The Great Librarian of the Mont

In 1876, in the nave of the chapel of Mont Saint-Michel, a grave was opened to reveal the remains of a former abbot. With the remains was a lead disc inscribed with the epitaph "Here lies Robert Torigni, abbot of this place, who ruled the monastery 32 years, and lived 80 years."

Robert de Torigni (c.1106 - 1186) was born in Normandy. We don't know who his family was (Torigni was the name of the commune where he was born); he became Robert de Torigni when in 1128 he entered the Benedictine Bec Abbey (also home—though not all at the same time—of Anselm and Theobald and Lanfranc). In 1149 he was made prior, and five years later became abbot of Mont Saint-Michel in Normandy, where in 1158 he was host to Henry II of England and Louis VII of France.

King Henry traveled frequently through his Norman territories, so when he and his wife, Eleanor of Aquitaine, where nearby in 1161 during the birth of their daughter Eleanor, Robert was one of the godfathers.

Robert had a reputation for piety and learning. He was a great collector of books, and turned Mont Saint-Michel into a such a well-known center of learning with such a large library that it was nicknamed Cité des Livres ("City of Books"). He had up to 60 monks copying manuscripts, and himself was referred to as "The Great Librarian of the Mont."

Robert also was a fan of history, and liked putting events in chronological order without commentary. That is not to say that he didn't "editorialize" in his own way: as a friend of Henry II, he barely mentioned the death of Thomas Becket and made no mention of Henry's involvement. Robert, like most, drew from other sources, such as Henry of Huntingdon, from whom we got tales of Cnut and the "Fighting Bishop." Henry and Robert knew each other; Henry had visited Bec while Robert was there and provided him information on Henry I, and Robert introduced Henry to Bec's copy of the Historia Regum Britanniae ("History of the Kings of Britain") by Geoffrey of Monmouth.

Robert was the last of three contributors to the Gesta Normannorum Ducum ("Deeds of the Norman Dukes") a history started by William of Jumièges and continued by Orderic Vitalis. Let's take a look at it and its contributors tomorrow.

The Music of Las Huelgas

From a facsimile edition of the Codex

[DailyMedieval is on semi-hiatus for the holidays, and I am re-cycling some older posts. Today's is new, however, inspired by a music CD I received: Secret Voices by the female a capella group Anonymous 4.]

The Abbey of Santa Maria la Real de Las Huelgas was founded in 1187 by Alfonso VIII of Castile, at the request of his wife, Eleanor of England, the daughter if Henry II an Eleanor of Aquitaine. It was founded on land that was going unused at the time; huelgas meant land that is fallow, although nowadays it is used to refer to "labor strikes."

Its origin granted it many royal privileges: it was exempt from taxes, held many valuable items that belonged to royal families, and became a traditional site for many royal weddings, such as that between Edward I of England and Eleanor of Castile. The monastery became Cistercian in 1199 and the burial sit for the royal family. Two of the first royal burials were the founders, Alfonso VIII and Eleanor of England.

Known for the privileges of its abbess, and for the hospital founded by Alfonso VIII, Las Huelgas gave to the modern world one more fascinating item left over from the Middle Ages: music.

In 1904, while doing research on the origins and development of Gregorian chant, two Benedictine monks found a manuscript in Las Huelgas containing 45 monophonic pieces and 141 polyphonic pieces. They are written on fairly durable parchment in red and black ink with Franconian notation (briefly discussed here and here). The Las Huelgas Codex includes many pieces familiar to scholars, but also pieces that are not recorded elsewhere.

Most of the pieces are from the late 13th century, when it is known that Las Huelgas had a 100-woman choir. We have to assume that, despite the Cistercian rules against the performance of polyphonic music, the choir of Las Huelgas performed these pieces at will, thanks to their royal patronage and privileges (the abbess was allowed for a long time to call synods, confirm abbesses of other monasteries, and even hear confession and grant absolution!).

Here is a recording of the Benedicta et venerabilis II and the Benedicamus dominu, with pictures from the Abbey's architecture and art. Enjoy!