement is as follows:

I, Ethelbald, king of the Mercians, for the health of my soul and the stability of my kingdom, and out of reverence to the venerable Archbishop Cuthbert, confirm it by the subscription of my own munificent hand, that the liberty, honor, authority, and security of the Church of Christ be contradicted by no man; but that she and all the lands belonging to her be free from all secular services, except military expedition, and the building of a bridge or castle. And we charge that this be irrefragably and immutably observed by all, as the aforesaid king Wihtred ordained for him and his.

I previously mentioned Queen Cynethryth's last recorded mention was at the Synod of Clovesho in 798. It was presided over by King Coenwulf of Mercia and Archbishop Æthelheard. After the death of King Offa, his widow was made abbess at Cookham Abbey. At the synod, Æthelheard produced documents showing that the abbey belonged to Canterbury, and it was not in Mercia's power to make decisions about it. Æthelheard then granted the monastery to Cynethryth, but she had to give up other lands that were in her possession in Kent, amounting to 160 households' worth of property. (The site of Cookham Abbey has only recently been discovered.)

The last recorded Synod of Clovesho was in 824.

The Venerable Bede has been mentioned many times throughout the history of this blog, but has never received his own entry. Time to rectify that.

Queen Cynethryth

If Eadburh, wife of Beorhtric of Wessex, was as vindictive as history reports—exiling and executing enemies—what was the catalyst for that behavior? Did she learn from growing up and watching her mother, Cynethryth?

It is true that the queens of Mercia seem to have a notable amount of authority compared to other royal women—in fact, Cynethryth of Mercia, wife of King Offa, even had her own coinage with her image on it!—but was she actually as terrible and bloodthirsty as we are told?

We don't know anything about her or her parentage until 770, when her name appears as a witness on a charter. The similarity of her name to that of the wife and daughters of King Penda (c.606 - 655) of Mercia (Cynewise, Cyneburh, Cyneswith) suggests she was of that line, which would make her a distant relative of Offa.

The Vitae duorum Offarum ("The lives of the two Offas") relates and compares the stories of the 4th or 5th century Offa of Angel and the Offa of Mercia who reigned in the second half of the 8th century and was married to Cynethryth. Originally thought to be composed by Matthew Paris, it is now thought to be an earlier work. Of Cynethryth, the Vitae calls her "Drida," and that she was Frankish and condemned for some crime to be set adrift at sea. She drifts to the Welsh shore where she is found and brought before Offa. She claims to be a member of Carolingian royalty, and Offa puts her in the care of his mother, Marcellina. Offa eventually falls in love and marries her, after which she changes her name from Drida to Quindrida (from Thryth to Cynethryth).

The minting of coins in her likeness tells us a lot about how much authority Offa gave her. In one of his letter, Alcuin refers to Cynethryth as "controller of the Royal household." The marriage seemed to be a steady one. Alcuin, writing to their son Ecgfrith, advised him to follow the example of his parents, and comments on her piety.

What the crime was that originally caused her to be set adrift, we'll never know. Æthelberht II, King of East Anglia and Alfred the Great's older brother (died 20 May 794) is said to have been assassinated by Offa. Later chroniclers suggest that Cynethryth was more involved. This may be simply because of the earlier tale of her coming into the picture as an exiled criminal. There are no specifics or evidence that she was inciting executions or assassinations.

It is not unknown, however, that early kings would kill off even relatives in order to make succession clear and avoid attempts at usurpation of civil war. When Offa's and Cynethryth's only son, Ecgfrith, reigned a mere 141 days, the only heir to the throne of Mercia was a very distant relive, Coenwulf, because nearer relatives had been eliminated by Offa. Alcuin himself acknowledged this, writing:

That most noble young man has not died for his sins, but the vengeance for the blood shed by the father has reached the son. For you know how much blood his father shed to secure the kingdom upon his son. ... This was not a strengthening of the kingdom, but its ruin.

The last reference we have to Cynethryth was in 798, when she was present at the Synod of Clovesho in a dispute regarding the monastery at Cookham. I'll explain her connection to that dispute, and talk about the Synods, next time.

An Evil Queen

First, let me say that there was more than one Eadburh. Eadburh was the name of King Alfred the Great's mother-in-law (Alfred's wife was Ealhswitha, daughter of Eadburh (830 - 895) of the Mercian royal family and Æthelred Mucel of Mercia). Then there was Eadburh of Winchester (921 - 951CE), daughter of King Edward the Elder (mentioned here), who became a saint. 

