Wayland the Smith

Wayland was a legendary figure whose name and fame stretched across the entire Germanic world, referred to in stories from the Norse, Frisians, Germans, Anglo-Saxons, and more. The most detailed accounts are found in Old Norse sources, particularly a poem that is part of the Poetic Edda. The oldest (possible) reference is a gold solidus (see illustration) from c.575-600CE with a Frisian runic inscription ᚹᛖᛚᚪᛞᚢ, "wayland." (This might not refer to the legend, but rather a person with the same name.)

Other depictions that are clearly Wayland are found on some 8th/9th century carved stones called Ardre image stones, and an 8th century whale-bone chest called the Franks Casket.

Anglo-Saxon culture made frequent reference to the smith. In Beowulf, we are told the source of the hero's armor:

If the battle takes me, send back
this breast-webbing that Weland fashioned
and Hrethel gave me, to Lord Hygelac.
Fate goes ever as fate must. (lines 452-55, Heaney translation)

Another Anglo-Saxon poem, Waldere, mentions the hero's sword made by Weland. In Alfred the Great's translation of Boethius, he laments "What now are the bones of Wayland, the goldsmith preeminently wise?" Medieval romances often included swords made by Wayland.

A megalithic mound in the Berkshire Downs is known as Wayland's Smithy, about which was the legend that, if one left a horse tethered there overnight with a silver coin, the horse would be shod by morning.

More than just an image and symbol of smithing, the poem in the Poetic Edda, the Völundarkviða (Old Norse: "The lay of Völund"), tells that he was captured and crippled (similar to Hephaestus, the lame smith of the Greek pantheon) in order to be forced to work for a king. I'll tell you that story tomorrow.

Hrolf Kraki's Saga

There is a major source of Scandinavian legend called Hrolf Kraki's Saga. King Hrolf, supposedly a nephew of Hrothgar—the king mentioned in the poem Beowulf whose hall is menaced by Grendel—would have ruled in the 6th century.

Hrolf is mentioned in Beowulf as Hrothulf. It is not said which of Hrothgar's brothers is his father, but later tradition makes it Halga (instead of Heorogar), because the Saga does talk about his relationship with Halga. The "kraki" that gets tacked onto his name means "tall, angular, slender" and no doubt referred to his physical appearance.

The Saga was composed in Iceland about 1400, and brings together many separate incidents in history and legend, tied together by their connections to Hrolf Kraki and the members of his family, including his father, aunt, and uncle. Its five sections each focus on a different set of people. The first section of four chapters presents a long and illustrious lineage for Hrolf and the struggle for control of the Danish kingdom.

Chapters five through 13 deal with Hrolf's problematic father, a man of uncontrollable ... appetites. He cannot resist women, and apparently doesn't want to: he ignores any advice about caution. This leads him ultimately to a liaison with Yrsa, by whom he sires Hrolf. This is followed by a few chapters about some men who will later become champions in King Hrolf's service.

What follows next is the tale of the bearlike Bothvar Bjarki, in many ways a completely separate story that was grafted onto the Saga by its link to Bothvar working for Hrolf. It is an elaborate tale of magic and adventure far more complex than the summary I gave in the previous post. I've previously discussed some of the shared elements between his story and Beowulf's.

The final ten chapters are more directly about Hrolf himself. Prior to this the Saga has introduced all the significant characters surrounding him, not just warriors but also several notable women. Women make up a large part of these sections: men seek their advice, there is an elfin woman and her daughter who change the destiny of anyone who encounters them, details of marriages (both good and bad) are revealed.

In fact, although Hrolf is of course the focal point for the Saga, women are frequently the connective tissue between different episodes. One in particular is his mother, Yrsa, whose tale is fascinating and deserves to be known. See you next time. 

Bothvar Bjarki

The Northern European fascination with bears led to heroes like the subject of the Anglo-Saxon poem Beowulf. There are enough legends involving bears and humans that they have collectively been referred to by folklorists as the "Bear's Son Tale"; that is, a human raised by a bear who becomes a strong warrior.

A related tale is that of Bothvar Bjarki. He was the son of a king of Norway named Bjorn ("bear"), whose wife was named Bera ("she-bear"). Bjorn was cursed to become a bear during daytime.

Bjorn and Bera had three sons: Moose-Frothi or Elk-Frothi, who is a moose/elk from the navel down; Thorir/Dog-foot, who has dog's feet; Bothvar Bjarki (bjarki="little bear"), who looks human. The boys grow up and go their separate ways.

One day, Bothvar comes upon Moose-Frothi's hut and waits for him. When his brother arrives, he does not recognize the hooded stranger and wrestles him to the ground, whereupon the hood falls away and Moose recognizes Bothvar. Telling Bothvar he is not strong enough, Moose cuts his own leg and has Bothvar drink some of his blood, which makes him much stronger.

