Germanus of Auxerre, Part 1

There are some stories about Germanus (c.378 - c.445 CE) that are difficult to believe and hard to substantiate. The Vita Germani ("Life of Germanus") written c.480 CE by Constantius of Lyon, no doubt intended to inflate Germanus' reputation, gives us most of our information on him.

We are told, for instance, that he was from one of the noblest families of Gaul, receiving the best education in eloquence and civil law in Rome, where he practiced law before the Tribune. He married s noble lady, Eustachia, before being sent back to Gaul as one of six dukes.

Unfortunately, he made an enemy of the local bishop, Saint Amator. Germanus would hang the carcasses of his hunting expeditions on a certain large tree with many branches to age. This tree had been used as a site of pagan rituals. Amator was angered that Germanus was drawing attention to it, so while the duke was away, he had the tree cut down and burned, along with the carcasses. Amator feared the duke's reaction, fled to the prefect Julius, and requested permission to tonsure Germanus.

When Germanus came to the church to find Amator, Amator gave him the tonsure against his will, telling Germanus that he needed to amend his ways to be prepared to replace Amator when the bishop died, and ordained him a deacon. Surprisingly (for real life; not surprisingly for a saint's story), when Amator died, Germanus was unanimously chosen to replace him as bishop. Germanus was made bishop on 7 July 418.

"Spontaneous religiosity" was a theme in anecdotes about Germanus. When he was sent from Rome to go to Britain to fight Pelagianism, he passed through Nanterre in Gaul. Walking through a crowd, he spotted a young girl and told her she should devote her life to Christ, and she did.

Germanus—who, remember, was a duke and soldier before he became a bishop—also helped the Britons against Pictish and Saxon raiders. Leading his army into a vale in North Wales, he told them to shout at his signal. Once the raiders approached, he shouted "Alleluia!" three times. The Christian army repeated his call, and the sound echoed so much between the mountains that the raiders fled, thinking themselves vastly outnumbered.

There are more stories, including one that tangentially connects him with the Arthurian legends. I'll share those next. (And eventually I'll get back to that little girl in Nanterre; we're not done with her.)

Pre-Patrick Palladius

Although St. Patrick gets credit for spreading Christianity widely in Ireland, he was not the first Christian sent there for that purpose. He was preceded by Palladius (fl.408 - 431; died c. 450 CE), the first bishop of Ireland.

Some of what we know from him comes from accounts of St. Patrick, who was his contemporary, along with St. Prosper of Aquitaine. Palladius came from a noble family in Gaul, and had a wife and daughter. We don't know what happened to the wife, but at one point, after becoming an ascetic, he placed his daughter in a convent in Sicily and in 415 was ordained a priest. He seems to have lived in Rome from 418 - 429; we assume he is the Deacon Palladius who convinced Pope Celestine I to send a bishop named Germanus to Britain to fight growing Pelagianism.

Celestine also sent Palladius with relics of saints Peter and Paul to be the first bishop of Ireland. According to a later account, the Book of Armagh, Palladius had a difficult time in Ireland: the natives did not want his preaching, and he did not want to live in a strange land.

After 431, he went to Britain and served among the Scots for 20 years. Scottish historians acknowledge that Palladius was the first bishop and "first apostle" of Scotland. There are several dedications in the village of Auchenblae suggesting he spent most of his time there, and perhaps died there in 450.

We know more about the Germanus sent to Britain; he's next.

The Annals of Ulster

History is written by the victors, or so it is said, and I was warned in graduate school always to question an author's intent. Everyone who write something down has an agenda, a point they intend to get across. That point might not be completely objective.

The Annals of Ulster might be in the same category, but their entries are usually simple lists of events without editorializing. This give the historian a separate check on other more detailed accounts, just in case the longer account is presenting a skewed version to get across the author's political point.

Another benefit of the Annals is that they cover more than ten centuries, from 431 CE until 1540, and so reach back further than many historical records. The first entry for 431 is:

Kalends of January
The year 431 from the Incarnation of the Lord.

Palladius, having been consecrated by Celestine, bishop of the city of Rome, is sent to Ireland in the consulship of Aetius and Valerius as first bishop to the Irish so that they might believe in Christ—in the eighth year of Theodosius.

The first several decades are compiled from other accounts, before the contemporary writers take over.  For the next year, for instance, we see:

432
Kalends of January sixth feria, fifth of the moon, [AM]4636. AD 432 according to Dyonisius.

Patrick arrived in Ireland in the ninth year of the reign of Theodosius the Less and in the first year of the episcopate of Xistus, 42nd bishop of the Roman Church. So Bede, Maxcellinus and Isidore compute in their chronicles.

The contributors to the Annals seemed to like following kings and their events and battles, as well as the activity of the viking invaders of Ireland. Another benefit to historians is that the Annals are written mostly in the Irish language, with only a few entries in Latin. Linguists have used the Annals to study the evolution of the Irish language.

But here's a question: if you're writing a history of Ireland, and obviously St. Patrick is an important part of that, it might make sense to use that as your starting point. They started, however, with Palladius. So ... who was he?

The Battle of Clontarf

The Battle of Clontarf took place on 23 April 1014. It turned Brian Boru into a national hero, although that may have had more to do with public sentiment and creative re-telling than factual outcome, since Boru did not survive.

Boru (c.941 - 23 April 1014) had grown in power until his kingdom of Munster was unparalleled in Irish history. The king of Leinster, Máel Mórda, challenged Boru at the Battle of Glenmama on 30 December 999, lost and had to submit. A few years after, in 1002, Brian Boru's political and military authority caused him to be recognized as "High King" of Ireland.

Meanwhile, Viking raids on Ireland the previous few centuries had resulted in settlements on the coast, including one that grew into the Kingdom of Dublin. At the time of Clontarf, the king of Dublin, Sitric Silkenbeard, was nephew to the king of Leinster.

They all should have been on good terms. Brian's ex-wife Gormlaith was Máel Mórda's sister, and Sitric was her son by a previous husband. One of Brian's daughters from a previous marriage, Sláine, was Sitric's wife! Unfortunately, the lust for power does not take a backseat just because of familial ties.

In 1013, Máel Mórda and Sitric Silkenbeard rebelled against Boru's authority. Boru decided he needed to make a strong statement, so he sent his son Murchad into Leinster who "plundered the land ..., burned the whole country, and took great spoils and countless captives." [Annals of Ulster]

Other skirmishes led Brian Boru to bring his army to Leinster in September 1013, where he positioned them outside Dublin. Sitric sailed east to find Viking support. According to Njal's Saga, he approached both the Earl of Orkney and a warrior from the Isle of Man and offered each to be the king of Ireland if they would aid him against Boru. (Njal's Saga is a later work of poetry and cannot always be relied on for factual details. See what it says about valkyries.)

Sitric's viking allies sailed to Dublin the week before Easter. (Easter in 1014 was 25 April, about as late as it can get, so the weather was amenable to sailing and fighting.) The armies met at Clontarf (the name means "meadow of the bull"), an area north of Dublin, on Good Friday. A blow-by-blow of the Battle of Clontarf does not exist in the contemporary Annals of Ulster or the Annals of Inisfallen, nor in the poetic Njal's Saga. The dead included Brian Boru, his son Murchad, his grandson Toirdelbach, his nephew Conaing.

