Pharmacist Turned Poet

Although little is known of his personal life, and he was not famous in his own lifetime, the Sufi poet known as Attar of Nishapur (c.1145 – c.1221) is commemorated in a National Day of Attar Nishapuri on 14 April. From rare contemporary comments and later mythologizing, here is what we think we know about him personally.

His full name was Abū Ḥāmid bin Abū Bakr Ibrāhīm. Born to a chemist, he was highly educated and became a pharmacist ("Attar" means "apothecary"), in which profession he attended to numerous patients. His patients would confide their troubles in him, which affected him deeply. Abandoning his profession, he traveled widely, meeting many people but especially Sufi philosophers, finally returning to his home town of Nishapur where he promoted Sufism, a religious practice found within Islam which is characterized by a focus on Islamic purification, spirituality, ritualism, and asceticism.

(By the way, Nishapur produced another famous Persian poet I have talked about in this blog, who died not many years prior to Attar's birth: Omar Khayyam.)

Attar wrote lyrical poems representing Islamic mysticism, biographies of famous Muslim mystics, and a few philosophical works. Although mentioned by contemporaries, he was not well-known in his lifetime, but some of his works survived so that they could be promoted in the 15th century. It is possible that he was "discovered" because of a comment by Rumi:

"Attar was the spirit,

Sanai his eyes twain,

And in time thereafter,

Came we in their train."

In another poem, Rumi wrote:

Attar travelled through all the seven cities of love

While I am only at the bend of the first alley.

The ideas infused in Attar's poetry reflect Sufi ideas: the soul is bound to the body and awaits its release to return to the source of spirit. This reunion can be attained in this life through purification and asceticism. He draws on many older works and history to explain his ideas.

In April 1221, Mongols invaded and slaughtered many in Nishapur, including the 78-year-old Attar. A mausoleum in Nishapur was built in the 16th century (pictured above is the mausoleum after a 1940 renovation).

His most famous poem is called (in English) The Conference of the Birds. I'd like to share it with you tomorrow.

The Persian Connection

Yesterday's post, "This Too Shall Pass," tells about a particular poem from the Exeter Book with the theme that sorrowful occurrences eventually pass away, so things get better. The saying "This too shall pass" is familiar to English speakers.

On 30 September, 1859, Abraham Lincoln used this expression while addressing the Wisconsin State Agricultural Society when he said:

It is said [redacted] once charged his wise men to invent him a sentence, to be ever in view, and which should be true and appropriate in all times and situations. They presented him the words: "And this, too, shall pass away." How much it expresses! How chastening in the hour of pride! How consoling in the depths of affliction!

Seems straightforward, and yet it's now time to reveal the [redacted] portion. The words I left out are "an Eastern monarch." Huh? Why not the Western European source of the Exeter Book? One of the earliest translations into Modern English of passages from the Exeter Book was in 1842, the Codex Exoniensis by Benjamin Thorpe. Deor was included, but it seems clear that Lincoln (although widely read) did not get his theme from this work on Old English poetry.

It is likely that he got it from a more popular author, Edward FitzGerald. Known more as the author of The Rubaiyat of Omar Khayyam, FitzGerald had published a retelling of an old Persian fable, Solomon's Seal, in which a sultan requests of Solomon a motto for a signet that would be useful in both adversity and prosperity, and Solomon offers "This also shall pass away." The story also appears in Jewish folklore, where sometimes Solomon is the king who requests a motto.

Lincoln may have got it from Blackwood's Magazine (1817 - 1980), a British periodical that was also distributed in the United States and featured American authors. An early English appearance of this tale appeared in Blackwood's in 1848.

Ultimately, the saying's origin has been traced to Persian Sufi poets such as Rumi, Sanai, and Attar of Nishapur. In fact, Attar (c.1145 – c.1221) may be the earliest source, and we'll check him out tomorrow.

Omar Khayyam, Mathematician

First page of "Cubic equation and
intersection of conic sections"

A book of verses underneath the bough

A flask of wine, a loaf of bread and thou

Beside me singing in the wilderness

And wilderness is paradise now.

The Rubaiyat of Omar Khayyam, translated by Edward Fitzgerald in 1859, made Khayyam the most famous Persian poet in the 19th century. Few people realize that Khayyam did not need Fitzgerald to be famous. Centuries earlier, he was one of the most influential thinkers produced by the Middle East.

