The Apostle of the Gauls

Gregory of Tours tells the story of the 3rd century Pope Fabian sending seven bishops to different parts of Gaul. One of them, Martial, went to Limoges, where he was very successful at converting locals to Christianity. After his death, his burial site outside of Limoges became an important pilgrimage site, growing in popularity over the years and generating many stories of miracles.

The 9th century Miracula Martialis ("Miracles of Martial") gives an idea of how popular he was: it pushes his origin story earlier in time so that he was made a bishop by St. Peter himself (illustrated here in a fresco from the Palais des Papes in Avignon, commissioned by Pope Clement VI from Matteo Giovannetti).

The Miracula gives him credit for evangelizing all of Aquitaine and miracles such as reviving a dead man by touching him with the staff given to him by Peter in the illustration. The medieval compendium of saints' lives called the Golden Legend adds casting out demons to his repertoire.

Martial's intercession was invoked during an epidemic of ergot poisoning in 994. The staff mentioned above (more accurately, a staff that is said to have been Martial's staff) is kept in the Basilica Saint-Seurin in Bordeaux and used in processions during outbreaks of illness to invoke his aid.

His importance in southern Gaul and link (however fictional) to Peter made him attractive to Clement VI, leading to the above-mentioned chapel. His burial site became the Benedictine Abbey of Saint-Martial with a library second only to Cluny's. The chronicler Geoffroy du Breuil worked in the library. The Abbey was damaged so badly in the 19th century that little remained; some manuscripts had been bought by King Louis XV and were therefore saved and are noe in the Bibliotheque Nationale.

Ergot epidemics were quite common in the Middle Ages, so divine intervention was frequently sought. Let's talk about ergot poisoning in the Middle Ages next.

The Prolific Caesarius

A popular source of stories of miracles and of subjects for sermons was the body of work produced by Caesarius of Heisterbach (c.1180 - c.1240), commemorated here in a statue erected in 1897.

Caesarius was the prior (an administrator of an abbey, but not the abbot) of the Cistercian Heisterbach Abbey in western Germany. He wrote Dialogus miraculorum ("dialogue of miracles"), in which a monk tells tales of 746 miracles by saints to a young novice. About 60 versions still exist that were made by hand, suggesting that it was almost as popular as Jacobus de Voragine's Golden Legend.

He also produced sermons, which he claimed he had to make public because monks asked for more detail on his statements. One of his books deals specifically with his interpretation of the phrase Ave praeclara maris stella ("Hail bright star of the sea"), a nickname for the Virgin Mary and a 9th century hymn found in old manuscripts in the Abbey of St. Gall and elsewhere.

In one of his works he wrote about the fairly recent sack of the town of Béziers during the Albigensian Crusade led by fellow Cistercian Arnaud Amalric. Supposedly, when Arnaud was asked how to distinguish between Cathars and Catholics in the town, he said Caedite eos. Novit enim Dominus qui sunt eius ("Slay them all, the Lord will know his own"). This is apocryphal, but is considered the origin of the oft-used phrase "Kill them all and let God sort them out." He also is known for a paradoxical maxim about monasteries: that discipline causes prosperity and then prosperity undermines discipline.

Caesarius complained that his writings were taken and distributed before they were finished and proofread. Perhaps it was in this context that he blamed a demon for errors in his works. That demon was Titivillus, and he will be the subject of my next post.

Saint Christopher

The patron saint of travelers, popular with surfers and anyone making a journey. His medals are still sold all over; if you check Amazon, you'll see several versions with many happy reviews. In the United Kingdom, wall paintings of Christopher outnumber any other religious figure [link]. But it's time to talk about some hard truths about Christopher:

It is possible he did not exist.

And why was he pictured with a dog's head?

If you know one thing about St. Christopher, it is the story that he helped carry a child across a river, only to find later that the child was Christ. The fact that his name actually means "Christ-bearer" suggests that this was a made-up example of Christian charity. (Consider as well the story of Jesus on his way to Calvary and the woman who wipes his face, only to find his image on the cloth; her name is Veronica, "true image.")

There was supposedly a martyr named Christopher who was killed in either the reign of Emperor Decius (249-251) or Emperor Maximus Daia (308-313). The fact that churches were dedicated to him does not prove his historicity. Pope Paul

But why the dog head? Well, a thousand years after the martyr first lived, the Legenda Aurea (The Golden Legend, a book of saints' tales) says he was a Canaanite originally known as Reprobus (again, a suspiciously apt name meaning "rogue" or "unprincipled person"). Reprobus strove to serve the mightiest lord available, and even served the devil, until at last he found Christ and converted. Then...