Then there was the Eadburh who was most definitely not a saint.

King Offa of Mercia and Queen Cynethryth had five children: one sone who became king of Mercia after Offa, and four girls. They married their daughter Eadburh (seen to the left) to King Beorhtric of Wessex (reigned 787 - 802) in 789.

According to Asser's Life of King Alfred, Eadburh made many enemies and demanded they be killed or exiled. Possibly jealous of anyone who was too close a confidant of Beorhtric, she (supposedly) attempted to poison one of his favorites, but wound up causing the target and her husband to be killed. Her part in the king's death being discovered, she fled to Francia and appealed for sanctuary from Charlemagne.

Asser goes on to say that Charlemagne brought out one of his young sons and asked her which she would prefer to marry. (In 802 or just after, when this would have taken place, the 55-year-old Charlemagne would have been a widower, his fourth wife Luitgard having died in 800. Still, it's a little hard to swallow.) Eadburh said she'd prefer the son because of his youth, at which Charlemagne replied: "Had you chosen me, you would have had my son; but because you have chosen my son, you will have neither him nor me."

So Charlemagne makes her an abbess in a convent, but after she is caught having a sexual affair with a Saxon, she is expelled from the convent. She dies as a penniless beggar on the streets of Pavia in Lombardy.

Let's look at this from another angle.

Eadburh, daughter of the powerful Offa of Mercia, married Beorhtric of Wessex (seen to the right). This made Wessex and Mercia allies, to the benefit mostly of Wessex. To keep Offa pleased, Beorhtric might well have given Eadburh plenty of authority. In their 13 years of marriage, however, there was no evidence of offspring. Kings need an heir (it's wise to have "an heir and a spare"), and many in Beorhtric's position would have wanted to put Eadburh away and find someone more fertile, which he did not do. We do not know when Beorhtric was born, but it does not seem likely that he died of old age when Eadburh became a widow.

So why is Asser telling this story at the beginning of a Life of King Alfred? He uses the story to explain why Wessex kings do not let their wives use the title "queen," because Eadburh's actions supposedly tainted the practice.

But wait, there's more.

As in the tragedies of Socrates, "look for the earlier crime." The alliance of Offa and Beorhtric created a power strong enough to make some significant changes in the politics of southern Great Britain. One of their acts was to drive Ecgberht (born about 771-775) into exile in the 780s, whereupon he fled to the court of Charlemagne. Who was Ecgberht? Why drive a child out of Wessex? He was the heir to the throne of Wessex, and by driving him out, Beorhtric became king. After Beorhtric's death, Ecgberht returned and ruled Wessex from 802 until 839.

So why was this important in a biography of Alfred? Because Ecgberht's son and heir was Æthelwulf, and Æthelwulf's son and heir was ... (wait for it) ... Alfred. Asser made sure to denigrate the man responsible for preventing Alfred's grandfather from taking the throne, and made a statement about how regressive Wessex was toward women at the time.

Did Eadburh poison and exile her enemies? If she did, where did she learn such behaviors? Well, the hand that rocks the cradle...

Tomorrow I'll tell you about her mother.

The Life of Asser

Most of what we know about King Alfred the Great comes from a single manuscript copy from the Cotton Library, Vita Ælfredi regis Angul Saxonum (Latin: "The Life of Alfred, King of the Anglo-Saxons"). We know it was begun in 893 because Asser mentions how old Alfred was at the time of writing (Alfred died six years later).

John Asser was a Welsh monk at St. David's in Dyfed (southwest Wales). We know little about him until he was recruited by Alfred to join his court for his scholarly abilities.

In the biography, we learn that Alfred decided on St. Martin's Day in 887 (November 11) that he wanted to learn Latin, and asked Asser to be his teacher. Asser asked for six months to consider, since he did not want to leave his position at St. David's. This was granted, but Asser fell ill when he returned to St. David's, and a year later Alfred to ask why the delay. Asser said he would decide when he recovered. The monks at St. David's felt the arrangement could be beneficial to them, and Asser agreed to divide his time between the two obligations.

