Books on Demand

We talked (finally) about the source of books for the general populace, but medieval bookshops were not like modern ones: you didn't walk in and see rows of titles with multiple copies so you could just grab one and walk up to a counter to pay. Often, you went to the bookshop to order the book you wanted. Again, unlike the modern bookshop, your order could take weeks or months, because the copy you wanted likely didn't exist: it had to be made and copied from the original.

Unlike the modern book store, however, you had choices that are not available today. Once you had determined that he did have access to a copy of the book you wanted, you had to decide on certain features.

Did you want parchment or paper? What quality of parchment (were holes okay)? What script did you want it produced with? Did you want illustrations? Since it was being made from scratch for you, you had options we cannot (and, fortunately, do not have to) imagine today. I've made the illustration a little larger than usual (I hope it shows clearly in your browser), so that you can see not only the samples of script being advertised by a 15th century bookseller, but also the names of the different scripts written above each sample in gold lettering. This is an advertising sheet produced by professional scribe Herman Strepel of Münster in 1447.

And if you were producing the book and looking for more business, why not include ads for your services? A Paris manuscript includes, on the last page, “If someone else would like such a handsome book, come and look me up in Paris, across from the Notre Dame cathedral.”

Not every "addition" to a book was an ad. A Middle Dutch chronicle includes the line “For so little money I never want to produce a book ever again!” 

Book production employed different skilled tradesmen: the scribe himself, the illustrator, and the person who did the binding of the completed pages. Inks and paper or parchment had to be readily available, so those manufacturers were kept busy by demand, especially in university towns. In Paris, the Rue St. Jacques was where you'd find the producers of Latin textbooks, making it easy for students to know where to go to order needed materials for study. A lot more about medieval books is available on this blog.

Of course Gutenberg changed a lot of that, which is why I consider his innovation to be one of the markers that the Medieval period had truly ended. Gutenberg's press did not end the need for something on which to put the printed word, however. Next I'll talk about the production of parchment.

A Brief History of Ink

You see it everywhere, yet we never give it a moment's thought. Almost everything printed uses ink. (There are heat-sensitive labels/receipts, and photocopiers don't use liquid anymore.) Carving in stone or wood, pressing into clay—these were sufficient ways to make records, but the result was a cumbersome piece of material to lug around or deliver. Once we started using thin, flat sheets of light material, we needed something to create images on it that would be durable and neat, not become illegible over time.

Just about every culture in the early stages of writing developed lampblack, carbon mixed with a liquid that would allow it to be spread neatly. Egypt added iron and ocher for red ink. China was grinding graphite mixed with water and applied with brushes. China also used soot and animal glue as of the 3rd century BCE.

India ink has been around for thousands of years, having been invented in China. A mixture of fine soot and water, it was used at least a thousand years BCE. It became known as "India ink" (in British English, "Indian ink") because the materials were sourced from India. It is still used for comic books and other purposes.

Countless materials were experimented with to create cheap and Latin inks. Ferrous sulfate and oak galls produced an ink that dried to a dull brown and is familiar on numerous medieval manuscripts.

During the time of Gutenberg, most inks were of two kinds: a mixture of soot, water, and glue as a binder, used since the Classical Era; and the medieval combination of ferrous sulfate, gall, water, and gum as a binder. (The binder was to make it water-resistant and therefore more durable.) Unfortunately, while fine for writing, they were unsuitable to the printing press because of their tendency to "blur" when applied with pressure. Even worse, iron gall ink can be corrosive to paper; the presence of iron causes oxidation of the cellulose in the paper. Johann Sebastian Bach's original works are being eaten away by the ink he used. 

Gutenberg's innovation was oil-based, mixed with lampblack (soot), varnish and egg white. This combination made a sharper impression when pressed onto paper or vellum, producing a clear image that did not blur or fade over time.

Oak gall ink, however, was popular in the Middle Ages and even used by Pliny. It might be worth taking a closer look at. Stay tuned.

Movable Type

Movable type—the process of using interchangeable parts to create a page rather than carving/casting an entire page—revolutionized the production of the written word.

Prior to using movable type, pages were printed by carving an entire wooden block...backwards. One mis-carved letter would prompt the carver to start with a new block. Even without typos the process was time-consuming, and a block could only be used for that one page. Moreover, the ink would eventually soak into the wood, not just sit on it, softening the wood so that the letters lost their sharpness.

The invention of movable type is credited to Bi Sheng, whose process was described by a Chinese scholar, Shen Kuo:

During the reign of Chingli ..., 1041–1048, Bi Sheng, a man of unofficial position, made movable type. His method was as follows: he took sticky clay and cut in its characters as thin as the edge of a coin. Each character formed, as it were, a single type. He baked them in the fire to make them hard. He had previously prepared an iron plate and he had covered his plate with a mixture of pine resin, wax, and paper ashes. When he wished to print, he took an iron frame and set it on the iron plate. In this, he placed the types, set close together. When the frame was full, the whole made one solid block of type. [Dream Pool Essays, 11th century]

As seen in the illustration above, Chinese needed many more individual blocks to accommodate the characters in the Chinese writing system.

