Pictish Metalwork

Besides an impressive array of carved stone slabs, the Picts also did some sophisticated metalwork. One important piece is the Whitecleuch Chain, found in Scotland in 1869.

Dated to between 400 and 800 CE, the Chain is made from 22 pies of linked silver rings with a totals length of almost 20 inches. The piece that encloses the chain, making it a necklace, is inscribed with Pictish symbols, notably a double-disk and a zigzag pattern (looking like a plant stalk) from Class I and Class II patterns. The patterns on this are similar to those found on a silver plaque in the Norrie's Law Hoard.

Norrie's Law Hoard is one of the largest Pictish hoards ever found. Found in 1819 on the Largo Estate in Fife, Scotland, it originally was 170 pieces of silver coins, jewelry, and artifacts totaling 28 pounds—alas, much of it was given away or melted down. The hoard includes a silver plaque with a near-identical depiction of the same design found on the Whitecleuch Chain, suggesting a serious importance to this particular pattern. A similar design is found on a carved stone at Falkland.

There are 11 chains (or fragments of chains) found in Britain (four in Scotland) that are considered Pictish. They are assumed to have belonged to people of high status, as supposedly would the Norrie's law plaque.

As with Pictish stone carving, Pictish metalwork also can be divided into classes or phases. The earlier phase is mostly silver objects with some enamel decoration. The Norrie's Law Hoard falls into this category Later, there evolved a variety of styles (likely influenced by their neighbors) of spirals, interlace, filigree with glass insets (note that glass requires a higher furnace heat than silver).

A question you would not think to ask is "where did they get the silver?" The Picts did not have a significant mining operation, so they had to find silver that someone else had mined and purified. Tomorrow, let's talk about hacksilver.

Pictish Art

Much of existing Pictish art is carved on standing stones and falls into three "classes."

The oldest art falls into Class I (dated to the 6th through 9th centuries) and consists of primitive stone slabs (irregular shapes, un-smoothed surface) with simple geometric figures and some naturalistic figures (animals). Some shown here (see illustration) have no clear interpretation, and may have been used as boundary markers or to identify certain clans.

The designs were incised first with a simple rough punch and hammer, and then the line was widened and deepened with a chisel. The incised lines are smooth, so were likely rubbed with stone to eliminate roughness.

Second row, far-right in the illustration is what's called the "Pictish beast," but its identification is the source of much debate. Whatever it was, it had some significance since it accounts for 40% of all animal figures in Pictish stone carving. It has been described as a kelpie, a seahorse, a dolphin, or some monster; some have even suggested it represents the Loch Ness monster.

Class II stones are roughly rectangular and have symbols that are visibly linked with Christianity. They are often referred to as cross slabs because they depict crosses on one or both sides. They include Celtic geometric knot work as well. They date to the 8th and 9th centuries, so they started to appear prior to the disappearance of Class I carvings. Carving in Class II went beyond simple incising and brought the images out in relief.

Class III graduated to sculpture, in that the rectangular slab was not a canvas on which to carve a design: it was stone from which an actual shape was to be freed. Class III also abandons the pre-Christian symbols and lines, becoming similar to what was being produced by their Gaelic neighbors

The Picts also did some impressive metalwork, which I'll talk about next time.

Burghead Fort

On the Moray Firth in Scotland is the remains of a Pictish fort, called Burghead Fort because of its proximity to the small town of Burghead. Pictured here is a 3D rendering made by the University of Aberdeen after extensive archaeological work.

What we know of the Pictish presence in what is now Scotland does not suggest that they tended toward collecting in large population centers; settlements—if any—around royal forts were the norm. If there were a capital city for the Picts, however, this was it.

Carbon dating shows the main walls constructed perhaps as early as the 3rd century, but additional layers of walls were added over time. A Late Bronze Age spearhead and a coin from Nero's time suggest that the place may have been used earlier and taken over by Picts: its location on a promontory made it easily defensible. It fell out of use after the time of the Viking raids.

It would have taken a lot of effort to conquer: the walls were eight meters thick and six meters high. Oak logs were nailed together with 8" iron spikes to make a framework which was then filled with stone and rubble. The construction makes clear that whomever wanted it built had access to a very large workforce.

It was geographically at the center of the Pictish Kingdom of Fortriu. It seems that Fortriu was the most powerful of the Pictish kingdoms, and Burghead was likely the seat of its kings. Early records sometimes refer to Fotriu as if it encompassed all of Pictland, suggesting its prominence. Adomnán's Life of Columba describes the fort of a Pictish king as being situated where Burghead is. Bede describes the same king as rex potentissimus or "very powerful king," further suggesting that whomever ruled Burghead was more powerful than other Pictish kings.

