Louis, Eleanor, Annulment

King Louis VII of France had a problem. His clever and wealthy wife, Eleanor of Aquitaine, was really getting on his nerves. On the Second Crusade, she contributed to a blunder that cost thousands of French lives, and they argued over whether to stay ion Antioch and help her uncle, Raymond of Poitiers, or go to Jerusalem. Louis also (according to Odo of Deuil, eyewitness to the Crusade) suspected her of an improper relationship with her uncle, although that may simply have been because the Aquitainian culture was far more emotional and expressive than the Capetians.

She had also not been able to deliver a son and heir, although after 13 years they had two daughters. With their relationship severely strained after the Crusade, Louis sought a way out of the marriage. For that, Louis turned to Beaugency, an important town at a crossing of the Loire.

Beaugency, coincidentally, had been the site where another royal marriage was a topic: in 1104, Philip was excommunicated by the first Council of Beaugency because he had put away his first wife, claiming se was too fat, so he could abduct and marry another man's wife. The Second Council of Beaugency was called in 1152 to find a way to get Louis out of his marriage to Eleanor. Abbot Suger had been an advocate of the marriage, but after his death in 1151, Bernard of Clairvaux's view that the two were too closely related became an issue.

Also in 1151, Henry, Count of Anjou, became the new Duke of Normandy and went to Paris to pay his respects to his liege lord, Louis. Historians such as Walter Map, Gerald of Wales, and William of Newburgh all suspected that something, some spark happened between the 18-year-old Henry (future king Henry II of England) and the 30-year-old Eleanor that also might have contributed to Eleanor wanting to be released from the marriage.

The archbishops of Reims, Bordeaux, and Rouen attended the Council, presided over by Archbishop Hugues of Orléans. Archbishop Samson of Reims represented Eleanor (who was there, as was Louis).

They settled on annulment on the grounds of consanguinity. Sure, they had a common ancestor, Robert II of France (c.972 - 1031), but that was a long way back and didn't prevent the marriage in the first place. But here they were, looking for a reason, and being third cousins once removed, however distant it seemed, was sufficient. The marriage was declared null and void. Eleanor did not object. Their two daughters were declared legitimate, since the couple had married in good faith. Louis gained custody of the daughters. Aquitaine would remain Eleanor's possession.

One would think that the attractive and wealthy Eleanor would be glad to be free from the stiff and monk-like Louis. She was, however, an attractive and wealthy woman, which in 1151 did not allow her independence and agency. Believe it or not, her life was in peril. I'll explain tomorrow.

King Louis VII

King Louis VI of France (1120 - 1180) had several children with his second wife, Adélaide of Maurienne. Their eldest, Philip (1116 - 1131) was named heir apparent. The second child was Louis, intended for the Church.

Louis' childhood education was designed to prepare him for a high ecclesiastical position. He spent a lot of his youth therefore at Saint-Denis with the Abbot Suger, his father's advisor, which had the effect of making him a very devout Christian his whole life. The accidental death of Louis' older brother Philip in 1131 changed Louis' life forever. He was named heir apparent and anointed king by Pope Innocent II at Reims Cathedral. (The French Capetian dynasty for a time followed the practice of actually naming the heir as king while the father lived; see another example here.)

In 1137, Duke William X of Aquitaine died on a pilgrimage to Santiago de Compostela. William had asked Louis VI to be his daughter Eleanor's guardian, and Louis VI moved quickly to have his son marry her, especially since she inherited her father's lands. Louis married Eleanor of Aquitaine that same year when he was 17 and she was a few years younger. As heir to the enormous province of Aquitaine, she was one of the wealthiest women in Europe; the alliance spread the Capetian territory significantly.

Louis VI died one week after the wedding, and all at once Louis and his new bride became King and Queen of France. Suddenly the raised-to-be-a-cleric Louis had the weight of running a kingdom on his shoulders, and his lively young and wealthy bride was not quite suited to the serious older teen he had just married.