On the other side, Sitric survived, because he stayed in Dublin to protect it; he could see the fighting from the city walls. His brother Amlaíb led the Leinster forces, and died because of it. Máel Mórda was killed, as were the two leaders from Orkney and the Isle of Man.

In all, estimates are that 7,000 - 10,000 were killed in the battle, but not all by bloodshed. The battle started at dawn and continued all day. The tide was in near the end of the day, preventing the retreating vikings from reaching their ships, and many drowned while trying to retreat. The viking and Dublin influence on Ireland was severely diminished.

After Boru's death, his remaining forces were led by Máel Sechnaill Mac Domnaill. He had been High King before Brian Boru, and was restored to that position after Clontarf, since Boru's male issue had been killed.

It was not called the Battle of Clontarf at the time: the 12th-century Book of Leinster has a list of kings where it states that Brian Boru died in the "Battle of Clontarf Weir." The date of the battle itself may be false, Good Friday being first mentioned in later medieval sources. There is a theory that Good Friday was chosen symbolically to link Brian Boru's death with that of Christ's sacrifice. Boru was hailed ever after as a national hero, although his victory was a pyrrhic one.

I'll talk a little more about the value of the Annals of Ulster next time.

Valkyries

Everyone is probably familiar with the valkyries, the "choosers of the slain" in Norse legend. They didn't just carry the dead to Valhalla, however. Norse soldiers who died in battle had two possibilities: Valhalla or Fólkvangr.

Fólkvangr (Old Norse "folk field") was the domain of Freyja, Odin's wife and goddess of love, beauty, fertility, sex, war, gold, and seiðr. (Going forward, when you see the character ð, pronounce it as a voiced th, as in these.) There she sits in her hall Sessrúmnir (Old Norse "seating room"). Besides warriors, Egil's Saga (composed in the 13th century) has a non-warrior woman remarking that she will not taste food again until she dines with Freyja.

The other half of slain soldiers are carried by valkyries to Valhalla. There they are called the einherjar (Old Norse "once fighters") who prepare for the final battle at Ragnarök. Valkyries in Valhalla serve mead to the einherjar.

Visual depictions of valkyries are ... vague? We have Viking Age art with women in it that could be valkyries, but we just don't know. Silver amulets with women holding drinking horns are numerous, especially in graves. A silver-gilt figurine found in Denmark and dated to 800 CE shows a female with bare arms holding a shield and sword. When you look for females carrying drinking horns, you will find them all over Northern Europe, in metal and carved on rune stones.

Outside of Scandinavia, the Anglo-Saxons also had a similar concept. The Old English word wælcyrge might have been a loan-word from Old Norse or an independent idea. The charm "For a Swarm of Bees" seems to compare a swarm of bees to a ride of the valkyries.

How did the idea of female choosers of the slain arise? We'll never know for certain, but some scholars think they were originally demonic entities who swarmed over the dead in battlefields. As concepts shifted and battle became more glorified, warriors were honored with an afterlife. Getting to that afterlife required a mechanism, and the demonic entities connected with death became noble entities carrying fallen soldiers to their reward. They go from Furies to Norns, involved in the fate of warriors.

It is likely that poetry helped re-shape the idea and function of the valkyries. Njal's Saga is an Icelandic saga that describes events between 960 and 1220. It describes an incident in which a man secretly observes valkyries at a loom, weaving and singing about who will die at the Battle of Clontarf (Dublin, 1014 CE). They then ride off, singing "start we swiftly with steeds unsaddled—hence to battle with brandished swords!"

If you were to search, say, Facebook for the name "Valkyrie," you would find several. Whether that is a given name or a nickname the person has chosen for herself isn't clear. I personally know an actual "Valkyrie" who reads this blog. Hi, Kyrie!

And now for something completely different: the Battle of Clontarf. See you tomorrow.

Bee poetry?

I remember the character Queenie in the TV show "Lark Rise to Candleford" (based on the partially autobiographical books by Flora Thompson) speaking to several hives of bees, saying "Bees, bees, your master's dead; I must be your mistress now." The need was to explain to the bees that the person maintaining the hive was gone so that they could mourn properly and then attach to a new owner, not just fly away to seek a new home. The illustration here is "The bee friend" by Hans Thoma (1839-1924). He is speaking to his bees, because tradition holds that the bees must be informed of important events.

Bees were important for wax and honey, and a hive/colony could be kept going for years, with a strong bond developing between the family and the bees. You would not want the bees to have a reason to "swarm" and leave, so keeping them "in the loop" was important. Besides just "telling the bees," you could use a spoken charm to try to keep them.

One such charm was the Lorsch Bee Blessing, written down (we think) in the 9th century in Old High German and used to keep the bees from leaving. Translated, it says:

Christ, the bee swarm is out here!
Now fly, you my animal, come.
In the Lord's peace, in God's protection,
come home in good health.

Sit, sit bee.
The command to you from the Holy Mary.
You have no vacation;
Don't fly into the woods;

Neither should you slip away from me.
Nor escape from me.
Sit completely still.
Do God's will.

There also exists "For a Swarm of Bees," an Anglo-Saxon charm intended to prevent the bees from swarming and going to a new location.

Settle down, victory-women, sink to earth,
never be wild and fly to the woods.
Be as mindful of my welfare,
as is each man of border and of home.

Clearly each poem/charm indicates how important a thriving hive was for the person needing the wax and honey.

The "victory-women" of the first line of "For a Swarm of Bees" is curious. The Anglo-Saxon word is sigewif  and Jacob Grimm (of Grimm's Fairy Tales) and other scholars think it may be drawing a poetic comparison to the valkyries of Norse myth. Perhaps the bees are compared to valkyries because of their weapon (sting) and the way they ride to battle (swarm)?

Speaking of Valkyries, I mentioned one once when discussing the real historical figure portrayed in the 2013 TV show The Vikings. I think the valkyries need a little more explanation.

Honey

Sugar cane was cultivated thousands of years ago—in Southeast Asia; mass cultivation and importation to Europe was not available in the Middle Ages. But Europe had honey.

Honey can sweeten food.

Honey is a preservative.

Honey can be used in medicine.

But there were also more...creative uses.

For instance, a peasant working on a manor could pay his rent in beeswax and honey.

At least one late medieval manual tells us Jewish children would learn their letters by, once having written the letters on a slate, covering the slate with honey. "The child then licked them so that the words of the Torah might be 'as sweet as honey'." (No reports exist on the efficacy of this pedagogical method.)

Manuals had differing recipes for mead, but one suggests to crush the honeycombs by hand or pestle (and mortar), strain the honey, mix it with water in a ratio of 1:4, let it sit for three days, then boil until it is at the concentration you prefer. It was then strained through linen and allowed to ferment. Mead was very popular, and so common that in 1015 in the city of Meissen, Germany, mead was used to put out a fire because the town had more mead at hand than water. This would have required a lot of honey available for the brewing.

Regarding its medicinal use: the Romans used it in medicinal concoctions, mostly for flavoring, but after the fall of the Roman Empire very little is written about honey's uses in medicine. Its antibacterial effects were not demonstrated until 1892 by a Dutch scientist.

I've got a few more things to say regarding bees themselves next time, and then we'll turn to something else.