Asser mentions reading to Alfred in the evenings, meeting Alfred's mother-in-law, and traveling with him. He describes the geography of his travels in England, as if he were writing for an audience unfamiliar with the English countryside: possible for his Welsh countrymen, whose he wished to educate about the king. He also includes some anecdotes that help flesh out information otherwise found in the Anglo-Saxon Chronicle.

The biography does not mention any events after 893, although Alfred lived another six years (and Asser well beyond that). That fact, and the fact that there is a single manuscript, suggests that what we have is merely an early draft that never was finished and sent to be copied and distributed. On the other hand, there are other literary works that show evidence of access to Asser's manuscript. A history written by Byrhtferth of Ramsey in the late 10th century quotes large sections of Asser. An anonymous monk in Flanders seems acquainted with Asser's work in his 1040s-written Encomium Emma (Latin: "Praise of [Queen] Emma"). In the early 12th century, Florence of Worcester quotes Asser in his chronicle. It seems clear that Asser's manuscript either "made the rounds" or lived in a much-visited library; we just don't know where it was in its earliest existence.

We do know that Bishop Matthew Parker (died 1575) possessed it in his library, but it was not included in the catalog when he bequeathed his library to Corpus Christi, Cambridge. Prior to that, it was owned by the antiquary John Leland in the 1540s. He might have acquired it when Henry VIII dissolved the monasteries, salvaging it when their properties and possessions were being sold off.

I seem to have turned a life of Asser into a discussion of his one known piece off writing.

As a reward, and possibly to keep Asser from going back to Wales, Alfred gave him the monastery of Exeter. He was made Bishop of Sherborne sometime between 892 and 900. He may have been a bishop already, at St. David's.

In 1603, the antiquarian William Camden printed an edition of Asser's Life in which he ascribes to Asser the founding of a college at Oxford. This extraordinary and evidence-free claim was repeated, but no modern scholar or historian.

The Annals of Wales (probably kept at St. David's) mention Asser's death in 908. The Anglo-Saxon Chronicle entry for 909 (or 910, in some versions; different chroniclers started the year at different dates) tells us "Asser, who was bishop at Sherborne, departed."

And now for something completely different: one of the anecdotes he tells is about a daughter of King Offa, who married a king of Wessex and became a stereotype of Disney films: an evil queen. Tomorrow I'll tell you about Eadburh.

Alfred the Not So Great?

It is not inappropriate—in fact, it is mandatory for a historian—to question the assumptions that come down to them from the past.* So when someone is called "Great"—the only English monarch to be named so—it is perhaps inevitable that someone will question what earned him that epithet.

Here I had mentioned how Alfred the Great reformed and renovated the defense of southern England by building or re-building 30 strongholds (called burhs in Old English), and increased taxes according to the amount of a landowner's real estate. Real estate was measured in "hides" and so this grand plan was called the Burghal Hidage. In fact, there is a document called the Burghal Hidage (a burned copy was salvaged from the Cotton Library). It is this creation of a strong defensive system, which included creating a standing army of about 27,000, that helped earn him the praise he has received.

Unfortunately for his reputation, the United Kingdom is fascinated by its history and therefore is constantly engaged in archaeological investigation. Forty years of archaeological evidence on the strongholds that comprise the Burghal Hidage has raised eyebrows about Alfred's role.

It turns out that Alfred's plan may not have been entirely Alfred's. Towns that were part of the Burghal Hidage and that claim now that they were founded by Alfred the Great became towns some time after Alfred's reign. Also, many of these burhs were clearly established prior to Alfred's reign and continuously maintained.

Part of developing these strongholds included Alfred being credited with the development of the connected towns and an "Alfredian" efficient street plan. Excavations in Worcester, however, show that the early street plan was in fact established about 100 years after Alfred's death.

So where did we get the original information about Alfred's greatness? Why is he given credit for things that were developed before or after his reign. That would be Asser, a Welsh monk brought to Alfred's court. His life, and his Life of King Alfred, are worth a closer look, for which I hope you'll come back here tomorrow.

*I say "them" and not "us" because I am not properly a historian: I am just a story-teller.

Alfred's Improvements

Alfred the Great (849 - 899) was not an idle king, even when not battling Danish invasions to protect the shores of Great Britain.

Some of his reforms and innovations did involve the military, though. The traditional way to deal with trouble was for each small community to assemble its own men against an attack. The Danes, however, would attack swiftly a small area, conquer it, and fortify it as a new base from which to mount further attacks and to which they could retreat if their further military plan looked like it was failing. They could make steady progress across the country before a large-scale defense could be mounted by a king. After defeating Guthrum at Edington, Alfred used the following respite to plan a standing army, ready to march and strike at the first sign of invaders.

