Noting the Bern

The Smithfield Decretals have been mentioned recently. They are a book of decrees drawn from 1,971 letters from Pope Gregory IX, with glosses (detailed commentaries) and lavish illustrations. About 700 copies of these decretals exist—most of them created after the advent of mass printing technology; this particular one was made in France in about 1300, but found in Smithfield in the UK, hence its name. It is thought that the owner in England had the illustrations added in about 1340.

Apes fighting as knights, from page 75

Thanks to the British Library's plan to digitize all of its manuscripts, you can actually flip through the pages if you go here. You will see all the illustrations, including depictions of daily life as well as fanciful portrayals of animals acting like humans.

But those are just the side show. The reason 700 copies exist of the writings are because of the importance of the papal letters, and the explicating of the important statements within. The editor of the decretals was one Bernard of Botone (d.1263), also called Bernard of Parma because of his birthplace. He studied at the University of Bologna, where (according to his gravestone) he became Chancellor in his later years. An expert at canon law, he was an ideal commentator for the decrees.

Bernard drew from multiple sources for the commentaries. Many medieval manuscripts give no hint as to authorship, or editor-ship. In the case of the Decretals, however, attribution is always given to the other authors and commentators whom he quoted. Whenever the notes and commentaries were his own, he signed with a simple "Bern" at the end.

The whole thing is finished; give the guy who wrote it a drink.

Bernard died in 1263, and the copies that exist were all made years later. In the case of the Smithfield decretals copy, we do not know who the copyist was, nor who the illustrators were. The copyist, however, did leave a "personal stamp" on the manuscript. On the very last page, after the last line, he added the following:

The whole thing is finished; give the guy who wrote it a drink.

Yoda's Medieval Manuscript

Yesterday mentioned the Smithfield Decretals, a detailed work on ecclesiastical law. It was produced in the 14th century, full of important decisions gleaned from the papal decrees of Pope Gregory IX, additional material like the explanation of how to celebrate the feast day of St. Matthias, and curious illuminations.

One of these illuminations is of particular interest to fans of Star Wars, because it seems to be an early illustration of Jedi Grandmaster Yoda.

The similarity was first noted by Julian Harrison, curator of pre-1600 manuscripts at the British Library and pointed out in his Medieval Manuscripts Blog. The figure has the grayish-green complexion, the large pointed ears, and the ridged forehead of Yoda's race. Also, the hands, like Yoda's, or not five-fingered. He also wears a long robe.

What are the chances that a specimen from a long-lived race in a galaxy far, far away could travel to Earth and be portrayed in a 14th century manuscript?

The figure perches atop a passage on Samson and Delilah. Although not likely to have been intended as a portrait of Goliath, it may simply be there to evoke the idea of monstrous creatures, such as Goliath would have seemed. Some have suggested that the figure may represent the Devil, tempting Delilah to cut Samson's hair. Or it is just a random figure from the fertile mind of a bored monk. This is a manuscript that includes archer rabbits hunting greyhounds and battling monkeys dressed in armor, after all.

The Leap Saint

Following on the heels of yesterday's discussion of Leap Day, I thought we should give some attention to the poor saint whose feast day happened to fall on a day that only appeared in the calendar every four years.

Matthias, from the workshop of the
Italian painter Simone Martini (c.1284-1344)

St. Matthias was not a medieval saint. He was one of the Apostles, and is thought to have died in 80 CE. That is the only quantitative piece of data that is agreed upon. He died in either Jerusalem or Judea or Colchis. Chosen by lot to replace Judas, he was called either Matthias (Acts 1:24-25) or Zacchaeus (by Clement of Alexandria), or Tolmai (by Eusebius), or Barnabas (by literature ascribed to Pope Clement I); and a 19th century German scholar thinks he is the Nathanael in the Gospel of John.

One thing that is not in dispute, however, is that his feast day was 24 February. To modern readers, that does not ring any bells. In the Classical Era and the Middle Ages, however, this put him in an unusual spot in the calendar: Leap Day.

That's right: Leap Day used to be 24 February, which you can read about here. The unusual thing about 24 February being the extra day in a Leap Year wasn't so much that it was not placed at the end of the month, but that—it being an "extra" day of the year—it was treated as a "bonus" and was simply repeated; that is, 24 February appeared twice in a row in Leap Years.

Does that mean that the feast day of St. Matthias was celebrated twice? Yes. The Smithfield Decretals, an expansive book on ecclesiastical law, explains:

A standard solar year has 365 days and six hours, so in four years’ time these hours make 24 extra hours, which must be added as a new day to every fourth year. This additional day is what we call “double-sixth-day”, because, although it is counted as an addition, it stands under the same number as the previous day in the calendar, so that the two days are regarded as one and the same. The extra day is inserted in the calendar after 24 February (six days before the first day of March) so that we celebrate the memory of St Matthias the Apostle (24 February) on the next day, too. [link]

Lucky Matthias! Little is known about him, but he gets to be venerated two days in a row! Well, not anymore. The Church of England has kept him at 24 February, but in 1969 the Roman Catholic Calendar moved him to 14 May so that he could be celebrated outside of Lent and on a post-Easter day that would be closer to what would have been the day of his choosing.