Bee-keeping

The value of honey was no doubt discovered long before human beings started keeping written records. The Egyptians were maintaining bees as far back as 2450 BCE. In the Middle Ages, bees were seen as a source of not only honey, but also wax for candles wanted by the church and the aristocracy. They had other methods of lighting, such as tallow and rushlights, but wax candles were the best. 

Many people kept bees for these purposes, but the practice was so common that there was no need to explain it, and so the "rules" of beekeeping are scarce. The Geoponika, a 20-volume Byzantine collection of agricultural knowledge from the 900s includes "of the management of bees" in book 15.

The bee is the wisest and cleverest of all animals and the closest to man in intelligence; its works is truly divine and of the greatest use to mankind. Its social life resembles that of the best regulated cities. In their excursions bees follow a leader and obey instructions. They bring back sticky secretions from flowers and trees and spread them like ointment on their floors and doorways. Some are employed in making honey and some in other tasks. The bee is extremely clean, settling on nothing that is bad-smelling or impure;

Initial beekeeping was finding the trees the bees themselves had used and watching them. Holes would be bored, or even small wooden doors installed, to give access to the honey inside and to be able to seal up the hive against inclement weather. Once humans decided to keep the bees closer, they built hives of any material available: clay, wicker, straw, wood. Some documents warn against stone and clay, because the summer heat would make them unbearable. Pliny the Elder mentions hives made from horn and translucent stone, but there is no evidence that any hives made like that ever existed.

Skeps—domes of straw with a small hole—became common in the 14th century. They were easy to make, but to get at the wax and honey you needed to disturb the bees. Another problem with skeps was that they were small and easily stolen. Wax and honey were that important. We know the wax was for candles, but honey had lots of uses.

We will go into that next.

Childeric I

Childeric I was presumably a child of Merovech, and the first king of the dynasty called Merovingians. He lived from about 437 until 481 CE. Records are sketchy, but if we are to believe Gregory of Tours, Childeric in his youth was a "wild child" who was exiled to Thuringia (now central Germany) for eight years on account of debauchery and his tendency to seduce the daughters of his subjects.

While in exile, the Gallo-Roman Ægidius, who was briefly ruler of the short-lived kingdom of Soissons, started calling himself "King of the Franks." Meanwhile, in Thuringia, the Queen Basina left her husband to marry Childeric, claiming "I want to have the most powerful man in the world, even if I have to cross the ocean for him."

Later, in 463, Childeric and Ægidius fought together to repel Theodoric II and the Visigoths from Orléans. He is also reported to have fought with "Odovacrius" (Odoacer of Italy?) against the Alemanni (but not the people we usually call Alemanni).

With Basina he had all least four children. One of them, Clovis I, because king after Childeric. His other children were Audofleda, who married Theodoric the Great of the Ostrogoths; Lanthechild, who was an Arian Christian but converted when Clovis did; Albofleda, who died soon after converting with Clovis to Christianity.

In 1653, Childeric's tomb was discovered. A ring was found with the inscription CHILDIRICI REGIS (Latin: "Childeric King"), the first hard evidence that he was considered a king. The tomb included gems, gold coins, and 300 golden bees (they could have been some other insect, like cicadas, but in general they are called bees). Napoleon liked Childeric's bees as a symbol of the French empire in 1804.

Unfortunately, in November 1831, Childeric's treasures were stolen from the Bibliothèque National de France along with several kilograms of other gold treasures and melted down. Childeric's treasure is gone, except for two bees.

...which is as good a transition as any to talk about medieval beekeeping next time.

Merovech

The Merovingians were the predecessors of the Carolingians (Charlemagne's family) and can be considered the founders of France. I've mentioned the Merovingians a few times (check the list to the right), but hardly spoken about their eponymous founder, Merovech.

Merovech (aka Mérovée, Merowig, and in Latin Meroveus) was on the scene from about 411 until 458 CE. He was king of the Salian Franks, the tribe that became the primary tribe in France. Details are hazy, but his father may have been Chlodio, also king of the Salian Franks.

The Roman historian Priscus, writing about the conflicts between Attila the Hun and Rome, mentions a beardless youth with long hair adopted by Roman general Aetius. This turns out to be Merovech, looking for Roman support in his bid to succeed Chlodio. His rival was his elder brother who aligned with Attila the Hun. The Romans fought the Huns in Gaul, and Merovech became king.

At some point, it apparently became necessary to enhance Merovech's origin. The Chronicle of Fredegar states that Chlodio and his queen were at the sea shore when she went bathing. She was attacked by a sea creature and became pregnant with Merovech. Adding a veneer of divinity wasn't unusual in the Classical and Medieval periods to elevate a ruler's reputation. This origin was adopted and exaggerated by writers in the 20th century to link Merovech to the bloodline of Jesus, to the Illuminati, to Masonic lore, and to horror fiction.

But all this is largely...legendary. The Merovingian dynasty—although named for Merovech—starts officially with Childeric I. He is next up.

The Dove of St. Nivard

St. Nivard was one of those early medieval saints of whom we know next to nothing. He was archbishop of Reims from before 657 CE until 673. He was the brother-in-law of Childeric II (King of Austrasia). The best info Catholic.org has to offer is the his feast day, 1 September

Charles Forbes, the Count de Montalembert, a member of the French Royal Academy, published in 1861 The Monks of the West, from St. Benedict to St. Bernard. In a chapter called "The Monks under the First Merovingians" he writes:

In the following century, St. Nivard, Archbishop of Reims, visiting his diocese on foot, arrived in the fine country which overlooks the course of the Marne, opposite Epernay; and, finding himself fatigued, slept under the shed of a great beech, on the knees of his companion, Berchaire. During his sleep he saw a dove descend from heaven upon the tree, and, after marking the same circuit three times by flying round it, reascend to the skies. Berchaire, who had not slept, saw the same saw the same vision. They agreed to build an abbey there, which was called Hautvillers. Berchaire was its first abbot; and the high altar rose upon the same spot where the tree had stood when the dove alighted, a sweet symbol of the tranquil innocence which was to reign there.

From there he discusses the many legends of holy men encountered tearing animals and taming them.

Where Forbes found the original story is still a mystery to me, but at least one faithful reader of this blog "need[ed] a few more details about this dove." I had been less than thorough in my origin story of Hautvillers, so I hope this helps.

Next time, I'll talk about who these "First Merovingians" of the chapter title were.

The Utrecht Psalter

Vellum—fine parchment made from the skin of a calf—is more durable than paper. Even so, manuscripts that survived for centuries are precious, and sometimes we have them only due to extraordinary measures taken by individuals.

One such individual was Sir Robert Cotton, whose hobby was collecting old manuscripts of all kinds in his personal library. Despite a fire that destroyed some, there are countless things we know about the Middle Ages that we would not know except for his collection, including poems such as Beowulf. One unique manuscript that he collected was the Utrecht Psalter. (I should say "near-unique" for reasons explained a little later.)

A psalter is the Book of Psalms from the Bible. The word psalter is Old English (p)saltere from Latin psalterium from Greek psaltērion and means a stringed instrument. (Remember that the Psalms are songs.) This particular psalter came to the Cotton Library from Canterbury Cathedral some time after the Dissolution of the Monasteries (in the 1530s when Henry VII changed things). Robert had the pages bound, and then lent the manuscript to the Earl of Arundel, who took it into exile in the Netherlands (during the English Civil War in the 1640s); upon his death it was sold, and somehow wound up in the library of Utrecht University by 1716.

