The Battle of Clontarf

The Battle of Clontarf took place on 23 April 1014. It turned Brian Boru into a national hero, although that may have had more to do with public sentiment and creative re-telling than factual outcome, since Boru did not survive.

Boru (c.941 - 23 April 1014) had grown in power until his kingdom of Munster was unparalleled in Irish history. The king of Leinster, Máel Mórda, challenged Boru at the Battle of Glenmama on 30 December 999, lost and had to submit. A few years after, in 1002, Brian Boru's political and military authority caused him to be recognized as "High King" of Ireland.

Meanwhile, Viking raids on Ireland the previous few centuries had resulted in settlements on the coast, including one that grew into the Kingdom of Dublin. At the time of Clontarf, the king of Dublin, Sitric Silkenbeard, was nephew to the king of Leinster.

They all should have been on good terms. Brian's ex-wife Gormlaith was Máel Mórda's sister, and Sitric was her son by a previous husband. One of Brian's daughters from a previous marriage, Sláine, was Sitric's wife! Unfortunately, the lust for power does not take a backseat just because of familial ties.

In 1013, Máel Mórda and Sitric Silkenbeard rebelled against Boru's authority. Boru decided he needed to make a strong statement, so he sent his son Murchad into Leinster who "plundered the land ..., burned the whole country, and took great spoils and countless captives." [Annals of Ulster]

Other skirmishes led Brian Boru to bring his army to Leinster in September 1013, where he positioned them outside Dublin. Sitric sailed east to find Viking support. According to Njal's Saga, he approached both the Earl of Orkney and a warrior from the Isle of Man and offered each to be the king of Ireland if they would aid him against Boru. (Njal's Saga is a later work of poetry and cannot always be relied on for factual details. See what it says about valkyries.)

Sitric's viking allies sailed to Dublin the week before Easter. (Easter in 1014 was 25 April, about as late as it can get, so the weather was amenable to sailing and fighting.) The armies met at Clontarf (the name means "meadow of the bull"), an area north of Dublin, on Good Friday. A blow-by-blow of the Battle of Clontarf does not exist in the contemporary Annals of Ulster or the Annals of Inisfallen, nor in the poetic Njal's Saga. The dead included Brian Boru, his son Murchad, his grandson Toirdelbach, his nephew Conaing.

On the other side, Sitric survived, because he stayed in Dublin to protect it; he could see the fighting from the city walls. His brother Amlaíb led the Leinster forces, and died because of it. Máel Mórda was killed, as were the two leaders from Orkney and the Isle of Man.

In all, estimates are that 7,000 - 10,000 were killed in the battle, but not all by bloodshed. The battle started at dawn and continued all day. The tide was in near the end of the day, preventing the retreating vikings from reaching their ships, and many drowned while trying to retreat. The viking and Dublin influence on Ireland was severely diminished.

After Boru's death, his remaining forces were led by Máel Sechnaill Mac Domnaill. He had been High King before Brian Boru, and was restored to that position after Clontarf, since Boru's male issue had been killed.

It was not called the Battle of Clontarf at the time: the 12th-century Book of Leinster has a list of kings where it states that Brian Boru died in the "Battle of Clontarf Weir." The date of the battle itself may be false, Good Friday being first mentioned in later medieval sources. There is a theory that Good Friday was chosen symbolically to link Brian Boru's death with that of Christ's sacrifice. Boru was hailed ever after as a national hero, although his victory was a pyrrhic one.

I'll talk a little more about the value of the Annals of Ulster next time.

Valkyries

Everyone is probably familiar with the valkyries, the "choosers of the slain" in Norse legend. They didn't just carry the dead to Valhalla, however. Norse soldiers who died in battle had two possibilities: Valhalla or Fólkvangr.

Fólkvangr (Old Norse "folk field") was the domain of Freyja, Odin's wife and goddess of love, beauty, fertility, sex, war, gold, and seiðr. (Going forward, when you see the character ð, pronounce it as a voiced th, as in these.) There she sits in her hall Sessrúmnir (Old Norse "seating room"). Besides warriors, Egil's Saga (composed in the 13th century) has a non-warrior woman remarking that she will not taste food again until she dines with Freyja.

The other half of slain soldiers are carried by valkyries to Valhalla. There they are called the einherjar (Old Norse "once fighters") who prepare for the final battle at Ragnarök. Valkyries in Valhalla serve mead to the einherjar.

Visual depictions of valkyries are ... vague? We have Viking Age art with women in it that could be valkyries, but we just don't know. Silver amulets with women holding drinking horns are numerous, especially in graves. A silver-gilt figurine found in Denmark and dated to 800 CE shows a female with bare arms holding a shield and sword. When you look for females carrying drinking horns, you will find them all over Northern Europe, in metal and carved on rune stones.

Outside of Scandinavia, the Anglo-Saxons also had a similar concept. The Old English word wælcyrge might have been a loan-word from Old Norse or an independent idea. The charm "For a Swarm of Bees" seems to compare a swarm of bees to a ride of the valkyries.

How did the idea of female choosers of the slain arise? We'll never know for certain, but some scholars think they were originally demonic entities who swarmed over the dead in battlefields. As concepts shifted and battle became more glorified, warriors were honored with an afterlife. Getting to that afterlife required a mechanism, and the demonic entities connected with death became noble entities carrying fallen soldiers to their reward. They go from Furies to Norns, involved in the fate of warriors.

It is likely that poetry helped re-shape the idea and function of the valkyries. Njal's Saga is an Icelandic saga that describes events between 960 and 1220. It describes an incident in which a man secretly observes valkyries at a loom, weaving and singing about who will die at the Battle of Clontarf (Dublin, 1014 CE). They then ride off, singing "start we swiftly with steeds unsaddled—hence to battle with brandished swords!"

If you were to search, say, Facebook for the name "Valkyrie," you would find several. Whether that is a given name or a nickname the person has chosen for herself isn't clear. I personally know an actual "Valkyrie" who reads this blog. Hi, Kyrie!

And now for something completely different: the Battle of Clontarf. See you tomorrow.