The next day, while Bothvar is getting ready to leave, Moose stomps on a rock with his hoof, creating a depression. He tells Bothvar that he will know how Bothvar dies by observing the rock: if it fills with water, Bothvar has drowned; if with mud, Bothvar has died of illness; if it fills with blood, Bothvar will have died from violence.

Bothvar then sails to Denmark, heading for the hall of King Hrolf Kraki. Along the way he lodges at a small farm, where the wife tells him that their son, Hott, is being bullied by the king's men. He is kept in a corner where the men throw bones at him during meals. Bothvar reaches the hall when the men are out; he sees a pile of bones in the corner and a scrawny dirty boy there. He pulls him out and seats him next to Bothvar.

When the men return for the evening feasting, they continue to throw bones at Hott; when one throws a whole leg of an ox, Bothvar catches it and throws it back at the man, killing him. Complaints to King Hrolf fall on deaf ears, as Hrolf declares that the death was justified and wishes to take Bothvar into his service.

As Yule approaches, King Hrolf's men begin to show fear; it turns out that a monster comes to the hall each Yule and kills cattle and men. Bothvar waits outside on Yule, and kills the monster when it arrives, having Hott drink some of its blood, which makes Hott stronger.

Versions of this story appear in Hrolf Kraki's Saga and in the Gesta Danorum ("Deeds of the Danes") of Saxo Grammaticus. It is also mentioned in a. reference to the Skjöldunga saga, a lost work about the Scyldings (the Danish dynasty mentioned in the opening lines of Beowulf). In some versions Bothvar fights as a spirit bear.

Hrolf Kraki was a semi-legendary Danish king of the early 6th century. He is one of those figures who made such an impression that—like Arthur of Britain—stories sprung up around him, like that of Bothvar Bjarki. He also has a direct link to Beowulf, since he was the nephew of Hrothgar, whose hall is menaced by Grendel.

We are going to stay in Northern Europe and look at Hrolf Kraki next.

The Bee Wolf

The previous post ended with a riddle about a hero's name that you all know. This blog has mentioned the poem Beowulf before in the context of its place in the development of the English language, or its discovery in the Cotton Library, but has not addressed its actual contents. Therefore, like Tolkien did, I will finally discuss the poem itself as a story.

Beowulf the warrior, a Geat from southern Sweden, travels to Denmark to the hall of King Hrothgar. Hrothgar has been menaced by a monster, Grendel, who comes at night and kills and eats Hrothgar's men. Beowulf lies in wait in the hall, and fights Grendel that night, ripping off Grendel's arm. Grendel flees back to the marshes.

That night, after feasting, Grendel's mother visits the hall and kills one of Hrothgar's men while they all lay asleep. The next day, Beowulf and Hrothgar and their men track the monster to a lake. One of Hrothgar's retainers who had been rude to Beowulf upon his arrival offers his sword to Beowulf. Beowulf tells Hrothgar that, if he does not return from under the lake, Hrothgar must accept Beowulf's followers as his retainers. He dives in, finding a cave at the bottom where he encounters Grendel's mother.

The sword he was given has no effect on her hide, but her attempts to stab him are likewise turned aside by his armor. Spotting a giant blade hanging on the wall, he grabs it and cuts off her head. He finds Grendel's body, cuts off Grendel's head with the giant sword, whose blade then melts away from Grendel's corrosive blood. He returns to the surface where his men are waiting, and presents Grendel's head and the hilt of the sword to Hrothgar. Hrothgar gives Beowulf gifts and a makes speech about avoiding pride.

Beowulf returns home, where he eventually becomes king of his people. Fifty years later, a dragon menaces the land because a thief stole a cup from its hoard. Beowulf fights it alone, deserted by his fearful men except for one man. Beowulf's body is burned in a great pyre.

It is an interesting mix of fictional, mythical, and historical elements. A number of characters mentioned in the poem show up in other records as historical figures, and one event mentioned is related by Gregory of Tours. One of the elements is the name of the hero. "Beowulf" is a kenning: a compound word using figurative language to represent a single noun. In this case, Beowulf means "bee wolf"; that is, one who preys on bees. This was one way to describe a bear.

Bears were symbolic of strength and power in Norse legend. The common name "Bjorn" means bear, and was clearly the origin of the were-bear character of Beorn in Tolkien's The Hobbit. There is a Norwegian legend of a king named Bjorn, whose wife was named Bera ("she-bear"). They had a child named "little bear"; I want to tell you about his legend next, and about his two brothers, who likewise had a connection to animals.

Modern Old English

There's an episode of The West Wing in which Bartlett asks a retired English teacher if she made her students "read Chaucer in the original Old English."

