Cimabue

Cimabue (c.1240 - 1302) was an Italian painter and a designer of mosaics. In case you have not yet heard of this man, his name is pronounced (forgive the amateur phonics) chim-uh-boo-ee. His real name was Cenni di Pepo. The nickname is thought to mean "bull-headed" (see the third paragraph for a possible explanation).

Born in Florence, he probably studied originally under Byzantine-style artists, but he "rose above it." His painting style is credited with defying the usual flat medieval style and developing more realistic proportions with lifelike shading. Giorgio Vasari centuries later told the tale that it was Cimabue who came across a young Giotto sketching sheep and, so amazed at his realistic drawing, invited him (with Giotto's father's permission) to come to Cimabue's studio.

Vasari, supposedly quoting a contemporary of Cimabue, says "Cimabue of Florence was a painter who lived during the author's own time, a nobler man than anyone knew but he was as a result so haughty and proud that if someone pointed out to him any mistake or defect in his work, or if he had noted any himself... he would immediately destroy the work, no matter how precious it might be."

In a case of the student exceeding the master, Dante mentions (not places, although Cimabue was dead by the time Dante was writing the Commedia) Cimabue in the Purgatorio as an example of fleeting fame while discussing those who suffer from excessive pride: “Cimabue thought himself the master of painters; Giotto took from him the glory and relegated him to oblivion.”

To be fair, however, Cimabue was not relegated to oblivion. We are aware of several works by Cimabue (more than those of which we can be certain were made by Giotto). For instance, the illustration above is a small detail (Judas betraying Christ) from a fresco in the Church of San Francesco (St. Francis) in Assisi, commissioned by Pope Nicholas IV (the first Franciscan who became pope).

Cimabue is also credited with the round stained glass window of the choir of Siena Cathedral, as well as a painted Madonna and Child (now in the Louvre), and the fresco Christ Enthroned between the Virgin and St. John the Evangelist in Pisa Cathedral.

One interpretation of Cimabue's impact on art is to call him the first great artist of the Italian Porto-Renaissance. I suppose Proto-Renaissance could use some explanation, which I'll provide tomorrow.

The Name of the Rose

When Gerard Segarelli was rejected by the Franciscans, he took matters into his own hands and formed the Apostolic Brethren in 1260. The Brethren, active in northern Italy, gained many followers with their life of extreme poverty and their message of repentance.

[Source]

In 1274, at the Second Council of Lyon, Pope Honorius IV prohibited all mendicant orders if they were not sanctioned by the papacy. In 1280, the Bishop of Parma imprisoned Segarelli, and in 1286 banished him from the diocese.

The prohibition against unapproved mendicant orders was renewed in 1290 by Pope Nicholas IV, who also began going after those "orders"; the Brethren were a particular target.

In 1294, four members of the sect were burned at the stake. Segarelli himself was sentenced to life in prison, but on 18 July, 1300, he was burned at the stake in Parma after being made to confess that he had relapsed into heresy. The Apostolic Brethren gained a new leader in the charismatic Fra Dolcino, who is worth his own post someday.

The motto of the Brethren under Segarelli, and later under Fra Dolcino, was Poenitentiam agite [Latin: Make penitence]. This was abbreviated to Penitenziagite! and made known to millions of readers 680 years after Segarelli's execution in Umberto Eco's Name of the Rose.

Taxing the Church

Excerpt from the Taxatio; see the word "Census" upper-right

Today is the birthday of  Pope Nicholas IV; you can read a brief summary of his life here. Today I want to dig a little deeper into his Taxatio Ecclesiastica ["Church Tax"], which put a value on all parish churches and prebends (non-parish churches, such as those attached to a college) in England and Wales. The purpose of the Taxatio in 1291 was to present to King Edward I one-tenth of the annual profits of each church.

Nicholas was willing to do this to support Edward's intention to go on Crusade. He had been on Crusade decades earlier, and supposedly intended to go again. In 1291, however, the Mamluks captured Acre, the last Christian stronghold in the Middle East, removing from European hands the opportunity for a convenient base from which to re-take the Holy Land. Edward never went on Crusade, but the Taxatio remained.

The documents created by the Taxatio determined the possessions and taxable income of England and Wales for almost 300 years, up until Henry VIII. Historians now can find many inaccuracies in the documents—mostly because the tax was determined inconsistently: each parish assigned two clergy to interview each landholder and record their income. This was done differently in different parishes; the cutoff level for taxable income, for instance, was not always listed consistently.

Edward needed more money, however, in order to finance his wars. In 1294 he demanded (using threats) a tax from the clergy of 50%, and got it. A year later, he decided to be gentler and get them to agree to give him money. This gentler approach failed, however, because the clergy did not want to give in, thereby showing their obedience to a temporal ruler. Edward turned to the Archbishop of Canterbury (Robert Winchelsey) and got him to summon the clergy together; this was the first time the English clergy were called in Convocation, paralleling Parliament. In order to prevent abuses like this in the future, Pope Boniface VIII in 1296 issued a papal bull against such payments.

Edward countered this by telling his law courts not to hear any grievances brought by clergy, but to hear any grievance brought against clergy. The English clergy could take just so much of this, and got around the pope's injunctions by volunteering an amount equivalent to the king's request.

The Golden Legend, Part 1

The post about Julian the Hospitaller mentioned its source in the Legenda Aurea ["The Golden Legend"] of Jacobus de Voragine. It was about time to get around to one of the most popular works of the Middle Ages.

