Alton Castle

The image to the left shows Alton Towers in 1880, designed by Augustus Pugin, near the town of Alton in Staffordshire (not the Alton where the Treaty of Alton was signed). Although what we see now is a magnificent 19th century building designed as part of the Gothic Revival, the place has a much older history.

In the 1st century BCE there was an Iron Age fort on the site, but more continuity started when King Ceolred of Mercia built a wooden fortress there. The place was attacked by King Ine of Wessex in 716 in a battle so bloody that the location was called Slain Hollow (until Pugin turned it into an oriental water garden).

After the Conquest of 1066, the castle was rebuilt and enlarged in stone by the Norman noble Bertram de Verdun, who had been granted land in England by William. It stayed in the Verdun family through three generations of "Bertram de Verdun"s; then, in 1318, Joan de Verdun married Thomas de Furnival. Thomas died crusading in 1348, and the estate went to Sir John Talbot who married Furnival's daughter Maud. Talbot was created the first Earl of Shrewsbury (sort of; I'll explain later). Alton Castle stayed in the Talbot family; the 16th Earl of Shrewsbury was the owner during the 19th century expansion, after which the building was renamed Alton Towers.

In the 20th century the grounds were opened to the public, and now in the UK the phrase "Alton Towers" invokes images of an enormous theme park and resort that has been developed at the site.

But back to the first Earl of Shrewsbury. The first Earl of Shrewsbury was not the first; I'll explain how there were two "firsts" tomorrow.

Augustus Pugin — Reviving the Middle Ages

Augustus Welby Northmore Pugin (1812–1852) was an architect who designed the tower the houses Big Ben, the Houses of Parliament, the interior of the Palace of Westminster, several churches in England, Ireland, and Australia, numerous other buildings, and at least one castle.

He disapproved of the materialism of the Industrial Revolution, he designed according to "Christian principles," which to him meant medieval. He explained this in his 1836 book Contrasts, or, A Parallel Between the Noble Edifices of the 14th and 15th Centuries and Similar Buildings of the Present Day, Shewing the Present Decay of Taste. 

He brought his "Gothic Revival" style to things other than buildings, and the pictures offer two examples of a chair and a table designed by him and inspired by what he might have called the "medieval aesthetic." I personally find his furniture and accessories odd. The holes in the chair don't match in my (admittedly limited) memory any design motif from the Middle Ages. The side table is even more odd. The quatrefoils hanging down—when they would have normally been oriented upward—seems to be adding architectural motifs into places where they don't quite fit in. Years ago, while visiting the Victoria and Albert Museum, I saw a Gothic Revival chair where the gothic pointed arch that enabled the larger windows of Gothic cathedrals was carved into the wood upside down.

As a fan of the European Middle Ages, I am glad that the 19th century saw value in the art and architecture of that earlier era. I think it possible that, at times, they went too far. (But perhaps that's just me.) An article in Architectural Review on the occasion of the bicentennial of his birth can tell you more.

I think it is better for me to stay focused on his architectural work, such as his castle. His Alton Castle had a long history before Pugin came along to rebuild it, which we'll look at tomorrow.