One of its distinguishing features is the style of art. Each vellum page contains a psalm, and the background of each page illustrates every image from each line of the psalm in understated color called bistro, a shade of brown or grayish brown. The pages are 10x13 inches—an unusually large size choice, unless it were intended to be used by several people reading/singing at once. It might have been a monks choir book rather than intended for personal instruction, as the mnemonic device of the illustrations would suggest.

Created in the 800s during the Carolingian period, it influenced a style that is called the "Utrecht style." There are at least three copies that were made of it prior to its acquisition by Cotton: the Harley Psalter (in the British Library), the Edwin Psalter (at Trinity College, Cambridge), and the full-color-with-gold-backgrounds Anglo-Catalan Psalter (so-called because it was half-illustrated by an English artist in 1180-1200 and finished in Catalan in 1340-50 in a different style), in the Bibliothèque nationale de France.

But whence came the original? An argument is made for it originating near Reims, because the style is similar to the Ebbo Gospels, suggesting that, like them, the psalter was sponsored by Archbishop Ebbo of Reims. Also, some believe the illustrations draw from details that would have been gleaned from the travels of none other than or recent predestination heretic, Gottschalk of Orbais. Besides psalms, it includes the Athanasian Creed, to which Ebbo's successor Archbishop Hincmar of Reims was partial.

This puts it in the vicinity of Hautvillers, which gives me a reason to re-visit Hautvillers and clear up a few details about which I was terribly neglectful yesterday. Tomorrow I answer the question: what about that dove?

Hautvillers

Hautvillers is a commune in northeastern France. In 650 the Benedictine Abbey of St. Peter (in French it was the Abbaye Saint-Pierre d'Hautvillers) was established; it remained active until the French Revolution in 1789.

It was founded by St. Nivard, the Bishop of Reims, when a dove indicated where it was to be established. The abbey was devoted to the Rule of St. Benedict and of St. Columbanus, whose monastery practices in Ireland were in some cases even more strict than Benedict's.

The Abbey was known for its illuminated manuscripts. The very vibrantly illustrated Ebbo Gospels came from this Abbey. A well-known book of psalms known as the Utrecht Psalter (discovered in the Netherlands in the Utrecht University Library in 1858) is illustrated in a similar style to the Ebbo Gospels, and so might have come from here as well.

In 841, a priest from Reims stole from Rome the bodily relics of St. Helena, mother of the Emperor Constantine and finder of the True Cross. Pilgrimages to see the relics helped bring donations to the Abbey, allowing it to purchase more property. (After the French Revolution, the relics were transported to Paris; they went to the Knights of the Holy Sepulchre in 1819.)

One of the uses of more land was, of course, to provide the Abbey with its own food and drink. Vineyards were always a good idea. One of the monks at Hautviller disliked using white grapes, because of their tendency to enter "refermentation." Refermentation happened after the wine was bottled: in the warmer weather, remaining yeast would "wake up" and start producing carbon dioxide again. Enough and you have sparkling wine; too much and you have exploding bottles. This monk laid down some rules for the best wines and best sparkling wines, such as blends of grapes from multiple vineyards (before pressing, not after they were already wine). His name was Dom Perignon. He did not develop the brand now known as "Dom Perignon," but it was named for him. The myth that Perignon invented champagne was created by a later monk, Dom Groussard, who made up many stories about the Abbey to garner fame.

Next: whether it came from Hautvillers or not, the Utrecht Psalter is worth a look.

Gottschalk of Orbais

I believe and confess that omnipotent and unchangeable God foreknew and predestined saint angels and elect men to eternal life gratis and that He equally predestined devil, head of all demons, with all of his apostates, and also reprobate men, namely his members, on account of their own most certainly foreknown evil merits, through the most right judgment to deserved eternal death; for thus says the Lord himself in His Gospel: “The prince of this world is already judged”

So wrote Gottschalk of Orbais (c.808 - 30 October 868 CE). He studied at Fulda Monastery in Germany where he became friends with Strabo and studied under Hrabanus Maurus. His first act of "rebellion" was being ordained in France (where he joined the Abbey at Corbie) not by his bishop, but by the local choriepiscopus of Rheims, a lesser functionary in the bishop's. By 840 he had left France for Italy where he preached his views on predestination, before being driven out by Hrabanus Maurus who at that time had become Archbishop of Mainz.

He preached and gained followers in Germany until the Synod of Mainz in 848. It was presided over by Hrabanus Maurus with King Louis the German present. Gottschalk was declared heretical, beaten, and for hidden to return to the Kingdom of Francia under Louis the German. He was sent to Archbishop Hincmar of Rheims to be kept under confinement, but he continued to preach his double predestination.

Six months after the Synod of Mainz was the Council of Quierzy—with Archbishop Hincmar and King Charles the Bald—at which Gottschalk's preachings were questioned again; this time, however, there was no calm theological debate. When Gottschalk refused to accept that is interpretation of Augustine was wrong, he turned to verbal abuse of his opponents. He was defrocked (both in the sacerdotal and sartorial sense), beaten, and imprisoned in a monastery at Hautvillers for the next 20 years, until his death.

Hautvillers; now there's a place worth talking about. Next time.

Predestination

Ephesians 1:11 says "In him we have obtained an inheritance, having been predestined according to the purpose of him who works all things according to the counsel of his will." The Old and New Testaments as well have other passages that declare God's will as the driving force behind all actions and events.

Augustine of Hippo (354 - 430 CE) was fine with this. He maintained that God had foreknowledge of whether individuals would deserve heaven or hell. If God is omniscient, and omniscience includes knowledge of what is to come, then God knows what people will do. He also explained the sin of Pride as thinking that we are the ones who choose God rather than God's grace that empowers the initial act of faith. Some scholars claim that Augustine believed in "double predestination," the term that is used to explain that God chooses those who will be saved and those who will be damned.

(This seems to argue against the doctrine of Free Will, that human beings choose to do good or do bad, and hence are responsible for the ultimate fate of their souls. In my (Roman Catholic) youth, we were taught that God's knowledge does not "lock us in" to a certain path. It was explained as foreordination: God simply knows ahead of time the choices we will make.)

Of the three main Jewish sects in the 1st century CE, the Romano-Jewish historian Josephus (c.37 - c.100) wrote that the Sadducees did not have any thoughts on predestination, but the Essenes and Pharisees felt God's providence ordered all human events. The Pharisees still believed that man could choose between right and wrong. We don't know how scholarly an interpretation this was by Josephus.

Pope Clement I (d.99 CE) wrote a letter to the Corinthians in which he appeared to express a predestinarian view of salvation.

Valentinus (c.100 - c.180 CE) believed it depended on what kind of nature you were born with, either good or bad or a mix of the two. A person born with good nature will be saved, with a bad nature will never be saved, with a mixture can go either way.

St. Irenaeus believed Valentinus' view was unfair, and that humans were free to choose salvation or not.

After Augustine, most arguments for or against predestination were based on agreeing with or refuting his explanations.

When the Middle Ages got well and truly underway, people like Gottschalk of Orbais (c.808 - 868) believed in the above mentioned double predestination. (I will say more about him tomorrow.)

Thomas Aquinas believed in free will, but also taught that God predestines certain people to a special closeness to God (called the beatific vision) based solely on God's own goodness.