Korea developed movable type, but the process was more laborious than Bi Sheng's carving into clay:

At first, one cuts letters in beech wood. One fills a trough level with fine sandy [clay] of the reed-growing seashore. Wood-cut letters are pressed into the sand, then the impressions become negative and form letters [moulds]. At this step, placing one trough together with another, one pours the molten bronze down into an opening. The fluid flows in, filling these negative moulds, one by one becoming type. Lastly, one scrapes and files off the irregularities, and piles them up to be arranged. [Thomas Christensen (2007). "Did East Asian Printing Traditions Influence the European Renaissance?" Arts of Asia Magazine. 2006-10-18.]

The large number of individual characters needed for Korean—Korean used Chinese characters in a system they called hanja—made this process laborious. A solution was found several years before Gutenberg: Sejong the Great created a simplified alphabet of only 24 characters—called hangul—that would speed up the process of setting type. This did not catch on, however, as the elite refused to give up hanja in favor of making things easier for the masses. Another reason why movable type did not take off in Korea as it would in Europe under Gutenberg was a Confucian prohibition: the new printing method was only to be applied to government publications.

Johannes Gutenberg is described as having perfected movable type because of his experience with metals: he figured more efficient ways to make the numerous letters he needed to be able to compose many pages at once.

Although the oldest books extant made with movable type are Asian—the oldest extant book printed with movable type is Korean, made 78 years prior to Gutenberg's invention—there is no evidence that Asia influenced Europe. Gutenberg's method that produced cheap copies of books revolutionized scholarship and learning.

There was one more thing Gutenberg did that changed printing, and it never gets mentioned although in its way it is significant as part of the printing process. Tomorrow I'll tell you about something you see and use every day and don't give a moment's thought: ink.

1453-The End

Historic periods rarely have well-defined dates, unless they can point to a specific event that created definitive change. One can say there's an "Atomic Age" that started with the dropping of the bomb on Hiroshima, for instance. Human history is divided into three periods: Classical Antiquity, The Middle Ages, and Modern History. There is, of course, "pre-history" where we have evidence of human beings but no written records (we are ignoring cave paintings).

The Middle Ages itself spans such a long time that it is convenient to split it into Early (late 5th century to 10th century), High (1000 CE to 1300s), and Late Middle Ages (about 1250 CE to 1500). You can't help noticing that High and Late overlap by at least 100 years.

For me, the Middle Ages ends in 1453. That year is not quite as arbitrary as the "official" year of 1500, picked (I assume) because it was a nice round number. I like 1453 because there are events—two specific and one approximate—that make large enough changes politically and culturally that it seems to me things in Europe will never be the same.

The first is the final end of the Hundred Years War. The economies and cultures of England and France were dominant through much of the previous centuries; their political alliances and hostilities affected several other countries, their trade partners as well helped create a "global" economy. With the French victory at the Battle of Castillon in 1453, a long period of instability that had started in 1066 came to and end. (Yes, there were military conflicts between France and Great Britain afterward, but no large or sustained campaigns. They are sometimes referred to as "The Second Hundred Years War." In fact, there was a period of 1159-1259 referred to as "The First Hundred Years War." [sigh])

The second specific event is the final Fall of Constantinople. (I feel obligated to designate it "final" because of the disastrous Fourth Crusade, which for some reason I have avoided discussing. Some day...) The result of a 53-day siege by the Ottoman Empire, it not only altered the history of one of the constants of history—Constantinople had never lost its reputation the way Rome did after the Goths—but it also marked a change in siege warfare. Until then, strong walls/ramparts had prove effective against siege warfare, and Constantinople had very strong ramparts. They were defeated, however, by the use of gunpowder. Defeating a well-defended city became easier. Constantinople became the new capital of the empire. There was a secondary result of this conquest: an influx of new (and classical) learning through Greek texts brought to Western Europe by scholar fleeing Constantinople. The Renaissance had already started in Italy and elsewhere, and now would be enhanced by the new scholars and scholarship.

My third (and the "approximate" event) was a development brought about by a German named Johannes Gensfleisch, whose expertise with metal work helped him perfect a process that had actually been around for 200 years—just not in Europe. We know him now as Johannes Gutenberg. The famous Gutenberg Bible took about two years to set and print, and was completed in 1454. We are certain his press was in operation as early as 1450. The cultural sea-change brought about by the relatively easy method of providing the world with books without fear of scribal errors cannot be calculated. There were fears that learning would not be appreciated properly or used wisely—once you let just anyone have a book, the less-educated could misinterpret it and spread misinformation. It is likely that an elite class would oppose widespread dissemination of learning in order to maintain their elite status (which is why movable type did not become widespread two centuries earlier). The cat was out of the bag, however. It is likely that the choice of printing an impressive Bible helped some see the beauty and utility of mass-produced books.

...and that, for me, is why post-1453 would never be the same in Europe and the very-near East. Now, as much as I want to talk about that "First" Hundred Years War, you may be sick of that topic and the petty fighting between England and France. For a change, let's look at the "failure" of movable type to catch on in the 13th century, and for that we have to turn to a country never before mentioned in this blog: Korea.

