Charles the Bald

Charlemagne's son and successor as emperor, Louis the Pious, had several children. Several of them were with his first wife, Ermengarde of Hesbaye. After her death in 818, Louis married Judith of Bavaria and had one son, Charles, born 13 June 823. Charles was much younger than his brothers, who all had been granted sub-kingdoms of their own by the time of his birth. The presence of another son and possible successor to Louis raised concerns among the older children.

Louis tried to give Charles his own sub-kingdom, but Louis' older sons rebelled against these attempts. You can read more about that here. In 837, Louis called his nobles together in Aachen and asked them to recognize Charles as heir to the entirety of Gaul. When Louis died in 840, Charles' allied himself with his older brother Louis the German to defeat their other brother, Lothair I. The Treaty of Verdun in 843 gave Charles all of the kingdom of the West Franks, an area which essentially encompasses modern day France. Louis the German held the eastern area that corresponds to Germany. Lothair kept the title King of Italy.

Life was relatively peaceful after Verdun. The brothers would meet every few years to discuss matters of mutual concern. In 858, however, Louis was persuaded by his nobles to try to take land from Charles. Charles was not very well-liked by his people, who did not respond to his call to raise an army, so he fled to Burgundy. Louis the German's bid failed, because the bishops refused to crown him king of the West Franks.

He eventually became emperor when Lothair's son died, and traveled to Rome where Pope John VIII. When John asked him for help against the Saracens in Italy, he crossed the Alps to help, but the nobles of Lombardy were not interested in supporting him. Charles, feeling ill, started back home, but died on 6 October 877, in the mountains. The body had to be brought home for proper burial, but carrying a body across the Alps was not easy or swift. The stench from the decaying corpse prompted them to bury him as soon as possible, at an abbey in Burgundy. A few years later the body as disinterred and taken for burial to the Abbey of Saint-Denis

Regarding his nickname: A Genealogy of Frankish Kings that was started during his reign lists him as Karolus Calvus, "Charles the Bald." There are no contemporary records that suggest he had little or no hair. Some scholars suggest that it was an ironic nickname because he was very hairy. Others point out that "bald" could simply be a reference to his lack of land at first. The illustration above is of Charles in the Vivian Bible, made in 845, and shows him with plenty of hair.

The Middle Ages cared about hair and its upkeep, and baldness was not seen as desirable. There were cures for baldness. If you're interested in them, come back tomorrow.

Medieval Architecture

7th c. Asturian Church of Santa Cristina de Lena, Spain

This will be a brief introduction to the styles of medieval architecture that existed over the centuries. They are given names to represent the eras, but keep in mind that there was no firm dividing line between the different eras. In order to compare apples to apples, we will look at church architecture for examples of the evolution of building styles.

Early Christian
Prior to a uniform style of architecture for churches, christian churches often simply appropriated pagan temples of worship. One of the most famous buildings of antiquity, the Parthenon, was converted to a christian church just before 600CE, becoming the Church of the Parthenos Maria [Greek: "Virgin Mary"]. A common style was the basilica [Greek "royal"], which was originally a large building for public gatherings. Basilicas had a long main aisle (the nave), supported by columns and flanked by side aisles. A wide area at one end, the apse, became the location of the altar. A basilica often had a dome. This basic floor plan became popular for churches, especially in the Eastern Empire. The most famous basilica is the Hagia Sophia [Greek: "Holy Wisdom"] in Istanbul (was Constantinople).

Pre-Romanesque
This term is often used to denote the collection of different styles that arose during certain dynasties or in different cultures, such as Merovingian, Carolingian, Ottonian, Asturian, Norse; it is a catch-all term that includes the Early Christian as well.

Romanesque
Romanesque is a modern term that describes the style that was prevalent in the 11th and 12th centuries throughout Europe. Brought to England by William the Conqueror, there we call it "Norman." Romanesque buildings are known by their massive stone structure with barrel vaults and round (or sometimes slightly pointed) arches. Tourists can experience Thanksgiving in a Romanesque building described here.