William of Ockham (c.1287 - 1347) taught free will, but God predestines based on people's good works that He foresees.

The Cathars denied free will.

This is a subject on which there is likely never to be universal agreement.

That Gottschalk of Orbais really stirred things up when he weighed in. Stay tuned.

The Council of Orange

There were two Councils of Orange. The first was held 8 November 441, presided over by Hilary of Arles.  He and 17 bishops established rules for the right of asylum, penance, administering sacred rights to those who were "defective" in body or mind, and a few others.

The second Council of Orange, in 529, presided over by Cæsarius of Arles, dealt with heresy and affirmed much of Augustine of Hippo's ideas.

As it turns out, I've already mentioned one of the chief concerns of the Council of Orange in 529, when I wrote about John Cassian (the "sometime saint"). Cassian's "SemiPelagianism" (a "compromise" between the "heresy" of Pelagius and the "orthodoxy" of Augustine of Hippo) claimed that God's grace was not needed to start someone's path to the good. Augustine maintained that God's grace must be present from the beginning.

The third canon of the Council says:

If anyone says that the grace of God can be conferred as a result of human prayer, but that it is not grace itself which makes us pray to God, he contradicts the prophet Isaiah, or the Apostle who says the same thing, "I have been found by those who did not seek me; I have shown myself to those who did not ask for me."

The quotation is from Romans 10:20, in which Paul quotes Isaiah 65:1. This suggests that absolutely anyone (and therefore everyone) could find God's grace, because the potential for God's grace is present in everyone whether they know it or not.

Canon 5 reinforces this:

If anyone says that not only the increase of faith but also its beginning and the very desire for faith, by which we believe in Him who justifies the ungodly and comes to the regeneration of holy baptism-if anyone says that this belongs to us by nature and not by a gift of grace, that is, by the inspiration of the Holy Spirit amending our will and turning it from unbelief to faith and from godlessness to godliness, it is proof that he is opposed to the teaching of the Apostles,

I'm not a theologian, but this reminds me of the document Lumen Gentium ("Light of Peoples") from Vatican II, in which the "possibility of salvation outside the Church" is discussed.

Nor is God far distant from those who in shadows and images seek the unknown God, for it is He who gives to all men life and breath and all things, and as Saviour wills that all men be saved. Those also can attain to salvation who through no fault of their own do not know the Gospel of Christ or His Church, yet sincerely seek God and moved by grace strive by their deeds to do His will as it is known to them through the dictates of conscience. Nor does Divine Providence deny the helps necessary for salvation to those who, without blame on their part, have not yet arrived at an explicit knowledge of God and with His grace strive to live a good life.

This was a healthy attitude that denied no one the opportunity to be a child of God and receive salvation.

There was one item from Augustine of Hippo's writing that the Council did not ratify, and that was his stand on predestination. Next time.

St. Cæsarius of Arles

Cæsarius of Arles meant well. He was a major figure in his generation to preach asceticism in daily life, and as a bishop urged the necessity of preaching morality to all, including those who were opposed to Christianity.

Consequently, Cæsarius left over 200 sermons urging morality and goodness. They were copied and spread around the Christian world, expressing love, the last Judgment, and care of the poor. His sermons were quoted by Thomas Aquinas, and lines wound yup in some SAnglo-Saxon poetry.

He urged seriousness; he spoke against celebrating New Year's, which in the Roman Empire had become a time for debauchery. He also preached the Regula virginum ("Rule for Virgins"), the first set of rules specifically for women in convents/monasteries. He called women who joined cloistered groups "gems of the church" who "with God's help, evade the jaws of spiritual wolves." To do so, of course, they had to be separated from society through claustration. Claustration meant they were not to interact with the non-clergy at all: there would be walls or bars or grills physically separating them always from those not members of their order. He established a monastery exclusively for women in Arles, with the hope that their prayers would aid him in entering heaven. The first abbess of the monastery? His sister, Cæsaria.

Cæsarius was born around 468/470 CE and died 27 August 542. It was a time when the early church was still finding agreement on doctrine. As the bishop of Arles, he presided over the Council of Orange that ratified some doctrine and fought yet another heresy. I'll tell you about it next time.

The Pallium

Tertullian in 220 CE wrote De Pallio ("Concerning the Pallium"), in which he talks about clothing fashion in different countries. The pallium here is not specifically religious. Pope Marcus in 336 conferred it on Bishop of Ostia, and Pope Symmachus did the same in 513 for Cæsarius of Arles. It was Boniface who insisted that it be conferred on metropolitan archbishops (archbishops who oversee a metropolis; some have the title but not their own archbishopric). The Archbishops of Canterbury were invested with the pallium, which is why Sigeric made that journey to Rome using the itinerary that has been preserved. Some popes did start charging for the pallium , enriching the coffers of the Vatican. The Council of Basel in 1432 condemned it, and the practice eventually ended.

But what is it, specifically regarding the papal garment? From the Latin palla, "woolen cloak," it is currently a band of wool that wraps around a certain way for ceremonial occasions. It used to be longer, hanging lower, but has shortened over time. Mosaics at Ravenna and Rome show the pallium looking as it did centuries ago. In current practice, a pallium is blessed by Pope Francis on the feast of Saints Peter and Paul, but it will not be conferred then on a metropolitan archbishop: he shall receive it from the papal nuncio in his home diocese.

You may imagine that pallia are not bought at your corner ecclesiastical garment shop. It is made from the lambs who are presented by nuns of the convent of St. Agnes (a minor basilican in Rome). The wool is woven into the pallia by nuns of Santa Cecilia in Trastevere.

The significance of a garment of lambs wool draped over the shoulders of the pope may have originated with the pastoral image of a shepherd carrying a lamb draped over his shoulders. The popes are shepherds of their flock, etc.

Cæsarius of Arles was a pretty interesting character. He considered women the "gems of the Church." Unfortunately, like precious gems, he felt they should be locked away for safekeeping. I'll explain more in the next post.

Sigeric of Canterbury

If you search online for "Sigeric of Canterbury" the top entries returned are about his itinerary, as mentioned previously. He did more than travel to Rome, however.

He was educated at Glastonbury Abbey and was a monk there for awhile. Sometime after 975 he was made Abbot of the Benedictine St. Augustine's in Canterbury. In 985-6 he was made Bishop of Ramsbury. This title seemed to be granted to men who were being prepared eventually to be Archbishop, and that's what happened to Sigeric. He was made Archbishop of Canterbury from 990 to 994, which was the impetus for the well-known trip to Rome. He had to receive his pallium from the pope, the official piece of garb that denotes the archbishop status.

Why was he "groomed" for the highest clerical office in England? We don't have details about his career, but he is sometimes referred to in contemporary document as "Sigeric the Serious." This suggests that he was respected for his demeanor. On the other hand, since we do not have any contemporary details about his demeanor, some have suggested that the "serious" epithet was a misnomer based on translation of the Anglo-Saxon "Sigeric" into the Latin "Serio" which looks like "serious." Hard to say.

He was considered a scholar and expert on religion. Ælfric of Eynsham, who succeeded Sigeric as Archbishop of Canterbury, dedicated a book of homilies to Sigeric, and asked Sigeric to correct any errors of doctrine he might find. Ælfric was quoted here in 2015 about his drinking preferences.