In order to do this, Alfred had to raise taxes. His people had what was called the trinoda necessitas (three-fold tax): obligations for military service, fortress work, and bridge repair. Alfred increased a landholder's taxes based on the productivity of his land. He also created over third fortified places in souther Great Britain from which he could organize resistance to invaders.

He also increased naval power. The Anglo-Saxon Chronicle claims that Alfred's ships were larger and faster than ships of the Danes or Frisians. Alfred wanted to stop invaders before they reached shore, if possible.

He was also responsible for some legal reforms. He gathered together many of the laws from the past, including the code of King Ine of Wessex (689 - 726), rejecting laws that didn't please him, and produced a law code of 120 chapters with a strong biblical influence.

Even while dealing with these many "royal obligations" he was encouraging changes in education and culture. Perhaps inspired by Charlemagne's re-birth of culture, he established a school at court for his children and others. He also arranged for translations into English of Latin works he felt everyone should know. Concerned that the Viking invasions were a sign of God's wrath, he founded monasteries and "imported" monks because he found little local interest in populating the monasteries. He made sure copies of Gregory the Great's Pastoral Care went to his bishops for the better preparation of priests.

Now, calling anyone "the Great" will always raise questions about the accuracy of the epithet, and Alfred is no exception. Tomorrow we'll hear why some modern historians claim he wasn't that Great. See you then.

Alfred versus Danes

After establishing the Danelaw that was supposed to bring peace between the Danes/Vikings and the Anglo-Saxons of the south, Alfred thought that his reign had eliminated major military engagements. With the death of Guthrum, with whom he had negotiated the peace, Vikings apparently did not feel obligated to honor the borders.

A fleet of 330 ships arrived on English shores in 893, including wives and children, indicating their intent to colonize, not just plunder and go. They settled At Appledore and Milton, both in Kent, and Alfred set up men to keep an eye on their movements. Alfred started talks with Hastein, the Viking chieftain in Milton, but while doing so, the group at Appledore started moving northwestward. Alfred's eldest son, Edward, defeated them in Surrey. A siege at Exeter was defeated by Alfred. There were other battles, until by 895 the Danes were running out of food and supplies. They retreated to the Thames, and fortified themselves 20 miles north of London, but they were outmaneuvered by Alfred who blocked the river. In 897 they retreated, some to Northumbria, some to East Anglia, some to their ships and back to Europe.

Alfred lamented the effect of Danish raids on England, especially education:

...learning had declined so thoroughly in England that there were very few men on this side of the Humber who could understand their divine services in English or even translate a single letter from Latin into English: and I suppose that there were not many beyond the Humber either. [Alfred's preface to his translation of Pastoral Care]

Manuscript production also suffered during these years; there was also much destruction of manuscripts when Danes burned churches and monasteries. An 873 document is so poorly made that a historian suggests the scribe did not even know Latin. Alfred had established a school for his own children and others, where they studied both English and Latin. He encouraged learning, especially in English, for everyone who had a mind to apply themselves.

His reign produced many other improvements and changes in the culture, and I'll talk about them tomorrow, before we sk the question: Was Alfred really great?

Alfred the Great

Alfred the Great (848 - 26 October 899) was not the King of England, because at the time there was no unified England. He was king of the West Saxons (Wessex), which covered much of the south of Great Britain.

His father, Æthelwulf, died when Alfred was about 10 years old, and the crown went in turn to three of Alfred's brothers, Æthelbald, Æthelberht and Æthelred, before Alfred was crowned in April 871.

His chief task as king was fighting off invasions by Viking. In 878, after the decisive Battle of Edington against Guthrum, Alfred made an agreement with the Vikings, granting to them northern England, the north-east Midlands, and East Anglia (an area that became known as the Danelaw) in exchange for leaving the rest of Great Britain safe from invasion. Alfred also convinced Guthrum to convert to Christianity, whereupon he was baptized with the name Athelstan.

This attempt at peace did not last. Alfred was forced to deal with more Danish incursions. In 885 there was a raid on Kent, an ally of Alfred in south-east England. The Danes besieged Rochester, whereupon Alfred gathered a large that caused the Danes to abandon Rochester and flee to their ships. A year later, Alfred reoccupied the city of London (which was not as important as it became later), rebuilding the Roman wall and making the city safe for habitation and trade again.