Louis was monkish, but not meek, and immediately asserted his authority as king over areas that were certain to cause him trouble. But we'll start discussing those tomorrow.

Abelard and Heloise, After the Fall

After the lives of Peter Abelard and Heloise d'Argenteuil took a catastrophic turn, they both entered cloistered settings.

Abelard retired as a monk at the Abbey of Saint-Denis near Paris, refusing to discuss his actions with the public that had revered him as a scholar and debater. He could not stay away from intellectual pursuits, however, and eventually left Saint-Denis and opened a school in a priory owned by the Abbey. He lectured more on theology and the spiritual, rather than Logic and Dialectic. He discovered what he considered many inconsistencies in church writings, and produced a work he called Sic et Non ("Yes and No") to explain them.

It was another work, the Theologia Summi Boni ("Theology of Supreme Good") that got him in trouble. His explanation of the Trinity differed from the accepted dogma, and he was charged with thinking there was only one person in the Trinity, not three separate entities working as one. His teaching was condemned at a synod in 1121, and he was forced to burn a copy of the Theologia himself. He was sentenced to remain always in a monastery not his own, but it must have been revoked because he quickly returned to Saint-Denis.

In 1122, the newly appointed Abbot Suger allowed Abelard to go live wherever he wished. Suger likely did not want the controversial figure under his roof. Besides, he was annoying his fellow monks with frivolous conjectures about the founding of the monastery. He went to a deserted area of Champagne, built a cabin of reeds, and created a rough oratory dedicated to the Trinity. When his presence became known, students flocked to him for learning. He began to teach again, and the revenue and donations that came as a result led to a building of wood and stone, the Oratory of the Paraclete. He founded a Benedictine monastery there, and taught there for five years

Meanwhile, Heloise was a nun. He had strongly urged Heloise to take vows; she did not have many options in 12th century France. She quickly rose in the ranks, becoming a prioress at Argenteuil, but it was seized by Abbot Suger in 1128 for his monks, offering nothing to the nuns resident there in exchange. Abelard offered her the Abbey of the Paraclete (illustrated above from a 19th century history of France), re-dedicating it as a nunnery, and he moved on to the Abbey at Saint-Gildas-de-Rhuys in Brittany. Heloise remained Abbess of Paraclete for the rest of her life.

Saint-Gildas was in a rough area, full of lawlessness; the abbey itself was undisciplined. Abelard did not enjoy his time there, and started teaching again. He must have been back in Paris teaching by 1136, because John of Salisbury mentions listening to him there.

During all the time, he was writing. He revised the Theologia, and wrote other works that also proved to be controversial. Heloise also wrote, and the two wrote letters to each other that were so intellectually stimulating that they actually put them together for publication to educate theorists world about love and theology. I'll tell you more about them next time.

Bernard of Clairvaux

Like many well-known theologians/priests in the Middle Ages, Bernard of Clairvaux was born to a wealthy family. This was in Burgundy in 1090, in the family's manor that still exists today (with modifications) as a convent named in his honor.

One of seven children (six sons, one daughter), he was sent at the age of nine to a school miles away, where he took a special interest in rhetoric and literature. He also developed a special interest in the Virgin Mary, seeing her as the ideal human intercessor between mankind and God. Later in life he would write several works about her, although he did not accept the idea of the Immaculate Conception.

His mother's death when he was 19 years old motivated him to devote himself to a cloistered life. He joined Cîteaux Abbey, a relatively new establishment (founded 1098) for those who wished to strictly live according to the Rule of St. Benedict. When a scion of one of the noblest families of Burgundy chose the monastic life, his example prompted scores of young men to do the same. By 1115, the community had grown large enough that a new abbey was needed, and Bernard was elected to take a group of 12 monks to the Vallée d'Absinthe and found a new one. He named this the Claire Vallée ("Clear Valley"), and the name Clairvaux became attached to him.