You have probably heard of Danegeld, the money paid to invading Danish king Sweyn Forkbeard by Æthelred the Unready. It was apparently the advice of Sigeric that Æthelred pay it. You can read a little more on why that may have not been a good idea if you check out this post from 2014. Sigeric himself paid money to the Danes to save Canterbury Cathedral from being burned.

Sigeric died 28 October 994, leaving a collection of books to Canterbury and wall hangings to Glastonbury Abbey.

The pallium mentioned here has a lot of history to it. I'll tell you about it next time.

How To Get There - Maps

The Middle Ages did not have maps the way we think of them. Or rather they had maps, but not for the purpose we would think of them. There were some general purpose maps that tried to show the world, or the country; maybe even a town. But a map you could use to travel from place to place easily?

Travel from village to village would be simply. You'd ask for directions from someone who'd been there. The lack of Welcome signs at the border of towns meant you should simply as the people you run into if you have reached the intended town. There might not even be a road or path; the directions might be "over the hill" or "follow the river downstream."

To get from one place to another, often the directions were simply an itinerary, a list of the towns and landmarks along the way. Some of these exist, such as the manuscript of Archbishop Sigeric of Canterbury, who visited Rome in 990; his list of churches and the route he followed is in the British Library. Many of these itineraries would probably be used once and tossed away.

Also in the British Library is the manuscript illustrated here. It is by Matthew Paris, and shows how to get from London to Rome with sketches of the places along the way!

Some trips were made solely to visit holy shrines, such as the famous shrine of St. James in Santiago de Compostela in Galicia. These places were visited by so many people that you could more easily find directions as well as traveling companions.

I want to take a closer look at Sigeric next.

How To Get There - Roads

I never gave roads much thought before. References to "The Silk Road" did not refer to a "road"; instead, it was a series of routes (and alternate routes) from one city/town to another, linking the West and the East.  I always just assumed that these were well-traveled paths. There are, however, routes that need infrastructure because the way is not easy.

One example is in areas where it is necessary to travel over wetland, for instance the Sweet Track (named for the discoverer in 1970, Joe Sweet). It allowed travelers to go from one small island at Westhay (four miles northwest of Glastonbury) over marshland to a high ridge at Shapwick to the west. Wooden posts were driven into the wet ground, and then oak planks were laid end-to-end. It allowed travelers to cover the 1.2 miles distance and stay dry. By examining the rings in the wood and comparing them to known patterns of tree rings (a technique called dendrochronology), it can be determined that the causeway was built in 3808-07 BCE. As it turns out, the Sweet Track was preceded by an even earlier system called the Post Track, which was built in 3838 BCE, which used ash planks over lime and hazel posts. This suggests a community effort to maintain the causeway over at least a couple generations. Changing climate and the drying up of some areas would have eliminated the need for some of these causeways.

The Romans were amazing road builders, and examples of their stonework can still be found throughout Europe and Great Britain. (The illustration shows a section of the Appian Way, an important Roman road in Italy.) Trade and military personnel needed to move swiftly, and the Roman Empire made sure they could. At the height of the Empire, 29 great highways led to/from the capital, helping to support the saying "All roads lead to Rome." It is estimated that 250,000 miles of roads were made and maintained, 50,000 of which were stone. Great Britain has at least 2500 miles of Roman roads. During there Roman occupation of Britain, many known pathways were paved in the Roman style. This helped passage in all weathers, since many well-worn walking routes could become muddy trails at certain times of the year.

Roman roads and timber trackways have left evidence throughout Europe. Getting from place to place over longer distances, however, required more than a smooth surface to tread. Westhay to Shapwick was easy and obvious. The Appian Way led from Rome to Brindisi in southeast Italy. What if I needed to get from Westhay to Brindisi, however? Did the Middle Ages have AAA that could create a personalized map? Let's find out tomorrow.

Glastonbury

One of the oldest roadways in Northern Europe is the Sweet Track, of crossed wooden poles driven into waterlogged ground to support oak planks. Discovered in 1970, it was dated by dendrochronology to determine its age. The planks were cut in 3807-8BCE, and provide evidence that the Glastonbury area was inhabited in Neolithic times by an organized community that wanted to ensure safe and easy passes of an extremely marshy area (for thousands of years earlier it was systematically shifting from dryish land to shallow lakes.

So far as we know, however, it didn't have a name until the Saxons in the 7th and 8th centuries called it in Anglo-Saxon Glæstyngabyrig. The "byrig" element is fairly straightforward, referring to a burh or fortified place. The first part is unclear, and might have been a personal name. It might be linked to a legend from the Life of St. Patrick: Patrick resurrected a swineherd named Glas mac Caise (Gaelic glas means "green/grey-green"), who then went to (what is now) Glastonbury. There are other theories as well, none definitive.

Glastonbury is overlooked by a hill, Glastonbury Tor, on the summit of which is the remains of the church St. Michael. (Seen above, and one of the few places I have blogged about that I have actually visited.) The Tor was considered a gathering place for fairies; St. Michael was the Christian main defense against evil entities, so the chapel (later the church) was built to guard against the supernatural.

I have previously mentioned William of Malmesbury's reference to Glastonbury, and the remains of an early glass factory there. Robert de Boron added significance to the area when he had the Holy Grail brought there.

Mystical legends, such as the Glastonbury Thorn tree which sprang from Jospeh of Arimathea's staff (even though the origin of that story is de Boron who does not have Joseph actually making it to Glastonbury), and the purported zodiac built into the landscape around the town (for which there is no convincing evidence) have made Glastonbury seem very mystical. The New Age movement of the 20th century embraced Glastonbury—as seen by the number of esoteric book and gift shops—and each summer sees an enormous Glastonbury Festival of the Performing Arts. Its identification as Avalon in the Arthurian legends was also a big inspiration for its current reputation.

The existence of the Sweet Track (it was named after the discoverer, Ray Sweet) got me thinking: what about the history of roads? Stay tuned.

The Origin of the Grail, Part 2

In Part 1 we learned that the first mention of the grail was as a miraculous serving dish. The day before we learned that Robert de Boron linked the grail to the cup used at the last Supper. Around the same time, German poet Wolfram von Eschenbach (c.1160 - 1220) had a very different idea about it.

von Eschenbach based his epic Parzival on Chrétien's Perceval. Parzival is sheltered by his mother from thoughts of knighthood, but three passing knights convince him to seek out Arthur's court. She dies after he leaves. His time at Arthur's court mirrors Chrétien's version somewhat, in that he defeats a knight, leaves and learns chivalry from a mentor, and becomes the guest at the castle of Anfortas, the Grail castle. Anfortas warns him not to be too curious, so he does not ask Anfortas about the strange wound he has or about the array of wondrous objects paraded before him. He awakens the next morning to an abandoned castle, leading him to think the night before was all illusion caused by evil spirits.

There is much more afterward, but regarding the procession of objects seen by Parzival: one of the objects is a stone, about which von Eschenbach tells us der stein ist ouch genant der gral ("the stone is also called the grail"). It is carried, preceded by candles and balsam incense, in a green silken cloth by a beautiful lady with the name "Overflowing Happiness." It is the stone of the phoenix, and connected with the power of resurrection. Every Good Friday, a shining white dove flies down to it with a Communion Host in its mouth, placing the Host on the stone to renew its power. Only the baptized can see the Grail. When Lucifer rebelled against God, the angels who did not take a side went to the stone. The stone is wide enough to be written on. Later in Parzival the titular character's name appears on the stone, marking him as the new Grail King.