In that same year he was named King of the Anglo-Saxons. Contemporary chronicles claim that all Saxon kingdoms of the time recognized him as ruler. This unification of the Anglo-Saxons did not mean all things were going well. Guthrum-Athelstan passed away in 889, and the uneasy peace that had been brokered between him and Alfred began to dissolve. Alfred's kingdom was about to become embroiled in frequent battle with Vikings again. We'll look at the latter years of his reign tomorrow.

Let's Talk Clocks

What constitutes a "clock"? The Latin horologium could refer to a clock or a timepiece of a sundial or the building or structure designed to support any of those.

Modern horology, the study of the measurement of time, distinguishes clocks which mark time by striking something (the word "clock" comes from French cloche, "bell"), whereas a timepiece does not. So a timepiece can mean a watch, a sundial, a clepsydra, or an hourglass, etc.

The sundial was likely the earliest way to measure time: a shadow on a flat surface displays the progression of the sun.

The clepsydra (Greek κλεψύδρα, literally "water thief"), was used in Babylonb, Persia, and Egypt as far back as the 16th century BCE. The simplest form is a bowl or other vessel with a hole from which the water drains, and markings to match drainage levels with the passage of time. The Greco-Roman world devised an in-flow (rather than out-flow) method which, as water filled a container, would trigger a sound, creating an "alarm clock." Water clocks evolved that used gears and escapement mechanisms to produce greater accuracy.

An escapement is a gear mechanism that ticks forward and back to cause another piece to advance. The illustration shows how this works in a pendulum clock, advancing the hands. The use of the escapement was crucial to the development of mechanical clocks, which started to appear in the 14th century in Europe. (Not in the 10th, built by Gerbert d'Aurillac.)

Let's not neglect candle clocks. A Chinese poem written in 520CE by You Joanfu mentions a clock marked so that it could be used while burning to measure the passage of night time. The Anglo-Saxons credit Alfred the Great with creating the candle clock. He used squat candles (<5" high) marked at 1" intervals to mark time.

The hourglass was also a common method of measuring time, the earliest depiction of which is in a 1338 painting by Ambrogio Lorenzetti.

The earliest mechanical clock, a clock that did not use water or sand or candles, that used a predictable motion due to the escapement and a pendulum, did not appear until the early 1300s. Norwich Cathedral had a tower clock constructed in the early 1320s. The first known municipal clock that struck on the hours was in Milan in 1336. Over the next few decades, mechanical clocks appeared all over: Old St. Paul's Cathedral, Salisbury Cathedral (still has many original parts!), Wells Cathedral (still with its original face), etc. Detailed descriptions of clock designs by Richard of Wallingford (1292 - 1336) and Giovanni de Dondi (c.1330 - 1338) still exist, though the many clocks they built are long gone.

A king who developed his own timepieces made from candles? He sounds like someone worth looking into.

Who Invented the Mechanical Clock?

In researching the previous post, I came across a reference to Pope Sylvester II (formerly Gerbert d'Aurillac, c.946 - 1003) inventing the mechanical clock. The source of this was the William Godwin's final book, Lives of the Necromancers, An Account of the Most Eminent Persons in Successive Ages Who Have Claimed for Themselves, or to Whom Has Been Imputed by Others, The Exercise of Magical Powers [1834]:

This generous adventurer, prompted by an insatiable thirst for information, is said to have secretly withdrawn himself from his monastery of Fleury in Burgundy, and to have spent several years among the Saracens of Cordova. Here be acquired a knowledge of the language and learning of the Arabians, particularly of their astronomy, geometry and arithmetic; and he is understood to have been the first that imparted to the north and west of Europe a knowledge of the Arabic numerals, a science which at first sight might be despised for its simplicity, but which in its consequences is no inconsiderable instrument in subtilising the powers of human intellect. He likewise introduced the use of clocks. He is also represented to have made an extraordinary proficiency in the art of magic; and among other things...

The italics are mine. A little further along, Godwin adds a footnote that tells us his information comes from William of Malmesbury. William (c.1095 - c.1143) was the foremost English historian of the 12th century. Not exactly a contemporary, but maybe near enough that the memories and stories were still fresh? It would be difficult to determine the accuracy of this report, especially in the context of a brief blog post. Fortunately, I don't have to.

