Bisclavret, the Werewolf

Just as there is a difference between the medieval werewolf and the modern, in medieval literature we can see distinctions between types of werewolf. One such distinction is made in the story Bisclavret by Marie de France. The word "bisclavret" means "werewolf" in Breton, and the character is clearly a werewolf. The author, however, distinguishes him by referring to other werewolves by the Norman French word for werewolf, garwaf.

Baron Bisclavret of Brittany disappears every week for three days. His wife begs him to tell her why, and he finally relents, explaining that he turns into a wolf. He tells her he hides his clothes so that he can find them after three days and turn back into a human.

His wife is a little freaked out by this revelation, and doesn't want to be with him any more. She tells a knight who has loved her top follow him and steal his clothes so that he cannot return to human form. The baron fails to return to his people, a search for him is to no avail, and the "widow" marries the knight.

A year later, while hunting, the king comes upon a wolf that rushes at the king and kisses his foot and leg. Amazed at the behavior, the king decides to bring the wolf back to the castle. The wolf's gentleness is remarkable, until...

...at a large celebration, the knight who married Bisclavret's wife arrives and is attacked by the wolf. The king threatens Bisclavret, who backs down. The court assumes that the knight has somehow wronged the wolf.

Later, the king is visiting Bisclavret's former barony, and takes the wolf along. Bisclavret's "widow" comes to the king bearing gifts, but when the wolf sees her, he rushes at her and tears off her nose. A wise man links this unusual attack with the first attack: that the two are married, and the woman was married to the missing baron. The king has the woman tortured, whereupon she confesses what she did to her husband. The produce the baron's clothing, and he becomes the baron Bisclavret once more. The king restores his lands and exiles the baroness and her knight. Her descendants are born nose-less afterward.

Marie de France claims she heard this performed snd translated it from Breton, along with a collection of other stories. We have several stories from her, and I'll tell you more about her tomorrow.

Medieval Werewolves

The European Middle Ages had plenty of werewolf stories, but they were notably different from what we portray about modern werewolves. Let's talk about some of the differences.

First, how does one become a werewolf? In the Middle Ages, it was not a curse passed along by the bite of a werewolf, but either placed on you by a spell, as in the story of William and the Werewolf, or a "lifestyle choice" by putting on a wolf skin. Gerald of Wales tells the story of a priest who encountered a werewolf couple in Ireland who needed last rites for the she-wolf. When the priest refuses, the wolf skin is opened like opening a coat to reveal an old woman.

In the tale of Bisclavret, we do not know how he became a werewolf, but he explains to his wife that he has to hide his clothes so that he can return to them after three days and become human again. In this situation, the werewolf "curse" is innate, and negated after the period is over by wrapping himself in his original human clothing.

The medieval werewolf also retained its human understanding, and did not simply become a ravenous wolf. When a werewolf in medieval tales attacks someone, it is out of a sense of revenge due to wrongs done to the human host. Bisclavret demonstrates this, and I will go into those details next time.

Regarding phases of the moon: Gervase of Tilbury tells the story of Chaucevaire, who transforms according to the phases of the moon; however, it is the dark of the moon, not the light of a full moon. The moon link may also be part of the werewolf condition in Bisclavret because he transforms without his own choice every week for three days. The author does not specify that there is a lunar link—especially since it is each week, not month—but three days is there length of time often attributed to the full moon. 

The word werewolf includes the Old English wer- meaning "man." In the Middle Ages, a werewolf is a man who becomes a wolf. Modern horror films often have werewolves, but in many cases they are larger and more monstrous-looking than ordinary wolves, often standing on two legs. For the Middle Ages, the werewolf literally became a wolf, indistinguishable from other wolves until it acted in ways that wolves would not act.

You will see this tomorrow in what is perhaps the best-known werewolf story from the Middle Ages.

William and the Werewolf

Medieval Europe (and beyond) had a fascination with werewolves, but they were different from the modern horror-story representations. hey rarely had anything to do with phases of the moon, and they were not simply murderous beasts.

Such was the case of the story of Guillaume de Palerme, or "William of Palerme" which was later re-titled in English "William and the Werewolf." This story gives us in early English the first instance of the pronoun "they" being used to refer to  singular subject in the sole English manuscript dated to 1375, but the original French version was probably composed about 1200. The story was commissioned by Yolande, daughter of the Count of Hainaut, Baldwin IV (once mentioned here). The French version also exists in a single surviving manuscript from the 1200s.

The main character, William, is the son and heir to the King and Queen of Palermo, and his birth is welcomed by everyone except his uncle, who stood to inherit if the King had no heirs. The uncle plots to poison the child. Shortly before he can do so, a wold leaps the wall of the royal gardens, snatches the babe in its mouth, and flees. His parents mourn the loss, after a search fails to find the wolf.

Flashback! The author then tells us whence came the wolf. An evil queen in Spain, desiring to have her children by the king inherit rather than the king's eldest son by his first wife, transforms Prince Alfonse into a wolf. Alfonse, however retains his human understanding, In his wandering, the wolf Alfonse overhears the plot to poison the prince and decides to save the child. He teals him away and deposits him with a cowherd, who raises him.

Years later, the Emperor of Rome goes hunting in the wood and comes upon a young man with such regal bearing and handsome features that he insists on taking him away to raise him "properly." There, William and the emperor's daughter, Melior, fall (inappropriately) for each other. Their secret love is aided and abetted by Melior's friend Alexandra.

The emperor of Greece wants to marry his son to Melior, and her father agrees. The young lovers decide to flee, and Alexandra helps them by procuring two white bear skins, sewing the two into the skins (except the hands, so they can eat), and they flee. They are not really suited to surviving in the wild, but Alfonse the wolf reappears, bringing them fancy food and killing two deer so the pair can have nicer skins to live in and hide out as deer instead of white bears.

There's more, much more. You can read a modern English translation here if you like. Tomorrow? More about werewolves, the cool medieval kind, not the modern hour kind.