The pagan king of Lycia took him as a fool and beheaded him after torturing him. Before his ordeal, however, St Christopher instructed the king to make a little clay mixed with his blood to rub on his eye (which was blinded by an arrow that had been meant for St Christopher). The king did as he was told and said, ‘in the name of God and St Christopher!’ He was healed immediately and was converted to Christianity. St. Christopher performed his miracle in martyrdom. [link]

And this is why he is depicted with a dog's head in the Eastern Orthodox tradition, because they mis-read "Canaanite" for canineus (canine), and assumed he was a member of the race of Cynocephali, the dog-headed people.

And we will learn about them tomorrow.

The True Cross

 The "True Cross" refers to the cross upon which Jesus of Nazareth was crucified. Although it would have been of ordinary wood, Classical and Medieval and Renaissance legends decided it had to be something more than that.

The Golden Legend by Jacob de Voragine has several different origin stories for the wood of the Cross. In one, the Cross was made from the wood of three trees which grew from three seeds that had been planted by Seth in the mouth of his father's, Adam's, corpse. Seth had taken the seeds from the "Tree of Mercy" (which is not part of the Biblical story).

Another version related by Voragine explains that the wood came from a cutting from the Tree of Knowledge of Good and Evil, also planted by Seth on Adam's grave.

From either of these origins, an elaborate provenance was created to get the wood from Eden to Golgotha. The wood was made into the rod of Moses, which was planted by King David in Jerusalem, from which grew a tree that enabled Solomon to carve a beam for his temple. Eventually, the tree was cut down for wood that was used to build a bridge used by the Queen of Sheba to visit Solomon. The Queen had a vision that a piece of wood from the bridge would lead to the replacing of God's covenant with the Jews (this would be Jesus and his message). Solomon, thinking this a tragedy, had the wood buried. It was exhumed years later and some was used to make the True Cross.

How did it come to be discovered after the crucifixion? For that, we must talk about a remarkable woman, the Empress Helena of Constantinople, which we will do next.

The Golden Legend, Part 2

A copy sold by Christies in 2002 for $688,000

About 1260, the Archbishop of Genoa, Jacobus de Voragine, wrote a collection of hagiographies (saints' lives) which he called Legenda sanctorum ["Legends of the saints"]. It turned out to be extremely popular, quickly taking on the name by which it is known today: Legenda aurea ["The Golden Legend"]. Over 800 hand-made copies exist from the era prior to the printing press.

The term "legend" at the time was able to convey the idea of truth as well as fiction in this kind of work, and rightfully so. Jacobus was not concerned with creating a well-documented and historically accurate account of saints. He was interested in producing inspiration and enlightenment, and that cannot be left to the facts.

And so we have our major reports of saints such as St. George whose faith enabled him to slay the Dragon, and St. Christopher whose name means Christ-bearer and whose major feat in life was to bear a child across a river who turned out to be Jesus Christ in disguise. The 20th century acknowledges that these saints are likely never to have existed, but for Jacobus their example for Christians is far more important than determining whether they actually lived. He not only told the stories of their lives and major exploits (in great detail), he frequently analyzed their names, explaining their symbolic significance. Jacobus knew Latin, and would have been aware that his interpretations of Latin names was frequently more creative than etymological, but that didn't matter to him as much as holding the saints up as exemplars for proper behavior. He did not, however, take an "anything goes" approach: in his life of St. Margaret, when she is swallowed by a dragon whose belly breaks open due to her prayer, he labels the incident "apocryphal."

Which is not to say that he made everything up on his own. Scholars believe that he was drawing much of his knowledge from previous texts that they can identify. In fact, the 16th century—a time of church reform and re-examination of long-held beliefs and practices—saw a rejection of many of the stories of the Legend because of their fanciful nature. Still, it was an extremely popular work for the masses. William Caxton's English edition in 1483 went to several printings between then and 1527, attesting to its enduring attraction for readers. Although the chapters tend to start sounding the same after a time, it is still studied today as an example of medieval tastes and beliefs.

Saint Valentine

[We pause in our discussion of The Golden Legend to share an entry from it.]

Here beginneth the Life of Saint Valentine, and first the interpretation of his name. 

Valentine is as much to say as containing valour that is perseverant in great holiness. Valentine is said also as a valiant knight, for he was a right noble knight of God, and the knight is said valiant that fleeth not, and smiteth and defendeth valiantly and overcometh much puissantly. And so Saint Valentine withdrew him not from his martyrdom in fleeing, he smote in destroying the idols, he defended the faith, he overcame in suffering. 

Of Saint Valentine the martyr. 

