Mirrors for Princes

Machiavelli's Il Principe (c.1513) was far from innovative. Writers since classical times had produced works that explained the proper behavior—or improper behavior—of rulers. The genre was called specula principum, or "mirrors for princes." These took the form of instruction books, often aimed at a young ruler who was just coming into power, or could be biographies of rulers who should (or should not) be emulated.

The reign of Charlemagne seems to have motivated the desire to "raise the bar" for rulers and inspired many writers to produce mirrors for their local rulers in the 9th century. Charlemagne's life was, of course, the example to be followed as far as Einhard's Vita Karolini (Life of Charles) was concerned. No one wanted to see the Carolingian empire suffer after Charlemagne's demise, and so his descendants had no lack of advice. His son Louis the Pious was the target of one speculum by Smaragdus of Saint-Mihiel; Louis' son Pepin I of Aquitaine was the target of one by Jonas of Orléans; Louis' grandson Lothair II of Lotharingia was addressed by Sedulius Scottus in a work called "On Christian Rulers."

Alcuin of York, a prolific writer and famous teacher, wrote De virtutibus et vitiis (On virtues and vices, c.799) for Count Wido of Brittany. A friend of Alcuin's, whom he met at Charlemagne's school in Aachen, was Paulinus of Aquileia who wrote the Liber exhortationis (Book of exhortations, 795), for Count Heiric (Eric) of Friuli. Paulinus (c.730-802) had been born in the Friuli region of northeast Italy and he and Heiric were friends, so he felt entitled to tell Heiric a thing or two, including advising him to free his slaves. (Having slaves was common.) Paulinus also wrote an elegy when Heiric was killed in 799.

Mirrors for princes were popular right through the Renaissance by scholars who felt qualified to give advice to powerful men. We know of ones that were written for the future Henry VIII (by John Skelton; a copy exists in the British Museum), for King Charles V of Spain (1516, by Erasmus), for King Christian IV of Denmark-Norway (1597, by Johann Damgaard), and King James I of England wrote one for his eldest son, Henry, who died of typhoid at 18; maybe Charles I read it when he ascended the throne.

Robert Cotton's Hobby

Sir Robert Bruce Cotton was born 22 January, 1570 (or 1571). Too late to be part of the Middle Ages, but still a subject for this blog; you'll see why presently. He attended the Westminster School on the grounds of Westminster Abbey in London, considered one of the finest schools in England. From there he went to Jesus College, Cambridge, graduating with a BA in 1585.

In 1601 he was made a Member of Parliament and started a successful political career. He helped King James I develop a new fund-raising scheme with the invention of the title/position "baronet." A baronet (like a knighthood) did not confer on the bearer a right to attend Parliament (and therefore be a potential nuisance), but it was a lovely and impressive title that could be inherited; many wealthy men would willingly pay large sums to be made a baronet, which gave them a hereditary title for their childfren but no real power.

Robert Cotton, painted in 1626.

Despite Cotton's friendship and value to the king, he began to become a concern when his views about the importance of parliament over the monarch were expressed in his published essay The Dangers wherein the Kingdom now standeth, and the Remedye. The monarchy considered this a threat, and they decided to take action to prevent Cotton from becoming the center of discontent. The monarchy had a simple solution to pull the rug out from under Cotton: confiscate his library.

The assumption was that his library held documents that might provide historical precedents for his political views. Why was his library such a concern? Robert Cotton had a hobby: for decades he had been collecting documents, manuscripts, books, records. He had an insatiable desire to collect and preserve the history of the written word in England, and he created a library with more documents (it was said at the time) than the Records Office in London. It was confiscated by the king in 1630. Cotton died in 1631. The library was eventually returned to his family; his grandson gave it to the British Library.

The Cotton Library was, of course, pre-Dewey Decimal and pre-Library of Congress. He had his own scheme for organizing documents. His library was lined with bookcases, each of which was topped by the bust of a classical figure. Each bookcase had up to 6 shelves, designated by letters. Each shelf was filled with documents, counted from left to right. Items in the library were designated by bust/shelf/#document. For instance, the Anglo-Saxon Chronicle (one of nine surviving manuscripts) is designated Cotton Domitian A.viii. Many works of literature from the Middle Ages, such as Beowulf (Cotton Vitellius A.xv) or Sir Gawaine and the Green Knight (Cotton Nero A.x) exist today only because they were collected and preserved thanks to Robert Cotton's hobby.