Gothic
Gothic architecture has appeared here. Its chief elements are soaring height, large glass windows allowing more light than previous styles, pointed arches, (often) flying buttresses to support the thin walls. The first church to combine several of these elements into the first truly "Gothic" church was the Abbey of St.-Denis. This style is what folk most often picture when they think of medieval churches.

About eight miles south of St.-Denis is the world's most recognizable Gothic cathedral, Notre Dame, which suffered from a devastating fire a couple weeks ago. I want to say something about that next.

After the Hammer Fell

Nicknames: so easy to get, so hard to get rid of. When Mayor of the Palace and military genius  Charles Martel presented his 12-year-old son to the nobles of the Frankish court, he (jokingly) referred to him as "Pepin the Short." (Really, dad? You get to be called "the Hammer" and I have to be known as "the Short" in all the chronicles? How fair is that?)

Pepin (714-768) was not the only son of Charles Martel to take a leadership role; he's just the one we remember because of his son, Charlemagne. But the Carolingian Age started with Martel, and Pepin was an important part of it before Charlemagne stepped onto the scene. Pepin had two brothers. After the death of their father, Carloman (the eldest) was Mayor of the Palace for Austrasia (including Tournai, Aachen, Cologne and Metz) while Pepin was Mayor of the Palace for Neustria (the territory from Nantes and Tours on the south along the Loire to Soissons in the north). They picked Childeric III to be a puppet king starting in 743, not being willing to take over in their own right.* A third brother, Grifo (son of Charles' second wife), wanted to have some authority, but Pepin and Carloman locked him away in a monastery.

In 747, Carloman decided to retire to a monastery, leaving the running of Austrasia to Pepin. Pepin decided it was time to make a radical change, so he wrote to Pope Zachary with a question: who should be king, the one with the family title or the one who actually exercised the power? By this time, the pope had come to rely on Frankish military support, so he was certainly willing to take the necessary steps. He dethroned Childeric and tonsured him. (The cutting of his hair was a powerful symbol: the Merovingian line believed in not ever cutting their hair as a sign of the royal authority.) Childeric and his son, Theuderic, went to a monastery.

So Pepin the Short (infrequently called Pepin III because his grandfather and great-great-grandfather were both Pepins) became the new King of the Franks, being anointed by the archbishop of Mainz in 752, and then in 754 at St.-Denis in Paris by Pope Stephen II. In order to ensure a succession, the pope anointed Pepin's sons at the same time, establishing that the two boys, Charles and Carloman.

Pepin's first act was to attack the Lombards in Italy, returning control of Ravenna and more to the pope, establishing the Papal States and the pope's temporal authority. He also worked hard to assume control over as much the the Aquitaine as possible. He continued to expand the army and cavalry as his father had done. He fought more battles with Muslims encroaching from Spain and drove them out of Gaul. He was, in fact, never defeated in battle.

Which is not to say that he never died in battle. He died at the age of 54 in a military campaign. He was interred in the church of St.-Denis. Just as the kingdom was divided among Clovis' four sons, so was it divided again between Pepin's sons Charles and Carloman. The Carolingians had the potential to be just as divisive as the Merovingians who came before. Sibling rivalry can be even more bitter, however, when mother plays favorites.

*Childeric was truly plucked from obscurity; modern historians are not sure of his parentage.

A Grave Strikes Gold

I have mentioned St.-Denis in Paris as the first church in the Gothic style. That project was a re-building of an earlier church—a church, in fact, that would be notable to historians even if it had not been turned into an architectural wonder by Abbot Suger.