As it turns out, Marek Otisk of the University of Ostrava (Czechoslovakia) published an article on this very topic in September 2020, Gerbert of Aurillac (Pope Sylvester II) as a Clockmaker. He examines the reports from William of Malmesbury, the Chronicle of Thietmar of Merseburg (died c.1018), and a much later record (someone who died in 1610). Among his detailed examination of these and other historical records we learn that although William claims Gerbert built a clock in Reims, a friend of Gerbert's (Richest of Reims), writes about Gerbert's stay in Reims in detail and never mentions a clock. Otisk concludes that William's ascribing of the creation of a clock to Gerbert cannot be trusted.

The later report by the Benedictine monk Arnold Wion, who died about 1610, claims Gerbert built a clepsydra, a water clock, in Ravenna. What we know of Gerber's time in Ravenna, however, is that it was very short; again, no contemporary accounts support this story.

Thietmar of Merseburg tells a different story, that Gerbert created a clock in Magdeburg. Thietmar was a bishop and close friend of Holy Roman Emperor Henry II, who succeeded Otto III, credited with making Gerbert into Pope Sylvester II. Thietmar's Chronicle includes a specific detail about Gerbert creating, in Magdeburg, "created clocks (horologium) which he correctly calibrated according to the Polar star (stella, dux nautarum) which he observed through an observation tube (fistula)." [Otisk, p.32] Otisk likes this account because both Thietmar and Gerbert were in Magdeburg in the late 990s, and very likely crossed paths several times.

The use of the word horologium is misleading, however. We use it for the word "clock," but it is more likely that Gerbert was creating a calibrated armillary, or possible even an astrolabe, which he knew about from his exposure to science being done by Islamic philosophers.

So I can't tell you who created the first mechanical clock. But the question of horologium remains: when long-ago writers refer to "clocks," what exactly did they mean? What constituted a clock? There were several ways to measure time without staring at the sun and judging, and I'll talk about those devices tomorrow.

Armillary Spheres

The "wooden terrestrial spheres" mentioned here are what we now call "armillary spheres." An armillary is a spherical arrangement of rings designed to mimic the orbits of the sun and planets around the Earth—or around the Sun, depending on the prevailing theory at the time. If the Earth is the center, it is a Ptolemaic sphere; if the Sun is at the center, it is a Copernican sphere. China and Greece each invented them BCE. Hipparchus credited Eratosthenes (276 - 194BCE) as the inventor.

An early Christian philosopher, John Philoponus, wrote the earliest extant treatise on the armillary sphere and the astrolabe. The oldest example of one we have today dates to the 11th century.

Gerbert d'Aurillac (946 - 1003), who became Pope Sylvester II in 999, had brought the armillary sphere to Western Europe. He was also responsible for introducing Western Europe to the abacus, the Hindu-Arabic numeral system we use today, and (possibly) the mechanical clock.

Sylvester used the armillary sphere and sighting tubes to determine the definitive position of the pole star and to record measurements for the tropics and the equator. His work was improved upon in the Renaissance by Tycho Brahe (1546 - 1601). Public figures would have an armillary sphere incorporated into their portraits to indicate their wisdom and knowledge.

I've written about clocks before, but I don't recall learning that Gerbert d'Aurillac invented it. I want to check that out; I'll let you know what I find.

The Ottonian Renaissance

Although we use the term "renaissance" to refer primarily to a rebirth of art and culture that started in 14th century Italy and spread throughout Europe, the truth is that there were several rebirths of culture between the Fall of Rome and the 14th century. I discussed this a decade ago here. One such rebirth took place during the Ottonians in Germany in the 10th century.

Part of this was not so much a rebirth as an influx of culture from the east: the Byzantine Empire maintained some of what Western Europe "lost" during those centuries. When Otto I married his son, Otto II, to Theophanu, the daughter of the Byzantine Emperor John I Tzimiskes, he opened the door to Byzantine art and increased commerce. Another important figure involved was Gerbert of Aurillac, who became Pope Sylvester II during the reign of Otto III.

Sylvester II introduced the abacus for computation, and wooden terrestrial spheres for the study of the movement of planets and constellations. He composed De rationalis et ratione uti (Of the rational and the use of reason) and dedicated it to Otto III. Promoting reason over faith was an important step in the study of the sciences. Sylvester also promoted the expansion of abbey libraries, particularly at Bobbio Abbey (where St. Columbanus wound up earlier), which had almost 600 works.