Bernard's example was such that all male members of his immediate family ultimately joined Clairvaux, leaving only his younger sister, Humbeline in the outside world. (She eventually got permission from her husband to enter a Benedictine nunnery.) His brother Gerard, a soldier, joined after being wounded; Bernard made him the cellarer, a job at which he was so efficient that he was sought after for advice by craftsmen of all kinds. Gerard of Clairvaux also became a saint.

A rivalry arose between Clairvaux and Cluny Abbey. Cluny's reputation for monasticism and the physical size of its church made it a little proud, and the growing reputation of Cîteaux and Clairvaux rankled. While Bernard was on a trip away from Clairvaux, the Abbot of Cluny visited and persuaded one of its members, Bernard's cousin Robert of Châtillon, to join Cluny. This bothered Bernard deeply. Cluny criticized the way of life at Cîteaux, causing Bernard to write a defense of it, his Apology. The Apology was so convincing that the abbot of Cluny, Peter the Venerable, affirmed his admiration and friendship. Another person convinced by the Apology was Abbot Suger.

At the Council of Troyes in 1128, Bernard was asked by Pope Honorius II to attend and made him secretary, giving him the responsibility to draw up synodal statutes. He also composed a rule for the Knights Templar. Bernard's reputation had grown to the point that he was sought after as a mediator. In the schism of 1130, when there were two popes, King Louis VI brought the French bishops together to find a way forward. The person chosen to make the final decision on which pope was authentic and which an antipope? Bernard of Clairvaux. I'll tell you more about that, and his further successes, tomorrow.

Stained Glass

The art of coloring glass was evident in articles from ancient Egypt and Classical Rome. "Stained glass" can mean any glass that is colored, by either adding particle or chemicals to the glass during production or by painting the glass later, but I am going to talk specifically about windows.

There are some very early (4th- and 5th-century) Christian churches that have, not stained glass, but carefully carved thin slices of alabaster—a precursor to the elaborate stained glass windows of the Middle Ages.

Our earliest references to stained glass for religious purposes in medieval Europe comes from Benedict Biscop, who hired glass workers from France to create windows for his monastery at Monkwearmouth. Here and at his other monastery at Jarrow have been found hundreds of pieces of colored glass and lead (used to hold the glass together). These were constructed in the 7th century. The 10th century saw church windows in Germany, France, and England depicting scenes from the Bible.

I talked about Abbot Suger long ago, who re-built the Abbey of St.-Denis with special attention to the stained glass windows. He wrote down his thoughts and reasoning (and justification for spending an enormous sum of money on the renovations):

All you who seek to honor these doors,
Marvel not at the gold and expense but at the craftsmanship of the work.
The noble work is bright, but, being nobly bright, the work
Should brighten the minds, allowing them to travel through the lights.
To the true light, where Christ is the true door.
The golden door defines how it is imminent in these things.
The dull mind rises to the truth through material things,
And is resurrected from its former submersion when the light is seen.

Suger considered the beautiful windows to have an ennobling effect on the viewer, which was no doubt advantageous for making an impression on the congregation.

Glass-making takes a lot of heat, expertise, and knowledge of rudimentary chemistry to color the glass. What was that about? That is our next topic.

A Grave Strikes Gold

I have mentioned St.-Denis in Paris as the first church in the Gothic style. That project was a re-building of an earlier church—a church, in fact, that would be notable to historians even if it had not been turned into an architectural wonder by Abbot Suger.

Ring inscribed to Aregund (ARNEGUNDIS)

Originally, the structure was a martyrium—a shrine to the martyr Saint Denis, whose head had been carried to that spot (by his decapitated body) while preaching a sermon. This would have been some time in the 3rd century. Dagobert, a King of the Franks (c.603-639), built an abbey on the spot, preserving the crypts that had been installed over the centuries to house kings of France and important figures. The first mention of a church is of one begun in the reign of Pepin the Short (c.714-768), whose son, Charlemagne, finished it. Then, of course, Abbot Suger in the 12th century re-worked much of it into what stands today. All of the building and re-building went upwards, and what was below the surface was untouched for centuries, until later scholars decided to examine the crypts.