Sigh.

Paralleling the theme of yesterday's post, Chaucer's Middle English is practically "Early Modern English." Middle English on the page would be recognizable to many, although if they hear it pronounced it would probably be difficult to discern, and Chaucer gave us many familiar words.

Old English presents more difficulty, but our connection to it is very strong. Also known as Anglo-Saxon , it can be called Old English because it is recognizable, if you look carefully. In the opening lines of Beowulf, for instance, you can discern that:

Dena = Danes
dagum = days
cyning = king
threatum = threat
thas/that = that
him = him
gōd = good

The Lord's Prayer begins:

Fæder ūre þū þe eart on heofonum

Father our you who art in Heaven

Obviously there has been evolution, but there are many nouns that have changed little in 1000+ years:

God, mann, heaofon, eorðe, weorold, lif, lufu, word, weorc, dæg, hand, cynn
God, man, heaven, earth, world, life, love, word, work, day, hand, kin

There are also many everyday verbs that have changed little in 1000+ years:

sittan, secan, healdan, beran, giefan, cuman

sit, seek, hold/held, bear, give, come

Of the 1000 most commonly used words in day-to-day Modern English, 83% come to use from Old English. Much of the rest of our vocabulary is also from Old English. In the historical development of the English language, Old English is con sided to be used from about 500CE to about 1100, and Middle English from 1100 to about 1500. Instead of a slow evolution from Old to Middle, however, there was one linguistically catastrophic event that pushed Anglo-Saxon "over the edge" and forced it to change. That's a story for next time.

Birth of a Medievalist

This is a slightly different tack for DailyMedieval, but many fans of his fiction are unaware of his career as a medievalist.

John Ronald Reuel Tolkien (3 January 1892 - 2 September 1973) graduated college with a specialty in Old Norse before he went not fight in World War I. After the war, his first job was working for the Oxford English Dictionary, reviewing the history and etymology of Germanic words. He became an expert in Old Norse, Old English, Middle English, Old Icelandic, Gothic, and Medieval Welsh. He also taught himself some Finnish.

Later, at the University of Leeds, he produced A Middle English Vocabulary and a translation of the poem Sir Gawain and the Green Knight that is still in print.

One of his most significant additions to medieval studies was his long essay "Beowulf: The Monsters and the Critics." Delivered as a lecture in 1936, it argued for the beauty of the poem as Early English literature. Up to this point, Beowulf had been used largely as a primer on the language of Old English/Anglo-Saxon, and picked apart for its references to places and names that could be matched to historical facts.

He describes the attitude toward the poem with a parable:

A man inherited a field in which was an accumulation of old stone, part of an older hall. Of the old stone some had already been used in building the house in which he actually lived, not far from the old house of his fathers. Of the rest he took some and built a tower. But his friends coming perceived at once (without troubling to climb the steps) that these stones had formerly belonged to a more ancient building. So they pushed the tower over, with no little labour, in order to look for hidden carvings and inscriptions, or to discover whence the man's distant forefathers had obtained their building material.

His essay created an atmosphere in which Beowulf could be seen as a poem worthy of being treated as a poem, not as an old document to be studied simply for clues to language and criticized as a dish-mosh of paganism and Christianity, mingled stories of heroism and monsters, history and myth.

Death of a Medievalist

Tolkien in his study

Time to break one of my rules and discuss a 20th century event.

Today is the 41st anniversary of the death of J.R.R.Tolkien. Born 3 January 1892, he learned to read and write by the time he was four, even learning a little Latin from his mother. Among his literary preferences were the fairy stories of Andrew Lang and the fantasy of George MacDonald. In his teens he added the Anglo-Saxon language to his Latin studies. He and his cousins played with inventing languages of their own, a pursuit that would help him lend artistic verisimilitude to his literary masterpiece The Lord of the Rings.

A career in World War I brought him home as an invalid, after coming down with trench fever. In 1920 he became the youngest professor at the University of Leeds, on the strength of his linguistic knowledge. His first academic publication was a Middle English Vocabulary in 1922. A few years later, this was followed by an edition/translation of Sir Gawain and the Green Knight that is still in print.

Although his focus was more on language than literature, he produced two scholarly works in the 1930s that bridged (what some would call) the gap between the two. His 1934 article "Chaucer as a Philologist: The Reeve's Tale" showed that Chaucer was well aware of dialects and deliberately gave some of his characters a different dialect to make their status plain to the audience

Then, in 1937, he published a lecture (given the year before) called Beowulf: The Monsters and the Critics. In it, he argued successfully that the poem Beowulf had value not just as a repository of Anglo-Saxon language and northern European history that could be used to cross-reference other references to history It was also a poem of literary merit. This essay continues to be fundamental to any modern study of the poem. His own translation of the poem was published a few months ago.