Arts and architecture also stand out in an examination of the Ottonian Renaissance. The revival of the Holy Roman Empire brought inspiration to think on a grander scale and create art and buildings that reflected the grandeur to which the Ottonians believed they were heir. Large bronze doors on churches and gilded crosses became more common. Ottonian patronage of monasteries produced grand illuminated manuscripts. One of the most famous scriptoria was Reichenau, which produced Hermann of Reichenau. This is also the period of the literary output of Hrotsvitha of Gandersheim.

A campaign of renovating churches and cathedrals also took place. (The illustration is an ivory plaque showing Otto I on the left, shown smaller than the saints, presenting Magdeburg Cathedral to Christ.) Longer naves and apses were inspired by Roman/Byzantine basilica. Many of these church designs and re-designs came form the hand of Otto I's brother, Bruno the Great. Bruno extended the cathedral in Cologne to rival the size of St. Peter's in Rome (Cologne Cathedral burned down in 1248, alas). He also built a church dedicated to St. Martin of Tours.

Ivory carving and cloisonné enamels were also widely produced in this era. A major workshop for cloisonné enamels was established by Archbishop Egbert of Trier, using a Byzantine technique of "sunken" enamel, where thin gold wire was soldered to a base, and colored glass melted into the spaces, as opposed to the original style of affixing gemstones as an inlay.

I find Ottonian art, though lovely, does not tickle my interest as much as those "wooden terrestrial spheres" of Pope Sylvester, so I'm going to look into those for next time.

The Ottonians

The Ottonians, the Ottonian dynasty, the Ottonian Period in Germany—all these refer to the same topic: a Saxon dynasty of German monarchs (three of whom were named, natürlich, "Otto") that lasted from 919 until 1024CE.

Its founder was not named Otto, however (although his father was); that was Henry the Fowler (876 - 936), son of Otto the Illustrious. He was named primus inter pares (Latin: "first among equals") by the German dukes of Bavaria, Swabia, and Lotharingia during the Hungarian invasions of East Francia, and named Rex Francorum ("King of the Franks") in 919. He was victorious over the Hungarians and amassed sufficient power to be uncontested when he passed his title onto his son, Otto I (912 - 973).

Also known as Otto the Great, one of the chief historical events connected to him is the restoration of the Holy Roman Empire (which, it should be noted, was by any standard definitions neither "holy" nor "Roman" nor an "empire"). Sure, the administrative structure needed to manage the large area (shown in the illustration) was inherited from the Carolingians and Charlemagne, and they got it from the Romans, but it was nowhere near what the Roman Empire had been.

Pope John XXII, however, wanted Otto's help in controlling Rome and the Lombards. Otto was a good choice: he was geographically close to Rome, he had defeated the pagan Magyars in 955, making him look like a hero for Christianity, and he was (in some ways) the successor of a previous Frankish king, Charlemagne, who had been made Holy Roman Emperor in Christmas Day in 800. Otto, whose wife was the Italian Adelaide of Burgundy (931 - 999). stepped in for the pope and conquered the Kingdom of Italy in 961. He was crowned Holy Roman Emperor on 2 February 962.

The "re-creation" of the empire and its expansion to much of central and Southern Europe sparked a bit of a cultural resurgence, the Ottonian Renaissance. This continued under Otto the Great's son, Otto II, partially because of his marriage to Theophanu, the niece of Byzantine emperor John I Tzimiskes. This helped create an influx of Byzantine art into Europe.

Otto II died after only 10 years, aged 28. His son, Otto III, was only 3 years old; his regents were his mother Theophanu, his grandmother Adelaide, and Henry II ("the Quarrelsome"), Duke of Bavaria. When he came of age, among other things he installed his confidants as popes: Pope Gregory V and the science-minded Gerbert of Aurillac, Pope Sylvester II.

When Otto III  died young (aged 21 years), he was succeeded by Henry II, a son of his regent Duke Henry. Henry was crowned emperor by Pope Benedict VIII in 1014. He founded numerous dioceses and intertwined secular and religious administrative power. When he died childless in 1024, the Ottonian dynasty ended. The crown went to Conrad II, a great-grandson of a daughter of Otto I, starting the Salian dynasty.