Saint Valentine, friend of our Lord and priest of great authority, was at Rome. It happed that Claudius the emperor made him to come tofore him and said to him in demanding: What thing is that which I have heard of thee, Valentine? Why wilt thou not abide in our amity, and worship the idols and renounce the vain opinion of thy creance? Saint Valentine answered him: If thou hadst very knowledge of the grace of Jesu Christ thou shouldest not say this that thou sayest, but shouldest reny the idols and worship very God. Then said to Saint Valentine a prince which was of the council of the emperor: What wilt thou say of our gods and of their holy life? And Saint Valentine answered: I say none other thing of them but that they were men mortal and mechant and full of all ordure and evil. Then said Claudius the emperor: If Jesu Christ be God verily, wherefore sayst thou not the truth? And Saint Valentine said: Certainly Jesu Christ is only very God, and if thou believe in him, verily thy soul shall be saved, thy realm shall multiply, and he shall give to thee alway victory of thine enemies. Then Claudius turned him unto all them that were there, and said to them: Lords, Romans, hear ye how wisely and reasonably this man speaketh? Anon the provost of the city said: The emperor is deceived and betrayed, how may we leave that which we have holden and been accustomed to hold sith our infancy? With these words the emperor turned and changed his courage, and Saint Valentine was delivered in the keeping of the provost. 

When Saint Valentine was brought in an house in prison, then he prayed to God, saying: Lord Jesu Christ very God, which art very light, enlumine this house in such wise that they that dwell therein may know thee to be very God. And the provost said: I marvel me that thou sayest that thy God is very light, and nevertheless, if he may make my daughter to hear and see, which long time hath been blind, I shall do all that thou commandest me, and shall believe in thy God. Saint Valentine anon put him in prayers, and by his prayers the daughter of the provost received again her sight, and anon all they of the the house were converted. After, the emperor did do smite off the head of Saint Valentine, the year of our Lord two hundred and eighty. Then let us pray to Saint Valentine that he get us pardon of our sins. Amen.

The Golden Legend, Part 1

The post about Julian the Hospitaller mentioned its source in the Legenda Aurea ["The Golden Legend"] of Jacobus de Voragine. It was about time to get around to one of the most popular works of the Middle Ages.

Originally called Legenda sanctorum ["Legends of the saints"], it was written by Jacobus de Voragine (c.1230 - 1298). Born in Varazze on the northwest coast of Italy,* Jacobus became a Dominican and teacher in 1244. He was active in several roles in the Order, including being offered to be made archbishop of Genoa, a position he initially refused. In 1292 he finally agreed, and was invited to Rome by Pope Nicholas IV. Unfortunately, when he reached Rome the pope was very ill and unable to perform the ceremony. It took a little while to find a replacement, during which time the cardinals chose to consecrate Jacobus in his new title. As Archbishop of Genoa, he worked to reconcile the conflict between the Guelphs and Ghibellines. He also repaired churches and monasteries, enforced discipline in the clergy, and made an Italian translation of the Bible (now lost).

He also wrote extensively: sermons on saints, a book on the Gospels, a book on all aspects of the Blessed Virgin Mary, a defense of Dominicans, and a summary of the virtues and life of Dominican William Perrault. His most enduring contribution to posterity was the collection of saints' tales now called The Golden Legend, which will be a good topic for tomorrow.

He died of natural causes, and was beatified by Pope Pius VII in 1816.

*"de Voragine" is the Latin for "from Varazze."

Saint Oedipus?

St. Julian killing his parents.
Oil on panel, c.1488, by Antonio della Corna

Everyone knows the story of Oedipus. Not to be outdone, early Christianity has its own story of a similar patricidal tragedy. The popular 13th century Legenda Aurea ["Golden Legend"] of Jacobus de Voragine is the source of many saints' legends—sometimes the only source, and therefore suspect—and it is where we learn the story of St. Julian the Hospitaller.

At his birth (early in the first century CE), his father saw pagan witches lay a curse on his son that would cause him to kill his parents some day. His father realized that killing his son was the best plan to avoid his and his wife's own future demise, but the baby's mother would not allow it. Unfortunately, the boy Julian frequently saw his mother crying while he was growing up, and one day at the age of ten she told him why. Learning that his fate was to kill his parents, and swearing that he would never do so, he left home. After 50 days of walking, he had reached Galicia in northwest Spain. He eventually married.

Twenty years later, his parents decided to go looking for him. Arriving in Galicia, they visited the altar of St. James to pray. Coming out, they met a woman and asked her if she could take in a pair of travelers who had nowhere to stay. She agreed, and took them home. Explaining that her husband, Julian, was out hunting, they discovered that they had met their own daughter-in-law. Delighted to have found each other, she put them into her own bed to sleep.

In the words of the Legend,

And on the morn the wife of Julian went to the church, and her husband came home whiles she was at church, and entered into his chamber for to awake his wife. And he saw twain in his bed, and had weened that it had been a man that had lain with his wife, and slew them both with his sword, and after, went out and saw his wife coming from church.
Then he was much abashed and demanded of his wife who they were that lay in his bed, then she said that they were his father and his mother, which had long sought him, and she had laid them in his bed. [link]

The horribly distraught Julian was comforted by his wife, who implored him to keep faith in God. To atone, Julian built several hospitals for the comfort of strangers.

He is the patron saint of hunters and of innkeepers. His feast day is 12 February.