Born in Nishapur on the 18th of May in 1048, he spent part of his youth in Balkh, which would produce Rumi 80 years after Khayyam's death. He studied under the well-known scholars Mansuri and Nishapuri. He put his education to work: as an adult, he was either teaching algebra and geometry, studying the stars, working on calendar reform, acting as a court advisor, or learning medicine. He taught the works of Avicenna.

The Tomb

He was best known in his lifetime and afterward for his mathematical writing, especially on algebra. Many of the principles of algebra that made their way to Europe came from Khayyam's Treatise on Demonstration of Problems on Algebra (1070).

One of his claims was that the solution of cubic equations cannot be solved by a ruler and compass. He said it required the use of conic sections, and announced his intention to write a paper that lays out the "fourteen forms with all their branches and cases." He never got around to it, and 750 years would have to pass before someone produced the proof of Khayyam's claim.

Omar Khayyam died on 4 December 1131 at the age of 83, and was buried in what is now the Khayyam Garden in Nishapur. A  mausoleum was built in 1963 to house his remains.

"The Most Popular Poet in America"

Today is the 805th anniversary of Rumi's birth. On the 800th anniversary, in a story done by BBC News online, he was referred to as "the most popular poet in America." What journey took a medieval Muslim mystic to that title?

Marco Polo described the city of Balkh in what is now northern Afghanistan as a "noble and great city and a seat of learning"—this despite its destruction 50 years earlier by Genghis Khan. Since the mid-8th century, Balkh had been a center for Persian-Islamic culture, drawing scholars and theologians from near and far. One of them was a theologian, jurist and mystic named Bahā ud-Dīn Walad, the latest of several generations of jurists, who was also known later as Sultan al-Ulama, "Sultan of the Scholars."

Bahā ud-Dīn Walad fled Balkh at the approach of the Mongols, taking his family westward until finally reaching an area that had been under the control of the Eastern Roman Empire and was still called Rûm. There he became head of a madrassa, which upon his death was inherited by his son, Jalāl ad-Dīn Muhammad Balkhī. Because the son lived in Rûm, however, he is usually known today as Rumi.

Rumi started in his father's footsteps as a jurist; he preached and issued fatwas.* A meeting with the dervish Shams-e Tabrizi inspired him to become an ascetic; when Shams disappeared (or was murdered; sources disagree) a few years later, Rumi was devastated. His emotions found expression in poetry. Once he started writing, he didn't stop; the Mathnawi has been called his greatest poetic work.

Although a devout Muslim (his poetry includes hundreds of lines from the Quran), his work is considered to have universal appeal. According to the BBC:

With his injunctions of tolerance and love, he has universal appeal, says Abdul Qadir Misbah, a culture specialist in the Balkh provincial government.
"Whether a person is from East or West, he can feel the roar of Rumi," he says.

The madrassa where Rumi taught

"When a religious scholar reads the Mathnawi, he interprets it religiously. And when sociologists study it, they say how powerful a sociologist Rumi was. When people in the West study it, they see that it's full of emotions of humanity."[source]

His poetry has an evolutionary strain, in that he saw a progression in the universal soul working through levels of existence. The Muslim philosopher Al Farabi introduced this idea to Islam, and it finds expression in Rumi in lines like:

I died as a mineral and became a plant,
I died as plant and rose to animal,
I died as animal and I was Man.
Why should I fear? When was I less by dying?
Yet once more I shall die as Man, to soar
With angels bless'd; but even from angelhood
I must pass on: all except God doth perish.
When I have sacrificed my angel-soul,
I shall become what no mind e'er conceived.
Oh, let me not exist! for Non-existence
Proclaims in organ tones,
To Him we shall return.

Rumi's poetry has inspired much of classical Iranian and Afghan music, and has been translated into languages all over the world. Madonna, Goldie Hawn, Philip Glass and Demi Moore have done performances of his poetry.

As for Rumi in his country of origin: the Taliban outlawed music, and Sufism didn't fit their view of Islam. Since their ouster from political power in Afghanistan, Rumi has had a resurgence.

*Although in the West fatwas have a bad name, they are treated differently in the Sunni and Shia sects. Rumi was Sunni, and so his fatwas were non-binding.