Not Made By Hand

17th century painted icon (ironically) representing
the "Not Made by Human Hands" tradition;
the Greek letters in the halo indicate that it
is an acheiropoieton.

Speaking of iconoclasm (as we just were in the post on the halo in art), did the Middle Ages or the Church have a position on images not made by hand? If images of the divine were blasphemous, how would one deal with Veronica's Veil, the cloth used by Veronica to wipe the face of Jesus while on his way to Golgotha? His likeness mysteriously appeared on the cloth. Was this not an icon, and proof that icons were acceptable to God?

To be honest, the early Middle Ages should not have had to deal with this dilemma, since the story of Veronica is not found in the Gospels and is not readily known until almost the 13th century. In fact, it is our old friend Gerald of Wales who first records anything in the West about the veil, which he says he saw on a pilgrimage to Rome in 1199. (Gerald is the first to point out that the name "Veronica" is Latin "vera+icon"; that is, "true+image.")*

Authentic or not, it was the start of a trend of cloths that showed the face of Jesus without having been made by human agency. Icons such as this had a name, Acheiropoieta, "not made by hands" (Greek ἀχειροποίητα).

Despite the "not made by hands" label, many items that fell into this category were made by human hands, so long as those hands were holy, or the subject was an acheiropoieton. Saint Luke was said to have painted a portrait of Mary when he visited her. If this image survived, it would be an acceptable icon. Also, human reproductions of Acheiropoieta were considered by some to be as sacred as the originals, and as acceptable in the face of the iconoclasm controversy.

An eastern Church Council of 836 declares certain items to be legitimate Acheiropoieta: the Image of Edessa, a square of cloth containing the face of Jesus; an image in Lydda (now Israel) of the Virgin that appeared miraculously on a pillar in a church; another image of Mary in Lydda that appeared in another church. Unfortunately, there was no Church Council of 836, and the document is considered fraudulent.

Acheiropoieta are usually considered to have miraculous properties. On the Island of Cyprus there is an Acheiropoietos Monastery, named so because of an Acheiropoieton that miraculously moved from Asia Minor in the 11th century to save itself from a Turkish invasion.

*To the Middle Ages, this was proof that the world is composed of patterns and symbolism. To later historians, this suggests that "Veronica" was an ideal name made-up expressly for this anecdote.

Haloes

(photo credit Conor Hogan, 2014)

The picture here is medieval, although not from the Middle Ages. It's of the dome of Our Lady of Victory Church in Lackawanna, NY. It was taken and sent to me by someone who asked "Why is the halo triangular?" It turns out that there have been many ways over the centuries to express saintliness or godliness through the use of different styles of halo.

"Halo" comes from the Greek ἅλως, which means the "shining disk" of the sun or moon.* There have been many representations of haloes in art throughout the whole of art history. Sometimes they are represented as rays shining out from the head of a special person. Often they are circular. The circle may be portrayed as a disk behind the saint's head, looking like a large dinner plate floating so that his or her head is perfectly centered in the circle. In the Renaissance (see the top image here), when realistic perspective became a goal in art, the halo was often shown as if it were a perfectly round and flat disc that was attached to the back of the head, so that at an angle you would see it as an elliptical hat (check out the fancy hats here). Later, it was fashionable to portray it as a simple lighted "hoop," as we see in this 15th-century painting.

There were some special haloes, used in only certain circumstances. Members of the Holy Trinity could be seen with a halo that had three rays (or sets of three lines) extending from the head to the circumference. We see that in the diagram to the right. A halo made of stars was used only for the Blessed Virgin Mary (here is a sample, connecting her to the EU flag), because of the woman whose head was surrounded by 12 stars mentioned in the Book of Revelation who gives birth to the child who was to rule all nations.

Which leaves the triangle. The triangle also represented the Trinity, but was used solely for depicting God the Father. This was perhaps because the triangle is the obvious symbol for the Trinity. It could be because God the Father rules in Heaven, and "heaven" or the area above the earth was sometimes represented symbolically as a triangle. Earth's symbol was a square, due to the four cardinal directions and the "four corners of the earth," and if you look from one horizon to straight up and then down to the far horizon, you have drawn a triangle with your eyes.

So, the church in Lackawanna, NY, drew from some old symbolism for the depiction of God on the dome; clearly, it was not built by iconoclasts.

*You can see examples of the meteorological phenomena that inspired the word here.