Poggio vs. Lorenzo

Lorenzo Valla (c.1407 - 1457) was a scholar and Catholic priest. Like Poggio Bracciolini, he was interested in old manuscripts. His father worked as a lawyer for the pope, and his uncle was a papal secretary. Valla wanted to be an apostolic secretary himself, even entering the priesthood thinking that would help, but never was able to achieve that career.

With his knowledge of Latin and Greek, he analyzed classical texts and wrote treatises on them. One of his bars to working for the papacy may have been his work that established the Donation of Constantine as a forgery. I previously wrote about him and the Donation here.

He likewise showed the inauthenticity of a supposed letter from Christ to Abgar (1st century ruler of Edessa). His questioning of other religious documents and his questioning of the usefulness of monastic life roused the ire of faithful churchmen. One of his fiercest enemies was Bracciolini, who pointed out errors of style in Valla's works and made ad hominem attacks on Valla, accusing him of degrading vices.

Bracciolini attacked Valla's major work on Latin language and style, in which Valla argued that biblical texts could be subjected to the same analysis and critiques on the basis of style the way non-biblical classical texts could. Bracciolini argued that the new humanism was to be considered separate from theology, and profane and sacred writings were to be treated differently. He penned five Orationes in Laurentium Vallam ("Orations to Lorenzo Valla") criticizing him, which was countered by Valla writing Antidota in Pogium ("Antidote to Poggio").

Surprisingly, the two men were reconciled, prompted by other scholars and humanists. They acknowledged each other's talents, and became friends. Erasmus considered Valla superior to Bracciolini, saying Poggio was "a petty clerk so uneducated that even if he were not indecent he would still not be worth reading, and so indecent that he would deserve to be rejected by good men however learned he was." (Erasmus had probably seen and disapproved of Bracciolini's joke book.)

Although never became an apostolic secretary, he was invited to Rome by Pope Nicholas V to work on a special project: the new Vatican Library. Let's talk about that place tomorrow.

Rush Floors

We've read about medieval dwellings having rushes on the floors, in order to provide something soft and clean to walk on instead of the compacted earth that would constitute the floor in cottages. The cold stone floors of castles would also benefit from rush flooring. The accounts for King Edward II show a purchase of "a supply of rushes for strewing the King's chamber" from one John de Carlford. It was also used for the floors of churches, and the practice of rushbearing has been adopted as a modern festival at some churches.

Many different plants could provide these rushes, but a common one was the Acorus calamus, pictured here. To the Middle Ages it was "Sweet Flag," although it had many other names (since it grows on every continent except South America and Antarctica). The leaves are flat blades that can grow to a height of 79 inches, and emit a pleasant odor when crushed.

The use of Sweet Flag did not start in the Middle Ages. A papyrus dating to 1300BCE mentions it for use in perfumes. But rushes on the floor are thought of now as a medieval European practice. Was that practical?

Think of a pile of long-bladed plants strewn all over a dirt or stone floor. Sure, when crushed they emit a sweet aroma, but how high-stepping would you have to be in your own home to crush them and not have them catching on your feet and ankles? How deeply were they spread? Wouldn't they also provide an environment for vermin?

In a castle, the situation would be worse: high-born ladies in long gowns walking across rushes "strewn" about? The front of your floor-length gown would create a pile-up of rushes. Where's the sense in that? It's one thing to deal with it in a church which you visit for a short time once or twice each week, but in day-to-day living?

The Dutch philosopher Erasmus (1466 - 1536) makes the perils of rush floors clear. He lived in England for 15 years and complained about his time as a professor at Queens' College, Cambridge, for the lack of good wine. He wrote about England:

The [floors] are, in general, laid with white clay, and are covered with rushes, occasionally renewed, but so imperfectly that the bottom layer is left undisturbed, sometimes for twenty years, harbouring expectoration, vomiting, the leakage of dogs and men, ale droppings, scraps of fish, and other abominations not fit to be mentioned. Whenever the weather changes a vapour is exhaled, which I consider very detrimental to health. I may add that England is not only everywhere surrounded by sea, but is, in many places, swampy and marshy, intersected by salt rivers, to say nothing of salt provisions, in which the common people take so much delight I am confident the island would be much more salubrious if the use of rushes were abandoned, and if the rooms were built in such a way as to be exposed to the sky on two or three sides, and all the windows so built as to be opened or closed at once, and so completely closed as not to admit the foul air through chinks; for as it is beneficial to health to admit the air, so it is equally beneficial at times to exclude it.

I have to assume that his experience of rush floors was limited. Here he describes (I assume) a lower-class household (of which there were many, to be sure), but his rooms at Cambridge would not be like this, nor a well-to-do household that could afford the regular refreshing of rushes. We cannot argue with an eyewitness, but his experience of rushes might not be universal.

There's another theory; I will, however, string this discussion of rushes along to a third day, and present a picture of a much more efficient use of rushes and tell you where you can still get them for your floors today. See you here tomorrow.

Mirrors for Princes

Machiavelli's Il Principe (c.1513) was far from innovative. Writers since classical times had produced works that explained the proper behavior—or improper behavior—of rulers. The genre was called specula principum, or "mirrors for princes." These took the form of instruction books, often aimed at a young ruler who was just coming into power, or could be biographies of rulers who should (or should not) be emulated.

The reign of Charlemagne seems to have motivated the desire to "raise the bar" for rulers and inspired many writers to produce mirrors for their local rulers in the 9th century. Charlemagne's life was, of course, the example to be followed as far as Einhard's Vita Karolini (Life of Charles) was concerned. No one wanted to see the Carolingian empire suffer after Charlemagne's demise, and so his descendants had no lack of advice. His son Louis the Pious was the target of one speculum by Smaragdus of Saint-Mihiel; Louis' son Pepin I of Aquitaine was the target of one by Jonas of Orléans; Louis' grandson Lothair II of Lotharingia was addressed by Sedulius Scottus in a work called "On Christian Rulers."

Alcuin of York, a prolific writer and famous teacher, wrote De virtutibus et vitiis (On virtues and vices, c.799) for Count Wido of Brittany. A friend of Alcuin's, whom he met at Charlemagne's school in Aachen, was Paulinus of Aquileia who wrote the Liber exhortationis (Book of exhortations, 795), for Count Heiric (Eric) of Friuli. Paulinus (c.730-802) had been born in the Friuli region of northeast Italy and he and Heiric were friends, so he felt entitled to tell Heiric a thing or two, including advising him to free his slaves. (Having slaves was common.) Paulinus also wrote an elegy when Heiric was killed in 799.

Mirrors for princes were popular right through the Renaissance by scholars who felt qualified to give advice to powerful men. We know of ones that were written for the future Henry VIII (by John Skelton; a copy exists in the British Museum), for King Charles V of Spain (1516, by Erasmus), for King Christian IV of Denmark-Norway (1597, by Johann Damgaard), and King James I of England wrote one for his eldest son, Henry, who died of typhoid at 18; maybe Charles I read it when he ascended the throne.