Ring inscribed to Aregund (ARNEGUNDIS)

Originally, the structure was a martyrium—a shrine to the martyr Saint Denis, whose head had been carried to that spot (by his decapitated body) while preaching a sermon. This would have been some time in the 3rd century. Dagobert, a King of the Franks (c.603-639), built an abbey on the spot, preserving the crypts that had been installed over the centuries to house kings of France and important figures. The first mention of a church is of one begun in the reign of Pepin the Short (c.714-768), whose son, Charlemagne, finished it. Then, of course, Abbot Suger in the 12th century re-worked much of it into what stands today. All of the building and re-building went upwards, and what was below the surface was untouched for centuries, until later scholars decided to examine the crypts.

Some of the crypts are not marked well. Knowing a list of interments, however, scholars could use a process of elimination along with various dating techniques and even DNA testing to determine the identity of the subjects. There's also direct evidence. An archaeologist and art historian in 1959, examining the contents of one unlabeled sarcophagus, struck gold. Along with the remarkably well-preserved clothing on a female body, he found a gold ring inscribed to Aregund.

Belt clasp from Aregund's jewelry collection

Aregund was one of the wives of Clothar I (511-561), an early Frankish king in the line that led to Dagobert. Her burial provided insight into clothing of the 6th century, but also into how wealthy the early Frankish kings were:

The deceased wore a violet-coloured silk skirt, held in place by a large leather belt that had a sumptuously decorated buckle plate and buckle counter-plate. Her reddish-brown silk tunic, decorated with gold braid, was fastened with a pair of round brooches with a garnet cloisonné decoration. [source]

To be frank,* there are some who believe the remains belong to another noblewoman who lived decades later. Most of the reasoning is based on the age of the sarcophagus. The arguments neglect the simple possibility that Aregund was re-interred—not an uncommon occurrence. Even if the identity were up for debate, however, the value of the contents as a glimpse into 7th century Frankish culture is incalculable.

*Yes, that's a pun.

Abbot Suger

Abbot Suger in stained glass

Back here, I discussed Gothic architecture, but there was no time to mention its birthplace, the Abbey Church of St.-Denis, or its midwife, Abbot Suger.*

The church had existed for centuries, and was rebuilt a few times before Abbot Suger (flourished 1122-1151) arranged the renovation that was to transform ecclesiastical architecture. The major elements of Gothic architecture—elaborate style, ribbed vaulting that supported higher ceilings, pointed arches that enabled larger windows, etc.—already existed, but Suger's efforts brought them together in one building for the first time and created something very different from the massive, dense, dark Romanesque style of building.

Was Suger an architect? A builder? How is it that we so confidently give him credit for this change in ecclesiastical building? Because he did something else that was unique for the era: he told us what he was doing. He left us two works, preserved by the Abbey: Liber de De rebus in administratione sua gestis (The book of deeds done in his administration), and Libellus Alter De consecratione ecclesiae sancti dionysii (The other little book on the consecration of the church of St.-Denis). Translated in 1946 by art historian Erwin Panofsky (previously mentioned here), they tell a tale of a devoted man dedicated to praising God and His creation through every aspect possible of the church that was built to honor Him.

Ambulatory showing ribbed vaulting

No, he probably didn't design the building, but we are sure he had a hand in the design, and have no reason to discount his words when he says:

Noble is the work, but the work which shines here so nobly should lighten the hearts so that, through true lights they can reach the one true light, where Christ is the true door… the dull spirit rises up through the material to the truth, and although he was cast down before, he arises new when he has seen this light.

Suger made clear that introducing more light to the interior of the church, promoting the use of color, and building in taller elements would help lift the congregants' spirit as well as their eyes upward. He had an enormous amount of money and effort put into the construction of a gold crucifix, 6 meters in height, and gold altar panels; into these panels he says he put:

about forty-two marks of gold; a multifarious wealth of precious gems, hyacinths, rubies, sapphires, emeralds and topazes, and also an array of different large pearls

The cross is long gone, but the church remains, celebrated as the first truly Gothic church, standing on the Ile de France. A piece of it—Suger's chalice—has made it to North America, however, and stands in the National Gallery of Art in Washington, DC.  Also, there is a photo-filled blog devoted to Suger right here.

*Pronounced su-zháy.