The Ostrogoths, Finally

To be fair, I have mentioned one Ostrogoth before: King Theodoric was talked about here and here. The larger culture of the Goths has been mentioned many times in this blog, but this particular group has been wanting attention. The "Ostrogoths" part of the name comes from Germanic auster meaning "eastern." Before descending on Italy, these "Eastern Goths" built an empire in the 3rd century stretching east to what is now Belarus and Ukraine; "many Ostrogothic graves have been excavated south and southeast of Kiev" [Britannica] It is believed that the difference between Ostrogoths and Visigoths is based on geography, with "Visi-" being tacked on by the Roman scholar/statesman Cassiodorus (mentioned in the first Theodoric link above).

Little is known of the Ostrogoths and Visigoths except through records from the cultures with whom they came in contact, mostly Roman. They left us no literature of their own, although we know they had their own spoken language: a Goth Christian Bishop named Wulfila (or a team working under him) designed a Goth alphabet based on Greek and used it to translate the Bible; I showed their alphabet here. A few additional Goth religious fragments exist. Other Gothic documents such as statements from Theodoric are in Latin.

Isidore of Seville wrote a history of the Goths, in which he tells us that, when they asked the Roman Emperor Valens to send them teachers to instruct them in the Christian faith, Valens (because he had strayed from the truth) sent them heretical priests who instructed them in the Arian heresy. Salvian of Marseilles, a 5th century writer in Gaul concerned with the decline of the Roman Empire, writes in his De gubernatione Dei ("On the government of God") about the vices of the Romans versus the virtues of the "barbarian" Goths. The Arian Goths are praised for the chastity, tolerance toward Catholics.

Sometimes a charismatic ruler is necessary to hold a nation together. When Attila the Hun died and his empire began to fall apart, the Ostrogoths grew in strength, especially under Theodoric, and expanded, eventually into Italy. But after Theodoric died in 526, the Ostrogoth control of Italy started to disintegrate, and the Emperor Justinian in the Eastern Empire saw his chance. He declared war on the Ostrogoths in 535. In the following two decades, much of Italy was damaged in the battles between the two armies. What is certain is that, after 554CE, no more Gothic texts are produced in Italy; the Ostrogoths seem to have lost their national identity.

Although I said I would touch on the Ostrogoths only before taking on the first Duke of Milan, I can hardly pass up the opportunity at this point in modern history to seize the opportunity given me by the Ostrogothic link to Kyiv.

4 Stages of Gothic—History & Culture

[This is Part 1; the other 3 parts address Gothic Architecture, the Gothic Revival, and Fiction.]

From the Middle Ages until 1974, the Kings of Sweden claimed the title Rex Sweorum et Gothorum (King of Swedes and Goths). This was a very old title, connoting not control over the subculture begun in 1980s England, but the rule over a people that have long since been diluted from the European scene.

Current belief is that the various groups that are collectively (and perhaps erroneously) called "Goths" in classical and early medieval texts probably sprang from a single ethnic group that existed in the first millennium BCE. The word from which their name comes is related to the Geats of Beowulf fame, to Götaland and the island Gotland in southern Sweden, and of course lends itself to the tribes that were instrumental in the Fall of Rome: the Ostrogoths and Visigoths. Various sources, for instance the history Getica by the 6th century Roman Jordanes, tells us that Goths left Scandinavia in waves due to overcrowding and settled in various parts of eastern Europe. Eventually, they moved westward, attacking Byzantium and migrating as far as Crete and Cyprus. An attempt in 269CE to invade Italy was defeated by the Roman army, with heavy casualties on both sides. Two centuries later, however, the Goths would succeed in taking Rome.

The Goths were willing to absorb ideas from people they met. Their art was influenced by Greek and Roman styles. In turn, their methods of embedding gems and colored glass into objects made of gold was adopted by others and used for centuries.

Gothic alphabet and number symbols.

One idea they absorbed was Christianity. Bishop Wulfila (c.310-383) was a Greek-Goth Christian who fled with his followers to northern Bulgaria to escape persecution. There he developed the Gothic alphabet so that he could translate the Bible into the Gothic language. Although he managed to convert many Goths to Christianity, it was Arian Christianity. Arianism had been declared heretical, so when Arian Goths met other Christian groups, they were not always welcomed with open arms. In fact, some modern scholars believe Romans felt more threatened by the Arianism of the Goths than by the political changes that would result from conquest. As for Wulfila's alphabet and Bible: we have very few examples of Gothic writing. It is one of the earliest Germanic languages recorded, but it has completely died out and no modern languages are descended from it.

Although the Goths died out, however, their name endured.