Current culture equates his name with a series of blockbuster adventure movies, but long after those have fallen out of favor, his academic work will still be fundamental to future scholarly endeavors.

4 Stages of Gothic—History & Culture

[This is Part 1; the other 3 parts address Gothic Architecture, the Gothic Revival, and Fiction.]

From the Middle Ages until 1974, the Kings of Sweden claimed the title Rex Sweorum et Gothorum (King of Swedes and Goths). This was a very old title, connoting not control over the subculture begun in 1980s England, but the rule over a people that have long since been diluted from the European scene.

Current belief is that the various groups that are collectively (and perhaps erroneously) called "Goths" in classical and early medieval texts probably sprang from a single ethnic group that existed in the first millennium BCE. The word from which their name comes is related to the Geats of Beowulf fame, to Götaland and the island Gotland in southern Sweden, and of course lends itself to the tribes that were instrumental in the Fall of Rome: the Ostrogoths and Visigoths. Various sources, for instance the history Getica by the 6th century Roman Jordanes, tells us that Goths left Scandinavia in waves due to overcrowding and settled in various parts of eastern Europe. Eventually, they moved westward, attacking Byzantium and migrating as far as Crete and Cyprus. An attempt in 269CE to invade Italy was defeated by the Roman army, with heavy casualties on both sides. Two centuries later, however, the Goths would succeed in taking Rome.

The Goths were willing to absorb ideas from people they met. Their art was influenced by Greek and Roman styles. In turn, their methods of embedding gems and colored glass into objects made of gold was adopted by others and used for centuries.

Gothic alphabet and number symbols.

One idea they absorbed was Christianity. Bishop Wulfila (c.310-383) was a Greek-Goth Christian who fled with his followers to northern Bulgaria to escape persecution. There he developed the Gothic alphabet so that he could translate the Bible into the Gothic language. Although he managed to convert many Goths to Christianity, it was Arian Christianity. Arianism had been declared heretical, so when Arian Goths met other Christian groups, they were not always welcomed with open arms. In fact, some modern scholars believe Romans felt more threatened by the Arianism of the Goths than by the political changes that would result from conquest. As for Wulfila's alphabet and Bible: we have very few examples of Gothic writing. It is one of the earliest Germanic languages recorded, but it has completely died out and no modern languages are descended from it.

Although the Goths died out, however, their name endured.

Robert Cotton's Hobby

Sir Robert Bruce Cotton was born 22 January, 1570 (or 1571). Too late to be part of the Middle Ages, but still a subject for this blog; you'll see why presently. He attended the Westminster School on the grounds of Westminster Abbey in London, considered one of the finest schools in England. From there he went to Jesus College, Cambridge, graduating with a BA in 1585.

In 1601 he was made a Member of Parliament and started a successful political career. He helped King James I develop a new fund-raising scheme with the invention of the title/position "baronet." A baronet (like a knighthood) did not confer on the bearer a right to attend Parliament (and therefore be a potential nuisance), but it was a lovely and impressive title that could be inherited; many wealthy men would willingly pay large sums to be made a baronet, which gave them a hereditary title for their childfren but no real power.

Robert Cotton, painted in 1626.

Despite Cotton's friendship and value to the king, he began to become a concern when his views about the importance of parliament over the monarch were expressed in his published essay The Dangers wherein the Kingdom now standeth, and the Remedye. The monarchy considered this a threat, and they decided to take action to prevent Cotton from becoming the center of discontent. The monarchy had a simple solution to pull the rug out from under Cotton: confiscate his library.

The assumption was that his library held documents that might provide historical precedents for his political views. Why was his library such a concern? Robert Cotton had a hobby: for decades he had been collecting documents, manuscripts, books, records. He had an insatiable desire to collect and preserve the history of the written word in England, and he created a library with more documents (it was said at the time) than the Records Office in London. It was confiscated by the king in 1630. Cotton died in 1631. The library was eventually returned to his family; his grandson gave it to the British Library.

The Cotton Library was, of course, pre-Dewey Decimal and pre-Library of Congress. He had his own scheme for organizing documents. His library was lined with bookcases, each of which was topped by the bust of a classical figure. Each bookcase had up to 6 shelves, designated by letters. Each shelf was filled with documents, counted from left to right. Items in the library were designated by bust/shelf/#document. For instance, the Anglo-Saxon Chronicle (one of nine surviving manuscripts) is designated Cotton Domitian A.viii. Many works of literature from the Middle Ages, such as Beowulf (Cotton Vitellius A.xv) or Sir Gawaine and the Green Knight (Cotton Nero A.x) exist today only because they were collected and preserved thanks to Robert Cotton's hobby.