Originally called Legenda sanctorum ["Legends of the saints"], it was written by Jacobus de Voragine (c.1230 - 1298). Born in Varazze on the northwest coast of Italy,* Jacobus became a Dominican and teacher in 1244. He was active in several roles in the Order, including being offered to be made archbishop of Genoa, a position he initially refused. In 1292 he finally agreed, and was invited to Rome by Pope Nicholas IV. Unfortunately, when he reached Rome the pope was very ill and unable to perform the ceremony. It took a little while to find a replacement, during which time the cardinals chose to consecrate Jacobus in his new title. As Archbishop of Genoa, he worked to reconcile the conflict between the Guelphs and Ghibellines. He also repaired churches and monasteries, enforced discipline in the clergy, and made an Italian translation of the Bible (now lost).

He also wrote extensively: sermons on saints, a book on the Gospels, a book on all aspects of the Blessed Virgin Mary, a defense of Dominicans, and a summary of the virtues and life of Dominican William Perrault. His most enduring contribution to posterity was the collection of saints' tales now called The Golden Legend, which will be a good topic for tomorrow.

He died of natural causes, and was beatified by Pope Pius VII in 1816.

*"de Voragine" is the Latin for "from Varazze."

Controlling Sicily, et alia

The growing power and importance of Sicily in the Middle Ages was mentioned here. But the solution they found didn't quite last; controlling Sicily was an ongoing issue for many. Generations later a different pope faced the "problem of Sicily." That was Pope Nicholas IV.

Nicholas (born Girolamo Masci, 1227-1292) was a humble Franciscan friar before he was elected the first pope from the Order founded only 79 years earlier by Saint Francis.

In the four years that he was pope, he had few ambitions. Resolving the current Sicilian question was one. There were two men claiming control of Sicily, Charles II of Naples and James II of Aragon. Unfortunately for James (who was actually resident in Sicily), Charles promised to recognize the pope's suzerainty over Sicily—meaning that Sicily would be beholden to the papal state and offer it regular tribute. Charles, therefore, got the pope's blessing, and Nicholas brokered a treaty with King Philip IV of France and King Alfonso III of Aragon to expel James II from Sicily.

No sooner had the Pope completed this task than another concern reared its head: the kingdom of Acre in the Middle East fell to the Mamluks. Failing to get a Crusade started, Nicholas sent missionaries to the east to increase Christian conversions.

He also made some financial changes in the Vatican. One of them was to disburse among the cardinals one-half of the Vatican's income. As it turned out, the power this gave to the College of Cardinals would create problems for later popes. Nicholas also created a detailed system of evaluation and taxation for English and Welsh parishes. The records created for his Taxatio provide historians with a valuable look at the status of English and Welsh churches at the end of the 13th century.

He died peacefully on 4 April 1292, at the age of 64.  His death would trigger the difficulties that led to the story of the Pope Who Quit.

The Pope Who Quit

Yesterday referred to the resignation of Pope Celestine V, and that there was some confusion about it. It was not common for popes to resign, but it did happen.

Pope Celestine is crowned

Celestine V (1215-1296) was born Pietro Angelerio to a family of humble farmers. His mother wanted better for him; it may be through her urging that he joined a Benedictine monastery in 1232. After several years, he chose the life of an ascetic, and lived in a succession of caves, including one at Monte Morone, because of which he was sometimes called Pietro di Morone. His penitential activities were severe: he wore a chain of iron, fasted every day except Sunday, spent four Lents each year while living on bread and water, and prayed continuously. As we have seen previously, such holy men draw others to them, and soon Pietro had a following who wished to live by his example. This following became a sub-order of the Benedictines, and were called the Celestines. He seemed content to live an exemplary life for other devout ascetics.

The simple life would not be his forever. The Catholic Encyclopedia explains the turning point:

In July, 1294, his pious exercises were suddently[sic] interrupted by a scene unparalleled in ecclesiastical history. Three eminent dignitaries, accompanied by an immense multitude of monks and laymen, ascended the mountain, announced that Pietro had been chosen pope by unanimous vote of the Sacred College and humbly begged him to accept the honour.  [source]

A deadlocked committee of cardinals spent two years and three months after the death of Pope Nicholas IV, unable to agree on a candidate, until Cardinal Latino Orsini (d.1294) proclaimed that a good and saintly man would come to Rome and admonish them if they did not come to agreement. Supposedly, they all knew to whom he referred: the hermit of the Morone. King Charles of Naples liked the idea that one of his subjects would become pope. Thousands of members of spiritual orders believed this was the best election in centuries.

He was crowned August 1294 as Celestine V (note that he was almost 80 years of age), and quickly showed that he was not going to be a good pope. He had no organizational skills, and no memory (he would give the same benefice to more than one person). He would appoint bishops and cardinals without observing proper protocols. He quickly created many cardinals, the majority of them French; this would help lead to the Avignon papacy which led to the Great Schism. He tried to make the cardinals adhere to a strict schedule of prayer, and wanted to give away papal treasure to the poor.

Letter from the cardinals to Angelerio, asking him to be pope

He wasn't exactly enjoying the life. Administrative matters began to press on him, which left him no time for his devotions. Resigning the position seemed like a good idea, but could it be done? Were popes eligible for resignation? Cardinal Benedetto Gaetani advised that common sense and the need to preserve the church allowed for resignation when the pope was incapable of performing the job. The aged pope summoned his cardinals and resigned after only five months and eight days, leaving to them the task of finding his replacement. Within two weeks, they had one: Benedetto Gaetani—who had provided the argument allowing Celestine to resign—would become Pope Boniface VIII. His first acts were to revoke many of the decrees of his predecessor. He also took Celestine into custody, lest the old man become a tool for some unscrupulous person who might challenge the change in pontiff. He imprisoned Celestine for the remainder of his life. To us this seems cruel, but for the reluctant pope it meant a return to the solitary life he had enjoyed for decades, left with silence and the time to pray. He died 13 December, 1294.