Some of the crypts are not marked well. Knowing a list of interments, however, scholars could use a process of elimination along with various dating techniques and even DNA testing to determine the identity of the subjects. There's also direct evidence. An archaeologist and art historian in 1959, examining the contents of one unlabeled sarcophagus, struck gold. Along with the remarkably well-preserved clothing on a female body, he found a gold ring inscribed to Aregund.

Belt clasp from Aregund's jewelry collection

Aregund was one of the wives of Clothar I (511-561), an early Frankish king in the line that led to Dagobert. Her burial provided insight into clothing of the 6th century, but also into how wealthy the early Frankish kings were:

The deceased wore a violet-coloured silk skirt, held in place by a large leather belt that had a sumptuously decorated buckle plate and buckle counter-plate. Her reddish-brown silk tunic, decorated with gold braid, was fastened with a pair of round brooches with a garnet cloisonné decoration. [source]

To be frank,* there are some who believe the remains belong to another noblewoman who lived decades later. Most of the reasoning is based on the age of the sarcophagus. The arguments neglect the simple possibility that Aregund was re-interred—not an uncommon occurrence. Even if the identity were up for debate, however, the value of the contents as a glimpse into 7th century Frankish culture is incalculable.

*Yes, that's a pun.

Abbot Suger

Abbot Suger in stained glass

Back here, I discussed Gothic architecture, but there was no time to mention its birthplace, the Abbey Church of St.-Denis, or its midwife, Abbot Suger.*

The church had existed for centuries, and was rebuilt a few times before Abbot Suger (flourished 1122-1151) arranged the renovation that was to transform ecclesiastical architecture. The major elements of Gothic architecture—elaborate style, ribbed vaulting that supported higher ceilings, pointed arches that enabled larger windows, etc.—already existed, but Suger's efforts brought them together in one building for the first time and created something very different from the massive, dense, dark Romanesque style of building.

Was Suger an architect? A builder? How is it that we so confidently give him credit for this change in ecclesiastical building? Because he did something else that was unique for the era: he told us what he was doing. He left us two works, preserved by the Abbey: Liber de De rebus in administratione sua gestis (The book of deeds done in his administration), and Libellus Alter De consecratione ecclesiae sancti dionysii (The other little book on the consecration of the church of St.-Denis). Translated in 1946 by art historian Erwin Panofsky (previously mentioned here), they tell a tale of a devoted man dedicated to praising God and His creation through every aspect possible of the church that was built to honor Him.

Ambulatory showing ribbed vaulting

No, he probably didn't design the building, but we are sure he had a hand in the design, and have no reason to discount his words when he says:

Noble is the work, but the work which shines here so nobly should lighten the hearts so that, through true lights they can reach the one true light, where Christ is the true door… the dull spirit rises up through the material to the truth, and although he was cast down before, he arises new when he has seen this light.

Suger made clear that introducing more light to the interior of the church, promoting the use of color, and building in taller elements would help lift the congregants' spirit as well as their eyes upward. He had an enormous amount of money and effort put into the construction of a gold crucifix, 6 meters in height, and gold altar panels; into these panels he says he put:

about forty-two marks of gold; a multifarious wealth of precious gems, hyacinths, rubies, sapphires, emeralds and topazes, and also an array of different large pearls

The cross is long gone, but the church remains, celebrated as the first truly Gothic church, standing on the Ile de France. A piece of it—Suger's chalice—has made it to North America, however, and stands in the National Gallery of Art in Washington, DC.  Also, there is a photo-filled blog devoted to Suger right here.

*Pronounced su-zháy.