There is more. von Eschenbach's interpretation of the Grail has provided fodder for many many years for scholars wishing to understand his meaning. After him, however, the Middle Ages settled on the cup from the Last Supper and made the Grail a central motif for quests involving the Arthurian Cycle.

Of course, since the cross on which Christ was crucified had been found years earlier, there was no reason to believe that the cup from the Last Supper had not survived. A 7th century pilgrim had claimed the cup was displayed in Jerusalem. In the late 12th century, a copy of the grail was supposedly looted from Byzantium and taken to Troyes; it was lost during the French Revolution. The Genoa Cathedral has a green glass dish supposedly used at the Last Supper. The Holy Chalice of Valencia appeared in 1399 but purports to be older. There is also the Nanteos Cup, a wooden bowl found in Wales, a glass dish found near Glastonbury, and a 6th century chalice called the Antioch Chalice. All were linked to the Grail legend, (without evidence).

Glastonbury, of course, is the place where (according to Robert de Boron) Joseph of Arimathea sends the Holy Grail. What was so special about it? Let's see what we know...next time.

The Origin of the Grail, Part 1

When it comes to stories about the Middle Ages, the story of the Holy Grail is, you might say, the Holy Grail of stories.

The first mention of a grail was in the Old French Perceval, le Conte du Graal ("Perceval, the Account/Story of the Grail") by Chrétien de Troyes about 1190. Perceval was a young man raised by a single mother in the wilds of Wales. One day he encounters a group of knights and decides he wants to become one. His mother is opposed to this, but he sets out for King Arthur's court.

He is mocked by Sir Kay, but Perceval manages to kill a knight that has been a problem for Arthur. He trains under a knight, rescues and falls in love with that knight's niece Blanchefleur. He goes back to visit his mother, along the way encountering the Fisher King, at whose castle he spends the night. During a meal there he sees a procession: first a young man carrying a bleeding lance, then two young men carrying candelabra, then a young woman carrying a fancy golden serving dish (the grail), then another young woman with a silver platter.

When he wakes the next morning and heads home, Perceval sees a young girl mourning, who tells him that if he had asked about the grail, the wounded king would have been healed. He goes home and discovers that his mother has died. Later, after he has joined Arthur's court, a "loathly lady" enters and criticizes Perceval for not asking about the grail. A later short passage has a hermit explain to Perceval that the grail held a host (presumably from the Christian Mass) that sustains the Fisher King's father, who is wounded. (This link to the Christian Mass made it easy to equate the grail with a chalice.)

Chrétien did not finish the poem; the patron for whom he was writing it, Philip I Count of Flanders, died in 1191 while crusading at Acre. What he might have done to further the significance of the grail and the wounded king is unknown. Other writers, however, were happy to seize on the image of the grail and run with it, such as Robert de Boron in the previous post.

We will check on other writers who picked up where Chrétien left off.

Robert de Boron

Robert de Boron was a French poet of the late 12th/early 13th centuries. There are two texts in Old French that are definitively attributed to him: Joseph d’Arimathie and Merlin. Two other texts are attributed to him with uncertainty, although similar in style: Perceval and Mort Artu ("Perceval" and "Death of Arthur"). Together they are called the Robert Cycle, or The Romance of the History of the Grail.

In Joseph d’Arimathie, de Boron merged the legend of the grail with Christian concepts. The magical grail first appeared in Chrétien de Troyes' Perceval, le Conte du Graal in about 1190, but it was not a Christian item. de Boron explained it as the cup used at the Last Supper, and then used by Joseph of Arimathea to catch Christ's blood at the Crucifixion. Later, Joseph creates a company that brings the grail to Britain to Avaron, called Avalon by later writers, and then identified with Glastonbury; Joseph himself does not come to Britain. (Why a French poet would have the precious grail and its contents go to Britain is a mystery.)

The story of Merlin introduces several new elements to the Arthurian legend. One is that the poem purports to be from a book by Blaise, who was dictated to by Merlin himself. (The illustration above shows Merlin dictating while Blaise writes.) The element that most interests us right now is that of the last part of the poem: Arthur's fitness to be king results from being the only one who can withdraw a sword that has been sunk into a stone. This is the first time such an event was introduced into the Arthur story. It is not, however, the first time we have seen the image of a sword in a stone.

Yesterday's post on Saint Galgano told the miracle of the sword in the stone, and that the sword is still in the stone and viewable by all. This would have taken place by 1181, the year of Galgano's death. de Boron is most likely to have been writing after that date. Stories of a miraculous sword embedded in stone would certainly have spread, and since de Boron (and other writers about Arthur) seem to have no difficulty in adding fanciful elements to the legend, it is highly likely that de Boron took a legend that was spreading throughout Europe and imagined it as a test of fitness sent by divine powers.

But while we are in the subject of the Grail, did you know it was once thought to be a stone? One more dip into the fanciful before we return to more grounded topics.

The Sword in the Stone

Galgano Guidotti (1148 - 3 December 1181) was born at Chiusdino in Tuscany. He became a knight with a reputation for cruelty and arrogance. At some point, he received a vision in which the Archangel Michael led him to a hill where the 12 apostles were standing and told him he should renounce all his worldly goods. Guidotti replied that this would be as difficult as splitting a stone, and he thrust his sword toward a stone in the ground. To his surprise, the sword went into the stone like butter.

Not long after this vision, while he was out riding, his horse refused his commands and led him to the hill of Montesiepi. He recognized it as the hill in his vision, drew his sword, and thrust it at the ground; it sank into the stone just like in his vision. He became a hermit on the spot. He died a year later.

A chapel was built over the site of his death, drawing pilgrims and penitents. Miracles were reported after praying to him, and in 1185 Pope Lucius III canonized him according to the new form al rules of the Catholic Church. A Cistercian Abbey of San Galgano was begun around 1220. The Abbey struggled financially, and was ransacked by John Hawkwood's band in 1363. It is in ruins now.

The sword in the stone, however, exists. Nearby, at the Rotonda of Montesiepi, there is a chapel with it on display (see the illustration). Research in 2001 showed that the metal protruding from the stone was consistent with the style of the 12th century. The handle and visible blade do not seem to be a prop merely attached to the stone. It really does seem to be a real sword embedded in a stone.

Hmm. Sword in a stone. Where have I heard that image before? We should look into that.

John Hawkwood

John Hawkwood (c.1323 - 1394) was an English soldier who became famous as a mercenary leader. Many Italian city-states hired foreign mercenaries to lead their armies, so that the soldiers had no loyalties to any families inside the city that could lure them to support a military takeover. 

We know for certain of his leadership of a group in France because of a letter addressed to him as the leader from Pope Innocent VI, asking Hawkwood's group to stop harrassing the fort at Pont-Saint-Esprit. They refused the pope's request, which led to their excommunication. The issue was resolved when the pope offered more money to fight for him in Spain and Italy. This split the group, and Hawkwood led the half that went to Italy. Italians had difficulty pronouncing his name, and he became known as Giovanni Acuto, "John the Sharp/Astute."