A Papal Secretary Makes His Mark

Poggio's notes on monument [link]

Many months ago this post mentioned a time when there were three popes at once, who were finally removed and replaced with a fourth. The truth is that there was a two-year gap before the Cardinals settled on a single pope. During this time, what did all the servants and staff of the Vatican do with themselves? One of them went searching for manuscripts from the past and made of them a gift to the future.

His name was Gian Francesco Poggio (later called "Bracciolini," and he was born in Tuscany on 11 February, 1380, but grew up in Florence where his father took him to be educated. It was soon clear that he had a great talent: his penmanship. In an age when all documents were created by hand, penmanship was prized. He was put in school to become a notary.

Notaries were authorized to oversee certain legal documents and transactions. At 21 he was a member of the Notaries Guild in Florence. Two years later, he was working for a cardinal, and a few months after that, for the Vatican itself. With his penmanship skills and knowledge of proper document organization and preparation, he quickly moved up through all the ranks of official Vatican scriptors, working under four popes.

Then came 1414 and the Council of Constance that got rid of all three warring popes, beginning a two-year gap in the need for secretaries who produced official documents. Poggio decided to travel. He visited the German spa at Baden, abbeys in Switzerland and Swabia, St. Gall and many others. He brought to light sole copies of important works by classical authors that might have otherwise disintegrated without being copied.

At Gall he found unique documents by Cicero, Quintilian, Statius, Gaius Valerius Flaccus, and more. Cicero's complete Orations were recovered at Cluny. The only known copy of the encyclopedic De Rerum Natura ["On the Nature of Things"] by Lucretius was recovered from a German monastery (probably Fulda). One Harvard scholar credits Lucretius' 7400-line poem on the world with kickstarting the Renaissance.

He returned to his Vatican duties, being named Apostolicus Secretarius, the papal secretary, under the newly elected Pope Martin V. He traveled a great deal still, moving around when the pope did and on re-assignments (he spent five years in England, which he hated), looking for manuscripts that needed bringing into the light. He worked under several more popes until he finally retired to a villa that he had built with the money from the sale of a manuscript by Livy. In 1453,* he was offered the position of Chancellor of the Florentine Republic by Cosimo de Medici. He fulfilled his duties there until his death in 1459.

*Coincidentally, he retired from a career created by his excellent hand-writing of documents at the same time Gutenberg was perfecting movable type and ushering in an era of mass-produced books.

The English Bible

John Wycliffe (c.1320-1384) was politically active and a reformer whose brilliance as a theologian was originally admired widely. Eventually, as some of his ideas began to be put into practice, he became labeled a heretic. One of his greatest (and, in the church's opinion, most heretical) acts was to produce a complete translation of The Bible into English, because "it helpeth Christian men to study the Gospel in that tongue in which they know best Christ’s sentence."*

"In ye bigynyng iwas ye word", Wycliffe Bible.

We are pretty sure that Wycliffe didn't do the whole book himself. Nor was he the first: the Bible had been translated into Old English centuries before Wycliffe, but manuscripts were rare and piecemeal. The Venerable Bede (c.673-735) and Aldhelm (c.639-709) had each translated parts of the Bible into Old English. The oldest existing manuscript we have is the Lindisfarne Gospels, a 10th century Latin text of Matthew, Mark, Luke and John with Old English translation inserted between the Latin.

Many so-called Middle English Bibles were in fact paraphrases or commentary rather than strict translations.

For Wycliffe, the Bible held more truth than the church hierarchy, and he wanted people to be able to directly study the word of God. When the church objected—the traditional approach was that the clergy were best suited to explain the Bible to the people—Wycliffe replied “Christ and his apostles taught the people in that tongue that was best known to them. Why should men not do so now?”

So he set about making a careful translation with his friend, Nicholas of Hereford. Although using familiar English words, they stuck to Latin syntax, and so a sentence that we know as "And God said, Let there be light, and there was light." which is a fairly sensible translation of the Latin, came out (following Latin word order) as "And God said, Be made light, and made is light." In the years after Wycliffe's death in 1384, a follower of his (probably John Purvey) revised it, changing the word order to "And God said, Light be made, and light was made."

The Bible was popular—over 250 copies exist—but the church objected to it and to Wycliffe's increasing influence on the common people, especially after the Peasants' Revolt and the increasingly vocal and active Lollard movement. The early 1400s saw some extremely strict censorship laws put into place to prevent any more unauthorized translations. The problem was that, since the Wycliffe Bible had been translated from the Latin (whether carefully or not) without editorializing, it was not easily distinguishable from "authorized" translations. This may be why so many copies survived. Of course, 1453 and Gutenberg were just a couple generations away, which meant that the production of "unauthorized" texts was about to become frighteningly easy.

*N.B.: "sentence" in the Middle Ages did not mean just a collection of words expressing a complete thought. From the Latin sententia, it signified concepts such as "meaning" or "thought" or "opinion."