Before we can move to other topics, however, I want to look more at the results of the Ottonian Renaissance. See you tomorrow.

Medieval Feminism

It is not fair to suggest that there was a "feminist movement" in the Middle Ages, but there were many examples of women who did not conform to what the Modern Age thinks of women in the Middle Ages being forced into "traditional" roles. Hrotsvitha of Gandersheim was one of those examples.

Hrotsvitha was a 10th century nun in the Abbey of Gandersheim who turned her hand to writing poetry, plays, and histories. The illustration, a woodcut by Albrecht Durer, shows her presenting her history of the Ottonian Empire to Otto the Great (he was previously mentioned here and here). As the first to write dramas in the Latin West, as the first female German poet, she became revered as a feminist icon in the 1970s.

Although she writes that any excellence in her work comes from God, not from her, she was not saying that she, as a woman, had no ability to produce excellence. This may have been just a literary convention, or even true humility. In fact, she sees that women taking the veil and taking vows of chastity shows the power of self-determination, rejecting the role of wife and mother that men would put them in.

Encouraged to write plays after reading the Roman playwright Terence, she produced works with female characters very different from his shrews and courtesans. Her female characters are virtuous, courageous, witty, and close to God. Even though she saw women as somehow weaker than men in worldly terms, she considered women more suitable instruments for God to bring about grace and salvation for them and those around them. She saw men as more susceptible to temptation and sin.

Her plays dealt with subjects important to women: marriage, rape, objectification. In Callimach, a man attempts to rape a beautiful woman, who prays for death. This she is granted by God before she can be violated. When the rapist resumes with her corpse, he is bit by a venomous serpent and dies. Dulcitius, aka Passio Sanctarum Virginum Agapis Chioniae Et Hirenae ("The Passion of the Holy Virgins Agape, Chionia, and Irena"), shows how a governor, Dulcitius, is foiled in his passion by three virgins. (You can read the play yourself here. It has fewer than 300 lines!)

Hrotsvitha clearly believed in an ideal of the virginal woman, which some dismiss as merely a Christian construct which prevents women from aspiring to higher goals, but it is argued that she was promoting a model of female integrity that encouraged more positive views of women in 10th century Germany.

Hrotsvitha was alive during the Ottonian Period in Germany, which I have barely touched on all these years. Let's get a better idea of what it was next time.

Hrotsvitha of Gandersheim

A nun, a poet, a playwright— Hrotsvitha of Gandersheim has been called the most remarkable woman of her time, but she was hardly known until a manuscript of her works was discovered in 1494.

From information in her writing we can glean that she was born between 930 and 940CE to a well-to-do Saxon family. We do not know what prompted her to "take the veil" and enter a nunnery, but we know she took vows of chastity and obedience but not poverty, presumable because she did not want to give up comforts and freedoms she had grown up with.

In a preface to her poetical works, she writes of her education at the Abbey of Gandersheim:

I was trained first by our most learned and gentle novice-mistress Rikkarda and others. Later, I owed much to the kind favour and encouragement of a royal personage, Gerberga, under whose abbatial rule I am now living. She, though younger in years than I, was, as might be expected of the niece of an Emperor, far older in learning, and she had the kindness to make me familiar with the works of some of those authors in whose writings she had been instructed by learned men.

Among the works to which she was introduced were those of the Roman playwright Terence, and she decided she wanted to try her hand at that genre, making her the earliest known playwright—female or male—in the Latin West. Where Terence wrote women as shrews and courtesans, Hrotsvitha wrote them as innocents who were exemplars of Christian virtue.

She was the first female poet in Germany, writing several works in dactylic hexameter, including a history of the Ottoman Empire. and a history of Gandersheim Abbey.

She was the first Northern European to write about Islam. In her play Passio Sancti Pelagio ("The Passion of Saint Pelagius"), which she says is derived from an eyewitness to the martyrdom of Pelagius of Cordova, she refers to the character of Abd al-Rahman III, the Emir of Cordova from 929-961. Her plays read as dialogues, which means they are labeled "closet dramas" (a play meant to be read out loud, rather than performed). We know, however, that the Abbey enjoyed her writing, and she was asked to read to the other nuns, so it is possible that her plays were "performed" at Gandersheim.

The discovery and publication (in 1501) of her works made her a subject for study. In the 20th century, she became a feminist icon, which means I'll take a deeper dive into her works tomorrow.