St. Æthelwold's Miracles

Æthelwold, one of the Three English Holy Hierarchs, saintly figures who spurred the revival of monasticism in England, was a truly saintly man. We know a lot about him from a surviving biography written by Wulfstan the Cantor.

He rebuilt or built many monasteries, including in Milton Abbas in Dorset, Chertsey in Surrey, Peterborough, and Ely. He reformed existing monasteries, driving out undisciplined monks and introducing the Rule of St. Benedict. His severity gives us the first example of miraculous events surrounding him: it is said that some monks who disliked his heavy hand put poison in his food, but he showed no signs of illness whatsoever. Speaking of food, while in Glastonbury, one of the duties he gave himself was cooking. One time, he resolved a scarcity of meat by praying, leading to a miraculous increase in the provisions.

Wulstan reports that he recovered unnaturally quickly from broken ribs after a fall from some scaffolding. Near the end of his life he was gravely ill, but bore his suffering patiently. After his death, on 1 August 984, miracles started taking place near his final resting place, and in response to prayers made to him for aid. A blind man from Wallingford was healed through prayers to St. Æthelwold.

His relics were then taken to the Cathedral in Winchester to signify their (and his) importance. Later, Abingdon Abbey received a finger, some hair, and arm, and his shoulder bone.

There is a single church dedicated to Æthelwold; it is St. Adelwold in Lincolnshire, in what would be fair to call an Elf village. I'll explain that tomorrow.

Wulfstan the Cantor

Of the countless people who lived in the Middle Ages and accomplished things—writing, building, etc.—a very few are remembered by name. One of them is Wulfstan, known as Wulfstan of Winchester or Wulfstan the Cantor.

A cantor sings liturgical music. The monk Wulfstan was a cantor of the Old Minster in Winchester, who became a precentor. A precentor is responsible for composing liturgical music himself, training the choir, and leading the choir or congregation in the music, singing solo lines to which they respond. He was a poet as well as a musician, and wrote a biography of St. Æthelwold, who was probably his mentor. He wrote several works, making him one of the most prolific Latin authors pre-Norman Conquest.

A 15th century commentary refers four times to a "Wulstan" and his work on musical theory, De tonorum harmonia ("On the harmony of tones"). It is likely that this reference is to Wulfstan; unfortunately, this work of Wulfstan's no longer exists. It would be the only known work on music written by an Anglo-Saxon. He is also responsible for the longest (3386 lines) Anglo-Latin poem extant, the Narratio metrica de S. Swithuno (A metrical narrative of St. Swithin).

The work for which he is best know, however, is the Vita S. Æthelwoldi (The life of St. Æthelwold), the principal source of information on St. Æthelwold, about whom I think we should talk next.

William of Malmesbury

In the 12th century in England, the practice of writing histories was becoming relatively common. The Anglo-Saxon Chronicles and the Chronicle of Melrose were ongoing, and Orderic Vitalis and the prolific Eadmer were writing their histories. Since I cast doubt on William of Malmesbury (1095-c.1143) in yesterday's post, however, I thought he deserved some attention.

William of Malmesbury's aim was not simply to write a history, but to produce a great literary work that was worthy of the greatest historian England had yet known. His Preface begins:

The history of the English, from their arrival in Britain to his own times, has been written by Bede, a man of singular learning and modesty, in a clear and captivating style. After him you will not, in my opinion, easily find any person who has attempted to compose in Latin the history of this people. Let others declare whether their researches in this respect have been, or are likely to be, more fortunate; my own labor, though diligent in the extreme, has, down to this period, been without its reward.

Bede (673-735) was universally respected, so much so that it was rare to see his name without the modifier "Venerable" before it. After praising Bede's singular position in English literature, William attempts to produce a work that equals or surpasses it. The result was the Gesta Regum Anglorum (Deeds of the Kings of the English).

And according to many scholars, he succeeded. In the opinion of Milton, William was "both for style and judgment by far the best writer of all." He included anecdotes and detailed descriptions of important figures—far more historically valuable information than the often terse Anglo-Saxon Chronicles. Like Bede, and unlike other historians, he showed the cause and the effect of historical events and the actions of kings. His account of the First Crusade is detailed and colorful.

He followed this work with Gesta Pontificum (Deeds of Pontiffs), a history of abbeys and monasteries in England. About the year 1140, he revised both works, updating them, and began an addendum to the first, his Historia novella (History of new[er] things). His patron in all this was Robert, Earl of Gloucester. As a son of King Henry, Robert was fairly powerful; it is thought that Robert would have made William the abbot of Malmesbury Abbey, but William preferred to concentrate on his learning instead of administrative duties.

That learning certainly contributed to his writing. It is believed that some of his information, such as what he has to say about Wulfstan, the Bishop of Worcester, comes from the account by Wulfstan's contemporary, Coleman. But that is how medieval scholars managed: they took from available works, and providing attribution was not as important as making your own work as complete as possible. William's works remain the best accounts we have of life in England in the first few generations after the Norman Conquest.