In the 19th century, its remains were dismantled for their materials. About 30 stone panels carved with images of bulls were noted before being incorporated into the quay walls of the harbor. The handful remaining above water are in museums and the Burghead Visitor Center.*

...which I guess is as good a segue as any to Pictish art and artifacts, for which you'll have to check this space tomorrow.

*Their website has an outline of one of the carved bulls on its main page.

Pictish Culture

As mentioned previously, the Picts were not necessarily a homogeneous culture, but the archaeological record can help us determine a few things about what was important to them. Materially, they are very similar to their British, Gaelic, and even (invading) Anglo-Saxon neighbors.

Large herds of sheep and pigs were maintained, and probably moved from highlands all summer to lowlands in the winter months in a practice common to pastoral societies called transhumance. Having horses and cattle signified wealth. Later stone carvings depict Picts hunting with falcons as well as dogs. (Their neighbors did not use falcons—or at least did not commit that practice to image or writing.)

Regarding the Pictish diet: meat and milk were a part of their diet, based on the evidence of livestock. Archaeology reveals the crops associated with their territory: barley, oats, rye, and wheat were common grains. They also grew kale and cabbages, onions and leeks, peas and beans, and turnips. Fish and shellfish were available on their coastlines.

The earliest Pictish carvings—an example is shown here from Skye, dated between 200 and 400 CE—have geometric figures that have defied interpretation. We don't know about their spiritual beliefs prior to their Christianization, but the assumption is that they were engaged in polytheism similar to their Celtic neighbors. Palladius is given credit of their conversion.

A large Pictish fort has been excavated at Burghead in Scotland, but evidence of Pictish urban settings has not been found. Settlements around royal forts have been noted, but there is no evidence of villages or towns on their own. They took advantage of the existence of Iron Age brochs—round, tall, hollow-walled structures built of stone—and of crannogs—Neolithic Age artificial islands built over water on wooden piles. 

If the Picts had a capital, it would be the fort at Burghead, which has been excavated and studied and had a 3D model made by the University of Aberdeen. Let's take a look at that tomorrow.

Who Were the Picts, Really?

It is likely that the name for the Picts really is related to the modern word "picture." The first occurrence of the word was in a Latin speech that mentioned the "picti"; it is interpreted as "painted," referring to the custom of tattooing. A further account from 404CE refers to designs on the bodies of Picts defeated in battle. Isidore of Seville mentions the Picts painting themselves.

To be frank, the evidence for this practice is scarce. Monument stones that portray Picts do not include any markings that look like body paint or tattoos, and the folk that lived closer to them (rather than tried to invade and conquer them, like the Romans), such as Irish poets, do not mention tattoos.

There are other difficulties in identifying what the Picts were like. The various groups identified as "Picts" by outsiders over time have little resemblance to each other, suggesting that what we in the Modern Era have been told from old writings—mostly starting with the 7th century—was "Pictish" either referred to several different groups or Pictish culture was far from uniform.

Bede (672 - 735) said they came from Scythia (on the northern coast of the Black Sea) and wound up accidentally on the northern coast of Ireland, where local leaders convinced them to go settle in northern Britain. This unlikely story was repeated in the 10th century Pictish Chronicle, which attempted to explain the Picts and started the story thousands of years earlier. It names their leader as Cruithne (Gaelic for Pict). It makes up seven sons for Cruithne, whose names correspond to seven areas of Pictland. This fiction was used later to argue the existence of seven separate Pictish kingdoms. There were probably more smaller kingdoms with their own leaders who formed alliances with neighbors or gave allegiance to a more powerful ruler adjacent to them.

What is true is that the Picts lived in the area north of Glasgow and Edinburgh, the area described by Roman writers as Caledonia. They were probably dominated by the area to their south, Northumbria, because Northumbria for that time was the most powerful kingdom in Great Britain. That all changed in the 800s with the arrival of the Vikings, who destroyed the kingdom of Northumbria and created panic in all parts of Great Britain. In the early 900s, the area started to be called the Kingdom of Alba and was becoming "Gaelic-ized." In a hundred years or so, northern Alba was all Gaelic Scots, and references to Picts faded from the records.

Tomorrow we'll delve into what can be determined about Pictish culture.