He was eventually allied with Bernabò Visconti against Pope Urban V. Although outnumbered, Hawkwood managed to outflank the enemy and capture many officers, cementing his reputation. He later went on raids through the countryside, intimidating various towns to pay him to leave them alone. One of these raids led to the War of the Eight Saints.

He outmaneuvered enemies with feigned retreats and ambushes, setting up banners in one area as if he were camped there, and then coming around at the enemy from a different direction. He was known for brutality as much as cunning: he had no problem with his men raping, dismembering, or outright murdering peasants. He sacked monasteries such as the Abbey of San Galgano.

I mentioned his marriage to Donnina Visconti yesterday; he also had an earlier English wife with whom he had at least one daughter, Antiochia, who married into the Coggeshall family of Essex. He had several children with Donnina, and at least two sons from other affairs.

After his death, on 17 March, 1394, an elaborate funeral honored him in the Duomo in his then home town of Florence; a painting of Hawkwood contracted by the Medici family in 1436 commemorates him. Donnina traveled to England to lay claim to his family lands, but the records of ownership had disappeared during the Black Death. His wealth seemed to vanish overnight.

Next I want to tell you more about the Abbey of San Galgano and the sword in the stone.

Chaucer & the Viscontis

On the 28th of May in 1378, a small expedition of 16 men set out from the City of London. In the financial records that manage their pay, only two of the men are named. One was the chamber knight Sir Edward de Berkley; the other was Geoffrey Chaucer. Berkeley was paid 20 shillings per day and had nine attendants; Chaucer, only an esquire, had five attendants and made 13 shillings and four pence per day. The royal accounts list their purpose as meeting with Bernabò the Lord of Milan and with John Hawkwood.

Why was Chaucer chosen for an embassy of some sort to Italy? He had been there already in 1368, when he was in the household of Prince Lionel, younger son of King Edward III, and was arranging the marriage of Lionel to Violante Visconti, daughter of Galeazzo II Visconti.

Royal marriages between countries were always valuable for alliances, and England was glad to have an ally on the Italian peninsula in its on-again/off-again hostilities with France. Chaucer would already be familiar with the roads traveled, and probably the language. He might also have asked to go, having likely had a taste for himself of the magnificent library started by Galeazzo.

Bernabò's reputation for his willingness to fight anyone was well-known, and so allying with him was a wise move. (Although his endless antagonism of Pope Urban VI was not to England's liking.)

As for John Hawkwood, an English mercenary, he was in command of part of Milan's forces. Not only did he have an excellent reputation as a fighter and leader, commanding high prices for his service, but he had the year before married Donnina Visconti, daughter of Bernabò. That Donnina was illegitimate did not make the familial bond between Hawkwood and his father-in-law any less firm.

We do not know the exact purpose of the trip, although securing potential military support on the continent seems likely. It lasted 115 days, with Chaucer and Berkeley returning to London on September 19th. London to Milan is about 800 miles, and the routes were well established by then, but it would still be over a month of travel one way. Do you suppose they told stories to each other to pass the time?

I have written about Hawkwood before but, as with anyone, there is a lot more to his story that I'd like to tell you. So I will.

Bernabò Visconti

Poor Bernabò Visconti. Lord of Milan, not well-liked by his people, deposed and imprisoned (then likely poisoned) by his nephew. Of course, he did hassle his nephew's father, Bernabò's brother Galeazzo, and he did kill his other brother, Matteo, so in some ways he deserved the troubles.

Born in 1323CE, he became a Lord of Milan in 1354, sharing the title and responsibility with his brothers: Bernabò ruled over Bergamo, Brescia, Cremona, and Crema; Matteo had Lodi, Piacenza, Parma, and Bologna; Galeazzo took the western regions. Matteo died at a dinner, supposedly poisoned by his brothers.

Bernabò was at war almost constantly with Pope Urban V, possibly over a papal bull Urban produced. In 1356 he offended the emperor, and had to fight off an attack on Milan. He was declared a heretic by Pope Innocent VI, and excommunicated in 1363. In 1373, he was excommunicated again, but the papal delegates sent to deliver the official document were arrested and forced to eat the parchment, the leaden seal, and the silk cord rolled around it. This did not help his case with the pope.

The citizens of Milan did not see that his actions were for their benefit, or in any way reflected well on Milan. A statue of him on horseback was commissioned—in itself not unusual for a ruler—but its placement near the main altar of San Giovanni Church was seen as inappropriate. He became such a well-known symbol of corruption that he made it into Chaucer's Monk's Tale in the list of tyrants.

His brother Galeazzo's son, Gian Galeazzo, handled the problem of Bernabò by deposing him, imprisoning him, and likely poisoning him shortly after. The sculptor of the equestrian statue, Bonino da Campione, made a few alterations to the statue so that it would be suited for its new purpose: as Bernabò's funerary monument. It now lives on in Milan's Castello Sforzesco.

I cannot leave this family yet, because there is another link between the Viscontis and Chaucer, which I will go into next time.

The Dream of a United Italy

Italy was not unified as a country until 1861; before then, the separate regions/cities saw themselves as unique sovereign entities. This led frequently to rivalries that could become wars, but many often looked back to the glory of Rome, when such wars did not happen.

Gian Galeazzo Visconti (16 October 1351 - 3 September 1402) was the first Duke of Milan. He himself made Milan into a duchy in 1395, after being granted the title of duke from Wenceslaus IV of Bohemia (after paying Wenceslaus 100,000 florins).

He was lord of Milan earlier, a position he gained by overthrowing his uncle Bernabò. He did this by faking a religious conversion, inviting Bernabò to a celebratory ceremony, and capturing him; Bernabò was imprisoned, but not for long: his death came in short order, supposedly from poison.

He brought the same ruthless efficiency to conquering Verona, Vicenza, and Padua (he spent 300,000 florins to divert the course of the River Brenta that supplied Padua with water and transportation). He wanted to unite all of northern Italy, re-creating the old Lombardy. Of course, he wanted to unite it under himself, which did not sit well with some city-states such as Bologna and Florence. Still, the hope of a powerful empire on/of Italy inspired poets and politicians. One modern website reports:

Poets talked again of “un solo re,” the King above race and party, who would bring back the Roman peace and turn the cities from their path of fratricidal war; patriots feared the engulfing of those cities within the belly of the Viper.

The hopes and fears were centred upon one man, Giangaleazzo Visconti, Count of Virtue and first Duke of Milan, the greatest of a family that had been climbing to the position of supreme power in Lombardy for over a hundred years. It was said that the Duke had taken the Iron Crown from its safe-keeping and was preparing his coronation robes. [link]

Italy might have done worse. Visconti was more than just a power-mad potentate. He built monasteries and continued the work on the cathedral of Milan. At Visconti Castle he expanded the library's scientific papers and illuminated manuscripts. He may have created the "first modern bureaucracy" in that he established a department for the purpose of improving public health.

Health was to be his undoing. Shortly after subjugating Bologna, and with Florence failing against his attack because of problems with famine and disease, he fell ill to a fever. He died on 3 September 1402. An extraordinary statesman who might have, given another several years, made the peninsula a force to be reckoned with instead of a series of separate states.

But what about the hapless Bernabò? It's easy to see him as just a stepping stone to power for Gian Galeazzo, but there must be more to his story...and there is, including a link to my favorite English poet. This next one may have lots of links to previous posts.